検索キーワード： ナレーター "Emma Noakes" すべてのカテゴリー

Mirabelle has always known she is a monster. When the glamour protecting her unusual family from the human world is torn and an orphaned brother and sister stumble upon Rookhaven, Mirabelle soon discovers that friendship can be found in the outside world. But as something far more sinister comes to threaten them all, it quickly becomes clear that the true monsters aren't necessarily the ones you can see.

Mirabelle is part of a very unusual family. Between Uncle Bertram transforming into a ferocious grizzly bear and Aunt Eliza’s body being made entirely of spiders, it’s safe to say they are an extraordinary lot. To the human residents of Rookhaven Village, the family is a threat. So long ago, a treaty was reached between them - in return for sundries and supplies, the monsters won’t eat the townspeople - and an invisible glamour was set around the perimeter of the Manor to keep strangers out. But it also keeps Mirabelle and her family hidden from those who would do them harm. 

In 1976, four students took a trip to the desert. Now the repercussions of that fateful summer are coming back to haunt them. And repercussions are just what Guy doesn't need: his wife, Jane, is moving swiftly from slightly eccentric to downright peculiar, their three-year-old daughter seems set on destroying Jane's sanity, and now even God's gone quiet on him. As for Nina, she's having enough trouble with her son, James. He's got exams looming, a new girlfriend with pneumatic breasts, and now, it seems, he's on drugs. Nina certainly won't welcome any ghosts from the past.

In the polluted, sprawling hive cities of Necromunda, life is short. From the decadent heights of the Spire to the murderous deeps of the underhive, those on the climb must be bold and brutal, or face a violent end. When the barbarous Fettnir, Goliath overlord of the Chemfall Butchers, turns his attention to Escher territory, the result is nothing short of a massacre. Brielle of the Wild Hydras escapes the slaughter and is cast into the deepest levels of the underhive.

Baggit is a fast-talking ratling sniper with a greedy eye and loose morals. Clodde is an ogryn, a brute with a core of decency and a desire for a better life. Two abhuman deserters turned thieves, at large in the monolithic city of Varangantua, where only the tough or the ruthless survive. Having landed in debt to a savage crime lord, Baggit and Clodde end up in the crosshairs of the meanest, most puritanical sanctioner in the city. 

Southampton 1920. Phoebe Collins rose to the challenge of running the family fruit and veg stall when her father did not return from the front. The work outside in Kingsland market in all weathers can be hard, but with her mother and younger brother Tim to support, she's determined that it continue to be a success. 

Fifteen year old Rose hears voices. Mostly she gets along with them ok, but when her real Dad turns up out of the blue to take her away for the weekend, things get completely out of control. This drama has sprung out of a project that listened to people with mental health issues, and in this case people who hear voices. The project was run by Company Paradiso, a charity that enables groups of people who encounter some form of disadvantage to tell their stories.

1990: Holly is a fresher student at Oxford University. Out of her depth and nervous about her surroundings, she falls into an uneasy friendship with a group of older students from the upper echelons of society and begins to develop feelings for one in particular. He’s confident, quiet, attractive and seems to like her, too. But as the year progresses, her friends’ behaviour grows steadily more disconcerting, and Holly begins to realise she might just be a disposable pawn in a very sinister game. 

Violet Veil wants nothing more than to prove her worth and become her father’s apprentice at Veil & Sons Undertakers. And one rain-soaked night she gets her chance when she meets a boy, Oliver, who is wandering around the graveyard. Only, the last time Violet saw Oliver, he was indoors and very much dead, waiting to be buried. Violet has just found her first case and it doesn’t get bigger than this: can she, with the help of her dog, Bones, help Oliver solve his own ‘murder’. 

On a night out, four friends witness a stranger in trouble. They decide to do nothing to help. Later, a body washes up on the banks of the Thames - and the group realises that ignoring the woman has left blood on their hands. But why did each of them refuse to step in? Why did none of them want to be noticed that night? Who is really responsible? And is it possible that the victim was not really a stranger at all?