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After a decade-long relationship with a dominatrix he called Daddy, Emerson Whitney had begun to crave something besides submission. It came as a full surprise‚ submission had been so central to his early adulthood, to his trans identity. Dizzied by new questions of control and aging, and living in a tent while his relationship ends, Emerson stumbles upon an advertisement for a storm-chasing tour. For thrill seekers, it says. Unsure what else to do, he signs up.

Emerson Whitney writes, "Really, I can't explain myself without making a mess." What follows is that mess—electrifying, gorgeous, defiant. At Heaven's center, Whitney seeks to understand their relationship to their mother and grandmother, those first windows into womanhood and all its consequences. Whitney retraces a roving youth in deeply observant, psychedelic prose—all the while folding in the work of thinkers like Judith Butler, Donna Haraway, and C. Riley Snorton—to engage transness and the breathing, morphing nature of selfhood.