検索キーワード： ナレーター "Bruce Campbell" すべてのカテゴリー

In a country torn between left and right, two politicians are about to make history. How? By working together! In a nutshell, that’s the premise of this book. House Divided is a political satire, but it’s really a political fantasy, because it takes two opposing candidates, who wouldn’t normally be caught dead together, and challenges them to spend a weekend in the remote Oregon desert - hiking together, camping together, even getting wasted together!

The Cool Side of My Pillow is a collection of essays. Don’t let that fancy word fool you. I’m not trying to get highbrow or rant myself blue, but there are experiences and observations outside of the entertainment industry that I feel are worth sharing. What’s it about? Mostly, things that matter to me, like putting in the effort, being honest, and not treating the environment like it’s the enemy. 

Fat People is an entirely unique fictional look at the emotions and experiences of those who live to eat: the estrangement, loneliness, embarrassment, fear, defeated sexuality, unresolved anger, but also the simple pleasure of food.

Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below", a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer", an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home.

Life is full of choices. Right now, yours is whether or not to buy the autobiography of a mid-grade, kind of hammy actor.

One of my dad’s favorite jokes about getting older was: “I went out for coffee when I was twenty-one and when I got back I was fifty-eight!” I get what he meant now. Time flies. My first book, If Chins Could Kill: Confessions of a "B" Movie Actor, was published back in 2001 and it chronicles the adventures of a “mid-grade, kind of hammy actor" (my words), cutting his teeth on exploitation movies far removed from mainstream Hollywood. This next book, an “Act II” if you will, could be considered my “maturing years” in show business, when I began to say “no” more often and gravitated toward self-generated material. Taking stock in the overall quality of my life, I fled Los Angeles and moved to a remote part of Oregon to renew, regroup and reload. If that sounds tame, the journey from Evil Dead to Spider-Man to Burn Notice was long, with plenty of adventures/mishaps along the way. I never pictured myself hovering above Baghdad in a Blackhawk helicopter, facing a pack of wild dogs in Bulgaria, or playing an aging Elvis Presley with cancer on his penis - how can you predict this stuff? The sheer lunacy of show business is part of the fun for me and I hope you'll come along for the ride.

Getting our hands on this source material was dangerous, legally questionable, and career-threatening, but I felt it was worth the risk–these aren’t just Hollywood outtakes, folks, these are far-out-takes. Did Duke and JFK have a reckoning in the Oval Office? Did Yoda have anger issues? Did Sean Connery struggle with crappy dentures? The answers to these–and many more unanswered questions–lay within the treasure trove of The Lost Recordings, Vol. 1: Hollywood.

Audio is a unique medium. It invites listeners to become a part of the process, to interpret what they hear, however they'd like; whereas motion pictures leave no such room for input. With the completion of this book, it dawned on me that, as an actor by trade, I could play the part; and I'm knee-deep in actor pals - why not record the book like a radio play? So that's exactly what happened. I rounded up an excellent troupe of thespians, from both Los Angeles and my home state of Oregon, and we recorded what was to become this epic listen for you to hear!