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House of Meetings is a gothic love story, triangular in form and steeped in darkness. In 1946 Moscow, amid the palpable threat of pogroms, two brothers and a Jewish girl are drawn together in a fateful, tangled dance of desire and rivalry. Their destinies entwine further in the desolate Norlag labor camp, buried above the Arctic Circle, where an enigmatic encounter in the House of Meetings will leave indelible marks on all three. What begins as a brief, forbidden tryst lingers long after the brothers’ release, haunting their every step.

Within the quiet walls of the Appleseed Rectory, a gorgeous five-bedroom, three-story home in rural England, anything goes: the drugs are consumed with gusto, the booze flows like water, and the sex is near constant and deliciously debauched. When six uppity twenty-somethings gather at the rectory for a careless weekend away, things quickly go awry. And when someone named Johnny begins leaving threatening letters around the house, the group is thoroughly shaken—no one has any clue who this “Johnny” could be.

Charles Highway, a bright, egotistical Oxford student and soon-to-be Great Novelist, spends the eve of his twentieth birthday reflecting on his adolescence—at times stimulating, often embarrassing, and never nearly as debauched as he’d have liked. Until he meets Rachel Noyes, an elusive, unattainable, manic pixie mystery of a girl whom Charles quickly becomes entranced by. He meticulously draws up battle plans and strategies for how to seduce Rachel, and thus the “Rachel Papers” are born.

Richard Tull, a failed and disillusioned novelist, seethes with envy as he watches his longtime friend Gwyn Barry, a talentless, populist charlatan, rise to literary superstardom. Barry is adored by readers, celebrated by critics, and constantly in the public eye, while Tull sinks deeper into middle-aged obscurity, unable to escape the evidence of his own defeat. In a trance of impotent rage, Tull devises a vicious plan to ruin his friend—or at least hurt him as badly as possible—and finds himself tumbling into London’s criminal underworld, as well as the darkest precincts of his own soul.

Foster brothers Terence Service and Gregory Riding could not be more different from one another—Terry “a quivering condom of neurosis and ineptitude” and Greg a “bundle of contempt, vanity and stock-response.” After the shocking killing of Terry’s child sister, he is taken in by the aristocratic and wealthy Riding family and introduced to his new foster brother and sister, Greg and Ursula. As adults, the two boys unhappily share a tiny apartment in London.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.

A woman wakes in an emergency room and remembers nothing—not even her own name. She hears a song about a “Mary” and a “lamb,” and decides to call herself this—Mary Lamb—until she can discover more about her past. While trying to unravel the mystery of herself, Mary meets a host of characters—a troubled woman named Sharon, a police officer named Prince who seems to know who she is, a man who works at the same café as Mary and is deeply infatuated with her. But Mary doesn’t know whom she can trust—if anyone at all.

In Experience, the celebrated novelist Martin Amis steps away from fiction to deliver a sharply observed memoir, weaving together the personal and the universal in his signature dazzling style. Through a mosaic of vivid memories, Amis reflects on his extraordinary life: his complex relationship with his father, the iconic author Kingsley Amis; the heavily publicized murder of his cousin Lucy Partington by a notorious serial killer; and the relentless absurdities of public life, from tabloid scandals to literary feuds.

John Self is addicted to life. Porn freak and jetsetter, a aficionado of wealth and women, Self is the shameless heir to a fast-food culture where money beats out an insistent invitation to futile self-gratification. Out in New York, mingling with the mighty, making a fortune but spending more, Self is embroiled in the corruption, the brutality and the obscenity of the money conspiracy.

How can one writer hurt another where it really counts? The answer: attack his reputation. This is the problem facing novelist Richard Tull, contemplating the success of his friend and rival Gwyn Barry. Revenger's tragedy, comedy of errors, contemporary satire - The Information skewers high life and low in Martin Amis's brilliant return to the territory of Money and London Fields.

