検索キーワード： ナレーター "Christopher Selbie" すべてのカテゴリー

Cv/VAR Series 315 reviews Anatomy of Violence: Francis Bacon and the Human Body at the Royal Academy London. Includes Francis Bacon Seminar, a discussion of the artist, recorded at Kingston University and the Hayward Gallery, London, 1998.

History tells us that William Shakespeare died in April of 1616. Or did he? What if the “William Kemp” who set sail from England for the New World in April of 1619 was actually the bard in disguise? How would he adjust to life in the Virginia Colony? How would he interact with the Powhatans? And what if he was forced to do battle with a monster out of legend? This is the story of Shakespeare’s second life.

A review of the exhibition Late Constable at the Royal Academy London. Includes the family background of the artist, his career development, and working methods and technique. Noted works include "The Leaping Horse", "Cottage in East Bergholt", "Rainstorm at Sea", "Chain Pier Brighton", "Stonehenge", and "The Cornfield". Includes essays by Edward Lucie-Smith ("John Constable", 2006) and Janet Barber ("John Constable: Earth and Sky", 2012).

Experiences plaster models and maquettes ranging from The Thinker to the Burghers of Calais, portraits of Helene von Nostitz and dancer Hanako. Explores small imagined compositions of male and female figures and fragments of body parts preserved by Musee Rodin.

Cv/VAR 47 documents an interview with the the celebrated sculptor Arman (1928-2005), exploring his early connections with Yves Klein, Rosicrucianism, and the development of auto-formed sculptures of collected objects.

Vykers once killed some of the Emperor’s soldiers; now, the Emperor has crossed the sea with all his legions to exact a revenge that will impact not only the Reaper, but Kittins, Spirk, Eoman, and even the Virgin Queen herself. Meanwhile, pieces to the puzzle of Vykers’ origins begin to fall into place, revealing people and purposes both unexpected and heretofore unimaginable.

Betrayed by his closest friend, someone who has also stolen his most precious possession, Tarmun Vykers wants revenge. Kittins wants revenge, too - against the all-powerful Queen, who’s been manipulating and dictating his every move for far too long, to devastating effect. Long Pete wants revenge against the slavers who murdered his wife and even now hold his only child captive. And many others too numerous to count want revenge, as well, for slights both real and imagined. One thing is certain: Punishment is coming.

The 2013 monograph republished on the occasion of the 2020 Andy Warhol retrospective at Tate Modern London featuring: Campbell's Soup Cans, 1960s portraits; Suicides and Car Crashes; Sex Parts; Latinx Trans Portraits and the finnale Sicty Last Suppers 1986. Includes Andy Warhol at the NGMA Edinburgh, October 2007, A Celebration of Life...and Death. Magdalena Wasiura on Andy Warhol: Brigid Bardot portrait at Gagosian Gallery 2013.

Three years have passed since Tarmun Vykers’ victory over the mad sorcerer who called himself the End-of-All-Things. But they’ve been three long years confined to a sick bed with a grievous wound that will not heal, cannot be healed by any means known to man. And then, something unthinkable happens, and Vykers is summoned once again to save the kingdom.

This second part comes from English county guides first published by Cv Publications between 1999 and 2011, and includes Oxfordshire, Gloucestershire, and Buckinghamshire.

This is a personal view of Picasso and Paper, a major exhibition held at the Royal Academy, and explores over 300 works covering drawing, collages, and prints.

This audiobook is a review of David Hocking's Drawing from Life exhibition at the National Portrait Gallery in London. It explores early self-portraits from the 1950s and portraits of friends and associates, including Celia Birtwell, Gregory Evans, and Maurice Payne.

A reincarnated angel's tale of spiritual oneness, mental illness, the nut house, psychedelic drugs, gurus, meditation, romantic longing, mystical experience and the lesson of humility...Take the ride, because this book is gonna blow your mind.

A study of Aubrey Beardsley's work exhibited at Tate Britain until May 25, 2020. The author considers the darkly vigorous imagery of the short lived genius, his graphic work for the notorious Yellow Book, and sublimely erotic illustrations for Lysistrata by Aristophane and Salome by Oscar Wilde, which frank imagery even shocked the author.

A review of Anselm Kiefer exhibition at White Cube Bermonday tours room by room, with analytic descriptions of the large scale works on view.

After aspiring novelist Jake Conley regains consciousness from a coma, he discovers he’s affected by synaesthesia and that his now cross-wired brain endows him with heightened psychic powers. Jake’s research on the Northumbrian king Aldfrith takes him to Elfrid’s Hole in North Yorkshire, where - as legend relates - the king sheltered after a bloody battle. What Jake doesn't realize is that his investigation has unleashed a series of deadly paranormal events in which Jake himself becomes the prime suspect.

A review of the retrospective exhibition of sculptor Sir Antony Gormley OBE held at the Royal Academy London. Encounters varied works from studies and notebooks to gigantic installations.

A review of Nam June Paik at Tate Modern, explores the exhibition room by room. "When asked about his practice Paik replied "I am aware of Zen, but I am an artist: I react to Zen in the same way I react to the music of Johan Sebastian Bach."

The exhibition attempts a revaluation of the pre-Raphaelite movement of the mid 19th century, as Dr Marsh indicates it is not about gender competition. Rather, it's about rebalancing the contribution of partners, models, and studio managers. It is also about creative discourse and the other significant roles undertaken by women associated with individual artists.

Frieze Masters, London, October 6, 2019. Into the broad arena of the covered awnings of this enormous tented gathering of leading art dealers and the first gallery space is Aquavella, with a variety of exhibits; and come face-to-face with an absolutely spiteful acid green and fluorescent pink abstract by Keith Haring (1958-1990). It’s on canvas dated 1982 and signed lower left. The green is painted in a random ventilated grid over the hyper-intense pink with a bold line of a green stripe on the top edge of the work, which is encased in a glass vitrine.