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With The Angel on the Roof, Russell Banks offers listeners an astonishing collection of 30 years of his short fiction, revised especially for this volume and highlighted by the inclusion of nine new stories that are among the finest he has ever written. As is characteristic of all of Banks' works, these stories resonate with irony and compassion, honesty and insight, extending into the vast territory of the heart and the world, from working-class New England to Florida and the Caribbean and Africa.

When we first meet him, Chappie is a punked-out teenager living with his mother and abusive stepfather in an upstate New York trailer park. During this time, he slips into drugs and petty crime. Rejected by his parents, out of school and in trouble with the police, he claims for himself a new identity as a permanent outsider; he gets a crossed-bones tattoo on his arm, and takes the name "Bone."

The Darling is Hannah Musgrave's story, told emotionally and convincingly years later by Hannah herself. A political radical and member of the Weather Underground, Hannah has fled America to West Africa, where she and her Liberian husband become friends and colleagues of Charles Taylor, the notorious warlord and now ex-president of Liberia. When Taylor leaves for the United States in an effort to escape embezzlement charges, he's immediately placed in prison.

Now available for the first time in audiobook format, a powerful literary classic from one of contemporary fiction's most acclaimed and important writers. Russell Banks' Continental Drift is a masterful novel of hope lost and gained and a gripping, indelible story of fragile lives uprooted and transformed by injustice, disappointment, and the seductions and realities of the American dream.

"Drei Erzählungen" ist der dritte Teil der "DREI"-Trilogie. Oliver Rohrbeck, Jens Wawrczeck und Andreas Fröhlich (Sprecher der "Drei ???") lesen Geschichten über die Liebe - von Sophie Dahl, Russell Banks und O. Henry.

Russell Banks, Garrison Keillor, and Dave Isay are among those heard on Chatting Up a Storm, Vol. 1, a distillation of the best broadcast interviews by journalist Claudia Cragg, with thinkers, authors, and change-makers from the United States and around the world.

At the center of Foregone is famed Canadian American leftist documentary filmmaker Leonard Fife, one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late 70s, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life.

Get to know the colorful cast of characters at the Granite State Trailerpark, where Flora in number 11 keeps more than a hundred guinea pigs and screams at people to stay away from her babies, Claudel in number 5 thinks he is lucky until his wife burns down their trailer and runs off with Howie Leeke, and Noni in number 7 has telephone conversations with Jesus and tells the police about them. Russell Banks offers gripping, realistic portrayals of individual Americans and paints a portrait of New England life that is at once dark, witty, and revealing.

In The Sweet Hereafter, Russell Banks tells a story that begins with a school bus accident. Using four different narrators, Banks creates a small-town morality play that addresses one of life's most agonizing questions: When the worst thing happens, who do you blame?  

Wade Whitehouse is an improbable protagonist for a tragedy. A well-digger and policeman in a bleak New Hampshire town, he is a former high-school star gone to beer fat, a loner with a mean streak. It is a mark of Russell Banks' artistry and understanding that Wade comes to loom in one's mind as a blue-collar American Everyman afflicted by the dark secret of the macho tradition. Told by his articulate, equally scarred younger brother, Wade's story becomes as spellbinding and inexorable as a fuse burning its way to the dynamite.  

Deeply researched, brilliantly plotted, and peopled with a cast of unforgettable characters both historical and wholly invented, Cloudsplitter is dazzling in its re-creation of the political and social landscape of our history during the years before the Civil War, when slavery was tearing the country apart. But within this broader scope, Russell Banks has given us a riveting, suspenseful, heartbreaking narrative filled with intimate scenes of domestic life, of violence and action in battle, of romance and familial life and death that make the listener feel in astonishing ways what it is like to be alive in that time.

The Relation of My Imprisonment is a work of fiction utilizing a form invented in the seventeenth century by imprisoned Puritan divines. Designed to be exemplary, works of this type were aimed at brethren outside the prison walls and functioned primarily as figurative dramatization of the test of fait all true believers must endure.

Banks explores the complexities of political life in the Caribbean.

Hamilton Stark is a New Hampshire pipe fitter and the sole inhabitant of the house from which he evicted his own mother. He is the villain of five marriages and the father of a daughter so obsessed that she has been writing a book about him for years. Hamilton Stark is a boor, a misanthrope, a handsome man: funny, passionately honest, and a good dancer. The narrator, a middle-aged writer, decides to write about Stark as a hero whose anger and solitude represent passion and wisdom

In Family Life, Russell Banks' first novel, he transforms the dramas of domesticity into the story of a royal family in a mythical contemporary kingdom. Life inside this kingdom includes the king (dubbed "the Hearty" or "the Bluff"), who squeals angrily as is his wont; the queen, who, while pondering the mirror in her chambers, decides to write a book; three adolescent princes who are, respectively, a superb wrestler, a fanatical sports car driver, and a sullen drunk.

The New York Times lauds Russell Banks as "the most compassionate fiction writer working today," and hails him as a novelist who delivers, "wrenching, panoramic visions of American moral life." Long celebrated for his unflinching, empathetic works that explore the unspoken but hard realities of contemporary culture, Banks now turns his keen intelligence and emotional acuity on perhaps his most complex subject yet: the shape of family in its many forms.

The acclaimed, award-winning novelist takes us on some of his most memorable journeys in this revelatory collection of travel essays that spans the globe, from the Caribbean to Scotland to the Himalayas. Now in his mid-70s, Russell Banks has indulged his wanderlust for more than half a century. "Since childhood, I've longed for escape, for rejuvenation, for wealth untold, for erotic and narcotic and sybaritic fresh starts, for high romance, mystery, and intrigue," he writes in this compelling anthology.

Suspended in a strangely modern-day version of limbo, the young man at the center of Russell Banks’s uncompromising and morally complex new novel must create a life for himself in the wake of incarceration. Known in his new identity only as the Kid, and on probation after doing time for a liaison with an underage girl, he is shackled to a GPS monitoring device and forbidden to live within 2,500 feet of anywhere children might gather. With nowhere else to go, the Kid takes up residence under a south Florida causeway, in a makeshift encampment with other convicted sex offenders.

Twenty-nine-year-old Vanessa Cole is a wild, stunningly beautiful heiress, the adopted only child of a highly regarded New York brain surgeon and his socialite wife. Twice married, Vanessa has been scandalously linked to any number of rich and famous men. But on the night of July 4, 1936, at her parents' country home in a remote Adirondack Mountain enclave known as The Reserve, two events coincide to permanently alter the course of Vanessa's callow life.

A husband sells property to a mysterious, temperamental stranger, and is hounded on social media when he publicly questions the man’s character. A couple grows concerned when an enigmatic family moves next door, and the children start sneaking over to beg for help. Two dangerous criminals kidnap an elderly couple and begin blackmailing their grandson, demanding that he pay back what he owes.