検索キーワード： ナレーター "Lyssa Browne" すべてのカテゴリー

Carrot has moved into the Wonder Museum—an eclectic collection of taxidermy, shrunken heads, and Mystery Junk owned by her Uncle Earl. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the corridor behind one of the museum walls. There's just no space for a corridor there—or the concrete bunker, or the strange islands beyond the bunker’s doors, or the unseen things in the willow trees. Carrot has stumbled into a horrifying world, and They are watching her. Strewn among the islands are the remains of Their meals—and Their experiments.

Meredith's family's annual game of assassin at Martha's Vineyard during a summer wedding is the perfect chance to honor her sister's legacy, and finally join the world again. But when she forms an alliance with a cute groomsman, she's at risk of losing both the game . . . and her heart.

Five families. Perfect from the outside. Broken on the inside.

Anabelle Crisp is fourteen when the Silence arrives, severing all communication between Earth and her new home on Mars. One evening, while she and her father are closing their diner in the colony of New Galveston, they are robbed at gunpoint. Among the stolen items is a recording of her absent mother's voice. Driven by righteous fury and desperation to lift her father's broken spirits, Anabelle sets out to confront the thieves and bring back the sole vestige of her mother.

Nemo Frisby used to be a detective. Now he drives an Uber between billionaire mansions in California. But he never lost the nose for the case - and when his housecleaner, Trinity Fox, discovers a young woman lying dead in her neighbourhood, she persuades him to help her prove it wasn't suicide. Their investigation leads them to the Bel Air home of a wealthy movie producer, who built his mansion over a Native American burial site. Ancient mythology tells of a demon who, if unearthed, can imbue evil men with terrible power.

In this ordinary North Carolina suburb, family secrets are always in bloom. Samantha Montgomery pulls into the driveway of her family home to find a massive black vulture perched on the mailbox, staring at the house. Inside, everything has changed. Gone is the eclectic warmth Sam expects; instead the walls are a sterile white. Now, it's very important to say grace before dinner, and her mother won't hear a word against Sam's long-dead and little-missed grandmother, who was the first to put down roots in this small Southern town.

She's my first love. She's also my father's mistress's daughter. I'm Duke Wilder, and this is my story. I left Wildflower Canyon and Wilder Ranch ten years ago, away from my father and Elena—the girl I loved before I found out she was the daughter of my father's mistress. Now my father is gone, and he's left the ranch to me. I come back ready to sell it off piece by piece, to destroy his so-called legacy, and finally get revenge on the land that failed my mother. But coming back to the Colorado ranch country feels like stepping into a part of myself I've tried to forget.

After a harrowing Tracker assignment in Scotland, Jess Ballard is finally home and ready to celebrate her twin sister Hannah’s long-awaited wedding—and with Milo at the helm, it promises to be the event of the Durupinen season. But even as they turn their attention to dress fittings, tastings, and last-minute preparations, a cloud looms over them. Tensions in the upper ranks of the Durupinen are coming to a boiling point, and it becomes clear that the wedding itself could well be the crucible in which it all comes to a head.

Jess and Hannah Ballard's determination to protect the Gateways brings them to Edinburgh's Old Town, where a strange phenomenon threatens to disturb the delicate balance between the worlds of the living and the dead. Spirits who wish to cross over are vanishing, and it is up to the Ballard sisters to discover why.

The Romans have a famous saying: "The stars incline us; they do not bind us." The words hold so much weight and importance they're stained on my skin—just like she is. The ink may not be visible, but the binds are indisputable, pulling me back to her like a rough tide. Impossible to leave. However, time has proven, free will or not, it will take more than bending the rules to be with her. It will require breaking them.

Discover the complete social history of the housewife archetype, from colonial America to the 20th century, and re-examine common myths about the “modern woman.” The notion of “housewife” evokes strong reactions. For some, it’s nostalgia for a bygone era, simpler and better times...

It started with a crush. The best stories always do. Our story sounds predictable, short-lived, and destined for failure. Lincoln Beckett is the star wide receiver at Brighton University—smart, funny, and, like many would guess, heartbreak shines in his dark eyes and is etched across his jaw. He's popular, a guaranteed draft pick, and, worst of all, my brother's best friend. I tried not to like him. I have an entire list of reasons. Reasons that have become my rules for dating. Rules that Lincoln continues bending.

Thirteen-year-old Evan Hanson is always the last in her family to know what's going on. Her father, Gene, who's been meaner since he began serving in Vietnam, isn't around much, and she likes it better that way. But then her brother, Adam, gets drafted and her anti-war mother, Endura, takes him across the border to Canada, leaving Evan alone with Gene and her younger, special needs brother, Teddy. When he realizes Endura isn't returning, Gene takes Evan and Teddy to Eat and Get Gas, his mother's cafe and gas station.

Louisa May Alcott's short story "The Brothers" is set during the Civil War. Narrated by a wartime nurse, the story tells of one white brother and the other, who is half black, who meet in a hospital. Due to a previous grudge between them, the black brother tries to kill the white brother. Preaching the religion of humanity and kindness, she draws from her personal experiences to create this amazing work. This piece first appeared in The Atlantic Monthly in November 1863.

It's been more than a year since Jess and Hannah Ballard fought to return the power of the Gateways where it rightfully belongs, and the Durupinen world is slowly adjusting to its altered relationship with the spirit world.

The extraordinary powers of a female CIA agent lead her into the dangerous heart of the collapsing Soviet Union—and the path of a killer that shouldn't exist. Minsk, 1990. The Soviet Union is crumbling. The scavengers and predators are gathering, eager to pick the meat off the bones of a dying empire.

A Modern Cinderella is a collection of four short stories by Louisa May Alcott, the author of Little Women. Like her more famous novels, Alcott tells stories of young women interacting with people and events from the late 1800s. Louisa May Alcott bestows a truly amusing and thoroughly modern retelling of The Brothers Grimm's Cinderella. Alcott pokes fun throughout, describing a "cool blonde" as "having many cares those happy little housewives never know."

Susan Lentigo's daughter was murdered twenty years ago and now, at long last, this small-town waitress sets out on a road trip all the way from Upstate New York to North Dakota to witness the killer's execution. On her journey, she discovers shocking new evidence that leads her to suspect the condemned man is innocent and the real killer is still free. Even worse, her prime suspect has a young daughter who's at terrible risk. With no money and no time to spare, Susan sets out to uncover the truth before an innocent man gets executed and another little girl is killed.

Some cryptic words wake college student Jess Ballard from a terrifying dream into an even more terrifying reality. Jess’ life has never been what anyone would call easy; doing damage control in the wake of your nomadic, alcoholic mother doesn't exactly make for a storybook childhood. But now, her world has fallen apart just when it should be coming together: her mother gone—dead under mysterious circumstances; her life uprooted to stay with estranged relatives she’s never met; and there’s something odd about some of the people she’s been meeting at school: They’re dead.

After breaking the code of secrecy and facing the judgement of the High Council, Jess and Hannah have no choice but to become Trackers, working to take down those who would exploit the spirit world for profit or power. Their first assignment takes them into the deep South, where Jeremiah Campbell, a self-proclaimed spiritual guru, lures wealthy and desperate devotees with promises of a deeper connection with the dead. As the girls go undercover, it soon becomes clear that they, and the spirit world they are sworn to protect, are once again in unimaginable danger.