検索キーワード： 著者 "Damon Runyon" すべてのカテゴリー

Von 1973 bis 1990 strahlte Sender Freies Berlin (SFB) die beliebte Hörfunksendung "Nur für starke Nerven" (ab 1987 unter dem Namen "Die Mitternachtsstory") aus. Der Schauspieler Friedrich Schönfelder las darin Grusel- und Kriminalgeschichten für Erwachsene zur guten Nacht vor. Bezeichnenderweise schlug er selbst 1972 der Unterhaltungsabteilung des SFB vor, eine Sendereihe zu starten, in der von ihm redaktionell ausgewählte Gruselgeschichten zu Gehör kommen sollten.

Hot Horse Harry and his pal try to steal old love letters from a lonely old lady.

The story of "The Brain" and his three not-so-talented dolls, who are also not-so-grateful!

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, Spider McCoy invites Broadway to travel to Philadelphia, where Pigsfoot Grudy is going to fight Chester Nubs. Along comes a bad appendix and Caswell Fish, also known as "The Leopard Kid".

For gamblers, burlesque queens, murderers and innocents, comedy and tragedy were found in equal measure on the streets of Damon Runyon's Manhattan. Runyon, one of the most popular and widely-read figures of the Golden Age of the American Short Story, found his work was cut to measure for success in the most verbal medium of all: Radio drama. John Brown stars as the glib Broadway, whose scene-setting brings a distinctive unifying touch to these fourteen digitally remastered episodes of the classic Damon Runyon Theatre radio series.

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, Hi-C Homer and Broadway find themselves at a barbecue stand during a Florida storm. An ex-wife, two bad guys, and $50,000 in cash make a good barbecue sauce! Starring John Brown and Frank Gallop (announcer).

Not every heavyweight folds when the going gets rough.

At the Harvard-Yale crew race, three Runyonesque characters place a bet at some very nice odds.

Damon Runyon Theater is an American TV program that aired in 1955 and 1956. It presented dramatized versions of Damon Runyon's short stories. In this episode, "Broadway" and a pal bring a broken down old horse back to Kentucky. Starring John Brown.

Nubsy Taylor, Pete The Beddler, Milk Ear, and Broadway go collegiate! They travel to New Haven to sell some ducats and search for Gigolo Georgie.

Nicely Nicely meets a meets a widow with a farm and a fourth plate at dinner.

Damon Runyon's classic stories of New York City gangsters come to life in this radio series. Broadway, our guide through Runyon's world, introduces us to characters who are often as soft-hearted as they are shady. For gamblers, burlesque queens, murderers, and innocents, comedy and tragedy were found in equal measure on the streets of Damon Runyon's Manhattan.

Sharp-suited sharpies, slick-talking slicksters, high-rolling gamblers, and habitués of the racetrack - they're all here, and it's all in fun! Straight from the imagination of the legendary Broadway raconteur Damon Runyon, here is another rollicking collection of stories about bets and debts, lovers and losers, con men and wise guys.

From the pen of legendary raconteur Damon Runyon comes tales of a New York that never was but might have been - a world of smooth-talking card sharks, smiling crap-shooters, cheerful con men, and charming rogues. Featuring radio favorite John Brown as your host, Broadway, Damon Runyon Theater brings to vivid life some of the master's finest short stories. They're positively Runyonesque!

'Sense of Humor' and 'Dream Street Rose' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'What No Butler' and 'Neat Strip' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'A Story Goes with It' and 'Dark Dolores' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

'That Ever Lovin Wife of Hymies' and 'A Light in France' from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.