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As an infant, Julian Brave NoiseCat's father was found abandoned in a dumpster. Against all odds, he survived and made it out of his impoverished reservation only to abandon his own son. As a young man, NoiseCat embarks on an unforgettable journey into his family's past and his people's present. NoiseCat grapples with the erasure of North America's First Peoples and the trauma that cascades across generations, and illuminates the vital Indigenous cultural, environmental and political movements that are reshaping the future.

The figure of the supplicant negro—a figure famously represented in Josiah Wedgwood's 18th-century anti-slavery medallion—continues to sideline radical Black anti-colonialist struggle. The End of Supplication contends that Black freedom struggles are anti-colonial movements against anti-Blackness and the permutations of slavery, and as such they are ill-served by a dominant Civil Rights discourse that escapes neither the paternalism of white abolitionism nor the caricatures of minstrelsy.

Newport Gardner's Anthem explores the remarkable life of Occramer Marycoo, an enslaved African who went on to become one of early America's most important Black leaders. In the mid-eighteenth century, Marycoo was taken from West Africa to Newport, Rhode Island, where he was forced into racial bondage and given a name that symbolized the power that his new city and new enslaver held over him: Newport Gardner. In this powerful book, Edward E. Andrews pieces together newspaper articles, church records, letters, and Gardner's own writings to tell the story of his life.

In Empire Without End, historian Imaobong Umoren delivers an incisive and captivating exploration of the deep, complex ties between Britain and the Caribbean—largely underexamined until now. Spanning from the 16th century to the present, this riveting narrative redefines how we view the Caribbean—not just as a source of labor and resources for the British Empire, but as a dynamic testing ground for social and cultural experimentation.

With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays, the first since Harvard University Press published The World, the Text, and the Critic in 1983, reconfirms what no one can doubt—that Said is the most impressive, consequential, and elegant critic of our time—and offers further evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and our culture.

The highly anticipated follow-up to Hospicing Modernity: how we activate responsibility, nurture care, and grow up in the face of collapse—includes reflections, exercises, and prompts.

In Capturing Kahanamoku, historian Michael Rossi draws on archival research and firsthand interviews to weave together a truly fascinating narrative—at once an absorbing account of obsession, a cautionary tale about the subjectivity of science and the afterlives of eugenics, a meditation on humanity, and the story of a man whose personhood shunned classification.