検索キーワード： ナレーター "Petros" すべてのカテゴリー

Is Ezekiel’s Wheel a mystical allegory—or an inevitable physical reality heading straight for our skies? For decades, the apocalyptic vision of the Mother Plane has been treated as debate or doctrine. But divine judgment is not a metaphor—it is an unyielding, physical law.

In the spirit of Rebecca Traister's Good and Mad and Roxane Gay's Bad Feminist comes a courageous, in-depth investigation into the modern epidemic of shame in our society—what it is, why women are uniquely susceptible, and how we can shift the shame off our plates and live our best lives in...

Lilly is a young snow leopard who lives with her mother, father and three uncles. She wants to be a writer some day like her father, so she keeps a record of all her day to day adventures; everything she experiences and learns, she writes in her journal. Lilly's Journal brings the children's genre into the modern age. Each book will delight and entertain both young and young-at-heart, and most of them will have some moral to learn as well.

The collection "Men-Things-Beings" by the subversive writer Petros Argyriou goes back to our birthplaces. Goes to the places of soul and sentiments. As "Historian" of a future without authors and books, he creates ten short stories that describe and satirize the present of the human species. The author "creates" the conditions of a future world without wars, discrimination, superconsumption and environmental destruction. The only value is Men, Things and Beings.

Me dijeron que amara con la boca llena de barro y sal es un canto íntimo al amor que resiste: pequeño, tenaz, imperfecto. Hay un borde frágil en el que el amor ofrece más preguntas que respuestas. Desde allí, Virginia P. De León escribe cuentos que respiran como heridas abiertas y poemas...

Es difícil lavar el rastro de las heridas, pero siempre podemos volver a amar. Hay luces insostenibles en el tiempo, dice Virginia. Hay quienes con la máscara del amor juegan únicamente a la violencia. Hay lecciones que la vida nos enseña de las formas más crueles. Y luego, después de todo...