検索キーワード： 著者 "Lawrence Block" すべてのカテゴリー

Battling the bottle one day at a time, ex-cop, sometime PI Matthew Scudder finds that next to staying sober, staying alive seems easy. But in the mean streets of New York City it never is. Not for the prostitute who wanted out and got her beautiful self slashed to ribbons. Not for a pimp named Chance who is betting his life that the broken-down detective can find her murderer. And not for Matthew Scudder - just trying to stay alive in a city that knows nothing better than how to die.

Martin H. Ehrengraf, dapper and diabolical, may be Lawrence Block's darkest creation. He's the defense attorney who never sees the inside of a courtroom, because all his clients are innocent - no matter how guilty they may seem. Some even believe themselves to be guilty: They remember pulling the trigger, or wiring the dynamite to their spouse's car, or holding the bloody blade. But things have a way of working out when Martin Ehrengraf is on the case.

Since the 1970s, Lawrence Block has been writing award-winning novels and short fiction featuring Matthew Scudder. Now, with both himself and his detective half a century older, the author found himself charged with writing a book about his protagonist. And he decided he wasn’t the right person for the job.

All of a sudden the streets of your city are so overpopulated with security cameras and closed-circuit TV that you have to lock yourself in the bathroom to have an undocumented moment. And locks, which used to provide the recreational pleasure of a moderately challenging crossword puzzle, have become genuinely pickproof.

In this first in a series of wickedly funny mysteries, best-selling author Lawrence Block introduces Bernie Rhodenbarr, sometimes burglar, sometimes sleuth. Pulling only an occasional, very discreet job, Bernie manages to maintain his comfortable New York City apartment and keep his unorthodox vocation a closely-guarded secret. Every burglar knows never to trust anonymous phone calls. But when the caller offers easy money for an hour's work, Bernie can't ignore the job.

Ever since The Burglar on the Prowl climbed the best seller lists in 2004, fans have been clamoring for a new book featuring the lighthearted and light-fingered Bernie Rhodenbarr. Now everybody's favorite burglar returns in an 11th adventure that finds him and his lesbian sidekick Carolyn Kaiser breaking into houses, apartments, and even a museum, in a madcap adventure replete with American Colonial silver, an F. Scott Fitzgerald manuscript, a priceless portrait, and a remarkable array of buttons. And, wouldn't you know it, there's a dead body, all stretched out on a Trent Barling carpet....

For 15 years, Janet has been married to her devoted and boring husband, Trevor. But their marriage was not as simple as it seemed. Now Janet is on the road, hurtling towards another man, and another life. Has she found freedom, and the strength to escape Trevor’s dominating fetishes? Or is there something far more sinister waiting for her at the crematorium?

The hooker was young, pretty...and dead, butchered in a Greenwich Village apartment. The prime suspect, a minister's son, was also dead, the victim of a jailhouse suicide. The case is closed, as far as the NYPD is concerned. Now the murdered prostitute's father wants it opened again--that's where Matthew Scudder comes in.

Nine long years have passed since the killer last struck - nine years since eight helpless young women were brutally slaughtered by an icepick-wielding maniac. The trail grew cold and the book was unofficially closed on a serial killer who stopped killing. But now "The Icepick Prowler" has confessed - but only to seven of the killings. Not only does he deny the eighth, he has an airtight alibi. Barbara Ettinger's family had almost come to accept that the young woman was the victim of a random killing.

Jerry Broadfield thinks he's a good cop. But now he's been charged with extortion - and his former buddies in the NYPD would like to see him laid out on a morgue slab for squealing to a committee on police corruption. Suddenly, he's got a lot of enemies, and when a dead call girl turns up in his apartment, his troubles get even bigger. Broadfield screams "setup," but nobody believes him - except ex-policeman, now unlicensed PI Matthew Scudder. Because Broadfield turned traitor no cop is going to give Scudder any help with this investigation, so Scudder's on his own.

Small-time stoolie Jake "The Spinner" Jablon made a lot of new enemies when he switched careers from informer to blackmailer. And the more "clients," he figured, the more money - and the more people eager to see him dead. So he's greedy but scared, and he turns to his old acquaintance Matthew Scudder, who used to pay him for information back in Scudder's days as a cop. Scudder's his insurance policy - if anything happens to "The Spinner," Scudder can check up on the people who wanted him dead. No one is too surprised when the pigeon is found floating in the East River....

Keller ist ein Killer. Durch und durch Profi, cool, selbstsicher, kompetent, zuverlässig. Aber er ist auch eine vielschichtige Persönlichkeit: in sich gekehrt und zurückgezogen, eiskalt und gnadenlos effizient, aber zugleich anfällig für Selbstzweifel und Einsamkeit, Albträume und Zukunftssorgen. Seinem Therapeuten gegenüber gibt er sich als "Troubleshooter" eines großen Unternehmens aus, aber sein eigentliches Metier ist Mord.

While he is probably best known as a novelist and short-story writer, Lawrence Block has produced a rich trove of nonfiction over the course of a 60-year career. Over the years, Block has written extensively for magazines and periodicals. Generally Speaking collects his philatelic columns from Linn's Stamp News, while his extensive observations of crime fiction, along with personal glimpses of some of its foremost practitioners, have won wide acclaim in book form as The Crime of Our Lives. Hunting Buffalo with Bent Nails is what he's got left over.

Here's the book that started it all: A Girl Called Honey - and if listening to the saga of Honor Mercy Bane brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up So Willing and Sin Hellcat.

What leads one person to collect stamps and another coins, one fine art and another butterflies? Who can say? But one thing is certain: those who've got the collecting bug care passionately - sometimes violently - about the objects of their obsession.

In seinem vierten Abenteuer nimmt sich Matthew Scudder - nun in deutscher Neuübersetzung - eines ungelösten Falles an, mit dem er schon Jahre früher als Detective beim NYPD befasst war. Louis Pinell, der vor Kurzem gefasste Eispickel-Mörder, gibt freiherzig zu, vor neun Jahren sieben junge Frauen ermordet zu haben - aber er schwört, dass ein Nachahmer für den Mord an Barbara Ettinger verantwortlich war. Scudder glaubt ihm. Die Spur zu Ettingers wirklichem Mörder ist verworren, dunkel und voller Gefahren ... und sogar noch kälter als die Leiche, der er Gerechtigkeit verschaffen will.

“She was just a little freshman / Victim of Admission’s whim / Then she met an upperclassman—we won’t name him— / And she had a child by him. / Now he’s off in New York City / Rescued by the co-op plan. / While she walks the streets of Yellow Springs, Ohio, / Looking for another man.” Ah, they don’t write ‘em like that anymore, and it’s not hard to see why. And the sad story recounted in the song is not entirely unlike that of Linda Shepard, titular (so to speak) heroine of Campus Tramp.

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

In the 1980s, Lawrence Block developed an interactional seminar that adapted elements of the human potential movement specifically for writers. For several years, he and his wife, Lynne, traveled the country conducting seminars that focused on the inner game of writing and designed to enable participants to get out of their own way and put their best work on paper.

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.