検索キーワード： 著者 "G-A Cohen" すべてのカテゴリー

From what we have relearned in recent history about the way magnetism, gravity, centrifugal and centripetal force, as well as the many other forces one giant body exerts upon another, we know the medievalists had it right all along. When the moon gets too close and too bright, it makes us crazy. In that spirit, editor Lancelot Schaubert rounded up sci-fi and fantasy writers Anne Greenwood Brown, Juliet Marillier, LJ Cohen, Anthony G. Cirilla, FC Shultz, and Emily Munro to write about cosmic influence.

Cohen and Cogan portray U.S. involvement in Congo in the 1960s as necessary and relatively benign. Weissman replies.

This is the second of three volumes of posthumously collected writings of G. A. Cohen, who was one of the leading, and most progressive, figures in contemporary political philosophy. This volume brings together some of Cohen's most personal philosophical and nonphilosophical essays, many of them previously unpublished. Rich in first-person narration, insight, and humor, these pieces vividly demonstrate why Thomas Nagel described Cohen as a "wonderful raconteur".

Is socialism desirable? Is it even possible? In this concise book, one of the world's leading political philosophers presents with clarity and wit a compelling moral case for socialism and argues that the obstacles in its way are exaggerated. There are times, G. A. Cohen notes, when we all behave like socialists.

There is a persistent and incorrect idea, reinforced by countless film misrepresentations, that Sherlock Holmes and Dr. Watson were always staid and dull British chaps of middle years (or older), with Holmes a spry, cranky, and impatient eccentric, and Watson a white-haired and portly Boobus Brittanicus, a la Nigel Bruce. Students of the true and Canonical Sherlock Holmes know this to be a falsehood. When we first meet them on January 1, 1881, Holmes is still 26 years old (although he will turn 27 in just a few days), and Watson, already a wounded war veteran, is only 28.

Like many other books, this book is about a journey. But unlike other books, the destination of the journey is the point where the parallel lines meet. The narrator is locked inside the book. The only way he can get out of it is by persuading one of the other characters in the book to finish off the writing process for him. But before he can do this, he has to make a journey. On his travels, there are a number of waypoints where he must stop and collect materials which are pasted into the book.