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In his second book of cultural memoir, Jeremy Atherton Lin lays bare a love outside the law—the blooming of his binational relationship through pivotal years in the gay marriage debate. In 1996, Jeremy meets the boy of his dreams, nicknamed “Famous”—a mumbling, starry-eyed Brit—just as US Congress prepares the Defense of Marriage Act, which denies same-sex couples federal rights, including immigration. Being together across borders means dropping out, hiding away, and seeking out sanctuary among unlikely allies in a “city of refuge.”

In Exit Wounds, Peter Godwin considers the life of migrants, exiles and refugees, and grieves the many losses that make life both magnificent and unbearable. With generations of history behind him, he brings us into the spaces which make us question, suffer and celebrate the lives we have among family and friends, and the healing of our own scars.

Lola Young has been an actress, an academic, an activist and a crossbench peer. But from the age of eight weeks to eighteen years, she was moved between countless foster care placements and children's homes. It would take many decades before she was able to make sense of her childhood. Baroness Young's story is a vital part of contemporary Black British history, but is also a moving account of being a child in care, a black child in a white family, and the sense of disconnection that comes from living between cultures.

In the turbulent late seventies, six-year-old Susanna Crossman moved with her mother and siblings from a suburban terrace to a crumbling mansion deep in the English countryside. They would share their new home with over fifty other residents from all over the world, armed with worn paperbacks on ecology, Marx and radical feminism, drawn together by utopian dreams of remaking the world. They did not leave for fifteen years.

In The White Peril, Omo Moses deftly interweaves his own life story with excerpts from both his great-grandfather's sermons and the writings of his father, the civil rights activist Bob Moses. The result is a powerful chorus of voices that spans 3 generations of an African American family, all shining a light on the Black experience, all calling fiercely for racial justice.

Darrin Bell was six years old when his mother told him he couldn’t have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are.

What makes Zenadth Kes/Torres Strait unique? And what is it like to be a Torres Strait Islander in contemporary Australia? Growing Up Torres Strait Islander in Australia, compiled by poet and author Samantha Faulkner, showcases the distinct identity of Torres Strait Islanders through their diverse voices and journeys.

When Simon Kuper left London for Paris in his early thirties, he wasn't planning to make a permanent move. Paris, however, had other plans. Kuper has grown middle-aged there, eaten the croissants, seen his American wife through life-threatening cancer, taken his children to countless football matches on freezing Saturday mornings in the city's notorious banlieues, and in 2015 lived through two terrorist attacks on their neighborhood. Over two decades of becoming something of a cantankerous Parisian himself, Kuper has watched the city change.

When Nusrit Mehtab joined the Met Police in the late 80s the organisation was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule and she was subject to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. After 30 years, she finally had enough and left the MET, initiating an employment tribunal against them in the process.

Tracing the birth of a revolutionary, Huey P. Newton's famous and oft-quoted autobiography is as much a manifesto as a portrait of the inner circle of America's Black Panther Party. From Newton's impoverished childhood on the streets of Oakland to his adolescence and struggles with the system, from his role in the Black Panthers to his solitary confinement in the Alameda County Jail, Revolutionary Suicide is unrepentant and thought-provoking in its portrayal of inspired radicalism.

Almost every Latina has heard the phrase calladita te ves más bonita—you look most beautiful when you are silent. It's a message rooted in machismo passed from generation to generation, and one that poet and Latine therapist, Kim Guerra, grew up on. In Badass Bonita, Guerra tells a story of coming into her own power, and guides listeners through the process of finding their own. Rejecting what she was taught as a girl, she learned to use her voice and the more she listened to that inner niña, the more she unearthed her inner guerrera.

Motherland has descriptive copy which is not yet available from the Publisher.

The Endless Country takes a journey through Turkey’s past – the nation the author’s father left decades ago and he returns to as a young man. It is not about Erdogan or Atatürk, the two towering Presidents who have book-ended that history, and at times have appeared impossible to escape. Instead Sami Kent’s book goes deep beyond them, revealing a history as rich, layered and absurd as his family’s favourite dessert, künefe: a shredded wheat pastry with a core of melted cheese, a topping of pistachios, and a drowning of syrup.

Born in Brooklyn, New York in 1963, Patrick grew up in the midst of some of the most turbulent and culturally impactful periods of NYC's history. Often neglected as a child by his parents—a father who struggled with alcohol addiction and an overworked mother who struggled to make ends meet—he learned to fend for himself. Now a renowned visual artist, musician, actor and writer, Dougher brings to life his memories, his struggles, personal revelations, and a life intimately tied to the realities of growing up Black and disenfranchised on the streets.

Shalom Auslander was raised like a veal in a dysfunctional family in the Orthodox community of Monsey, New York: the son of an alcoholic father; a guilt-wielding mother; and an overbearing God. Now, as he reaches middle age, Auslander begins to suspect that what plagues him is something worse, something he can't so easily escape: a story. The story. One implanted in him at an early age, a story that told him he is fallen, broken, shameful, disgusting, a story we have all been told for thousands of years, and continue to be told by the religious and secular alike, a story called "Feh."