検索キーワード： ナレーター "David Ferry" すべてのカテゴリー

In late 2007, as the world’s economy crumbles, the remarkably unremarkable Milton Ontario - not to be confused with Milton, Ontario - leaves his parent’s basement in Saskatchewan and sets forth to find fame, fortune, and love in the electric sexuality of Montreal, to bask in endless Millennial adolescence, to escape the infinite flatness of Saskatchewan, and to find his messiah: Leonard Cohen.

“Until You Are Dead” chronicles the loss of Canada’s innocence. Prior to June 11, 1959, Canadian parents could allow their children to play outdoors, unsupervised, in places children traditionally love: schoolyards, fields and nearby swimming holes. But on that hot summer day, when the body of a twelve-year-old girl turned up in a woody area near Clinton, Ontario, that innocence was shattered.

Ned Vatcher, only 14, ambles home from school in the chill hush that precedes the first storm of the winter of 1936 to find the house locked, the family car missing, and his parents gone without a trace. From that point on, his life is driven by the need to find out what happened to the Vanished Vatchers. His father, Edgar, born to a poor family of fishermen, had risen to become the right-hand man to the colony's prime minister, then suffered an unexpected fall from grace. Were he and his wife murdered? Was it suicide? Had they run away? If so, why had they left their only child behind?

At the turn of the 19th century, naval officer David Buchan arrives in the Bay of Exploits with orders to establish contact with the Beothuk or "Red Indians", the aboriginal inhabitants of Newfoundland facing extinction. When Buchan approaches the area's most influential white settlers, the Peytons, for advice and assistance, he enters a shadowy world of allegiances and old grudges that he can only dimly apprehend.  

For 12 generations, when the fish were plentiful and when they all but disappeared, the inhabitants of this remote island in Newfoundland have lived and died together. Now, in the second decade of the 21st century, they are facing resettlement, and each has been offered a generous compensation package to leave. But the money is offered with a proviso: everyone has to go; the government won't be responsible for one crazy coot who chooses to stay alone on an island.