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Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers—characters on the hunt for love, connection, revenge, or their own sense of purpose.

Sara hasn't seen or heard from her childhood best-friend, Lejla, in years. She's comfortable with her life in Dublin, with her partner, their avocado plant and their naturist neighbour. But when Lejla calls and demands she come home to Bosnia, Sara finds that she can't say no. What begins as a road trip becomes a journey through the past, as the two women set off to find Armin, Lejla's brother, who disappeared towards the end of the Bosnian War. Presumed dead by everyone else, only Lejla and Sara believed Armin was still alive.

A revelatory portrait of Napoleon to mark the 200th anniversary of his death, written for our own time, not in power politics or epic battles, but through his love of nature and the gardens that gave his revolutionary life its light and shade. Napoleon's gardens range from his childhood olive groves in Corsica, to Josephine's gardens and menageries in Paris, to gardens in Cairo, Rome and on Elba, to the walled garden of Hougoumont at the battle of Waterloo, and ultimately to Napoleon's final garden on St Helena.

The most celebrated general in history, Napoleon Bonaparte (1769-1821) has for centuries attracted eminent male writers. Since Thomas Carlyle first christened him “our last Great Man”, regiments of biographers have marched across the same territory, weighing campaigns and conflicts, military tactics and power politics. With Napoleon, Ruth Scurr, one of our most eloquent and original historians, emphatically rejects the shibboleth of the “Great Man” theory of history, instead following the dramatic trajectory of Napoleon’s life through gardens, parks, and forests.

Helsinki, 2016. Olenka sits on a bench, watching a family play in a dog park. A stranger sits down beside her. Olenka startles; she would recognize this other woman anywhere. After all, Olenka was the one who ruined her life. And this woman may be about to do the same to Olenka. Yet, for a fragile moment, here they are, together—looking at their own children being raised by other people.

In a world just parallel to ours exists a mystical realm known only as the Gardens. It’s a place where feasts never end, games of croquet have devastating consequences, and teenagers are punished for growing up. For a select group of masters, it’s a decadent paradise where time stands still. But for those who serve them, it’s a slow torture where their lives can be ended in a blink. In a bid to escape before their youth betrays them, Dora and Thistle - best friends and confidants - set out on a remarkable journey through time and space.

Faye Adelheim is living a delicious lie. She is wealthy beyond imagination, she is the Chairman of her self-made global cosmetics brand, and her ex-husband, the monster who killed her beloved daughter Julienne, is living out the remainder of his days behind bars. But unbeknownst to journalists, police officers, and investors, and even the lovers she occasionally invites to her bed, Faye has a secret: her daughter is, in fact, alive and well and so is her mother, the woman Faye’s father was sentenced for allegedly killing years ago.

The young English narrator of Lea Carpenter’s dazzling new novel has grown up unhappily in London, dreaming of escape, pretending to be someone else and obsessed with a locked private garden. On the eve of her twenty-first birthday, at a party near that garden, she meets its charismatic and mysterious new owner, Marcus, thirty-three years older, who sweeps her off her feet. Before long they are married at his finca in Mallorca, and at last she has escaped into a new role–but at what price?

Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers—characters on the hunt for love, connection, revenge, or their own sense of purpose. Twisting and winding in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable—these stories remind us once again of why Kelly Link is incomparable in the art of short fiction.