Detective Mike Hoolihan has seen it all. A 15-year veteran of the force, she's gone from walking a beat, to robbery, to homicide. But this one case has gotten under her skin. When Jennifer Rockwell, darling of the community and daughter of a respected career, now top-brass, cop takes her own life, no one is prepared to believe it … especially her father, Colonel Tom. Mike Hoolihan, longtime colleague and friend of the Colonel, is ready to "put the case down." Suicide. Closed. Until Colonel Tom asks her to do the one thing any grieving father would ask: take a second look.

The murderee is Nicola Six, a 'black hole' of sex and self-loathing who is intend on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honourable, and dimly romantic Guy Clinch. And as Nicola leads her suitors towards the precipice, London - and, indeed, the whole world - seems to shamble after them in a corrosively funny novel of complexity and morality.

His most intimate and epic work to date, Inside Story is the portrait of Martin Amis' extraordinary life, as a man and a writer. This novel had its birth in a death - that of the author's closest friend, Christopher Hitchens. We also encounter the vibrant characters who have helped define Martin Amis, from his father Kingsley, to his hero Saul Bellow, from Philip Larkin to Iris Murdoch and Elizabeth Jane Howard, and to the person who captivated his 20s, the alluringly amoral Phoebe Phelps.

It was summer 1970 – a long, hot summer. In a castle in Italy, half a dozen young lives are afloat on the sea of change, trapped inside the history of the sexual revolution. The girls are acting like boys, and the boys are going on acting like boys, and Keith Nearing – twenty years old, a literature student all clogged up with the English novel – is struggling to twist feminism and the rise of women towards his own ends.

Time's Arrow tells the story, backwards, of the life of Nazi war criminal, Doctor Tod T. Friendly. He dies and then feels better, breaks up with his lovers as a prelude to seducing them and mangles his patients before he sends them home.

There were conjugal visits in the slave camps of the USSR. House of Meetings is about one such liaison. It is a triangular romance: two brothers fall in love with the same girl in Moscow, which is poised for pogrom in the gap between the war and the death of Stalin. Both brothers are arrested, and their rivalry slowly complicates itself over a decade in the slave camp above the Arctic Circle.

Esta novela demuestra una vez más que a Martin Amis no le tiembla el pulso a la hora de abordar temas controvertidos. Después de la demoledora Lionel Asbo. El estado de Inglaterra, que levantó ampollas por su crudo retrato de lo peor de la sociedad británica, el autor regresa al nazismo y al Holocausto, que ya había tratado en La flecha del tiempo. Y lo hace desde un ángulo cuando menos sorprendente, cediendo la palabra a los verdugos, y sin renunciar a incomodar al lector con ciertos toques de comedia negra.

Poche settimane separano Charles Highway dall'età adulta e molto resta da fare all'ipersolipsistico ed erotizzato protagonista prima che quel funesto traguardo, il ventesimo compleanno, segni irrimediabilmente la fine della libertà adolescenziale e l'inizio della responsabilità matura. Ci sono gli esami da preparare, il corpus di poesie giovanili da completare, c'è il padre da odiare e, sopra ogni cosa, c'è da aggiungere al carnet delle esperienze accumulate quella del sesso con una Donna Più Grande. Ed ecco Rachel: bella, elegante, inarrivabile, e di un intero mese più matura.

"C'era una volta un re, e questo re incaricò il suo mago prediletto di fabbricare uno specchio magico. Questo specchio non ti mostrava il tuo riflesso. Ti mostrava la tua anima - ti mostrava chi eri realmente". E il campo di concentramento è quello specchio. Nella zona d'interesse del campo, Golo Thomsen, nazista mediocre, riscopre un sentimento che pareva impossibile in quel luogo e in quel tempo. S'innamora di Hannah Doll, una donna sposata, che come lui sta scrutando lo specchio per capire chi è. Ma c'è un problema: Hannah è la moglie del Comandante: il cinico, spietato, grottesco Paul Doll.