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When Faiza, a Muslim migrant girl from northern Ghana, and Abena, a wealthy doctor’s daughter from the south, meet by chance in Accra’s largest market, where Faiza works as a porter or kaya girl, they strike up an unlikely and powerful friendship that transcends their social inequities and opens up new worlds to them both. Set against a backdrop of class disparity in Ghana, The Kaya Girl has shades of The Kite Runner in its unlikely friendship, and of Slumdog Millionaire as Faiza’s life takes unlikely turns that propel her thrillingly forward.

Mary Ashun’s Tuesday’s Child is the story of a girl born in the small West African country of Ghana. She has big dreams, a large boisterous, extended family, and a tendency toward asking questions that children, especially girls, aren’t supposed to ask. Boarding school days, interminable church services, and a famine that leaves her thin enough to be an ’80s model are all narrated with such candid humor that it’s hard to believe there were any scars.

In this startling collection of short fiction, Ama Asantewa Diaka creates a vibrant portrait of young Ghanaians’ today, captured in the experiences of characters whose lives bump against one other in friendship, passion, hope, and heartache. Men like Opoku Sr., not yet forty and struggling to keep his family’s cocoa business afloat after his father’s unexpected passing. Opoku strains under the burden of caring for his eight younger siblings and the child whose mother ran off. When his new girlfriend tells him she’s pregnant, he knows he has nothing left to give.

On the cusp of thirty, Ghanaian Londoner Whitney Appiah was born with a special gift. The massage therapist can physically sense where her clients’ trauma lies and heal them. But Whitney has no idea that she too, is suffering. Tragic events from her youth have left a terrible, unseen mark. When a dangerous encounter with the man she’s dating triggers a wave of fragmented recollections, Whitney embarks on a journey to reclaim her memories and the truth that is buried deep in her early years growing up in Kumasi, Ghana during the 1990s.

Determined to avoid the pain and instability of her parents’ turbulent, confusing marriage, Kokui marries a man far different from her loving, philandering, self-made father—and tries to be a different kind of wife from her mother. But when Kokui and her husband leave Ghana to make a new life for themselves in America, she finds history repeating itself. Her marriage failing, she is called home to Ghana when her father dies.

Kenkey for Ewes and Other Very Short Stories is a collection of 50 stories that are considered to be some of the best published works on the Flash Fiction Ghana blog.

When Selasi and Akorfa were young girls in Ghana, they were more than just cousins; they were inseparable. Selasi was exuberant and funny, Akorfa quiet and studious. They would do anything for each other, imploring their parents to let them be together, sharing their secrets and desires and private jokes. Then Selasi begins to change, becoming hostile and quiet; her grades suffer; she builds a space around herself, shutting Akorfa out.