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Over twenty unabridged selections of Rudyard Kipling's stories, poems and letters, including famous works such as "If" and "How The Whale Got his Throat". 1. PRELUDE - "To Departmental Ditties" (1885) read by Rupert Degas 2. TODS' from "Plain Tales from the Hills" read by Martin Jarvis 3. THE...

William Brown, the loveable rogue created by Richmal Crompton in the 1930s, is as well-received and enjoyed today as he was almost 80 years ago. Martin Jarvis has long been the voice of William, and brings a youthful sense of joy and a childlike excitement to the reading.

Here are 10 hilarious stories from the genius pen of Richmal Crompton, featuring legendary, lateral-thinking schoolboy William Brown.

Another excellent installment in the Jeeves and Wooster canon and a bestselling audio. The seven unabridged short stories included here begin with Jeeves' arrival to look after Bertie Wooster, and many take place in the big world of New York City. Enjoy the usual blend of chaos and hilarity read...

In Pigs Have Wings, affably potty Lord Emsworth is embroiled in a fierce pig-rearing battle with his obese neighbour, Sir Gregory Parsloe-Parsloe. Tossed in for good measure: romantic entanglements, some dubious detective work and a fearful dieting product called 'Slimmo'.Blandings is also never...

Here is a timeless classic in an exclusive audio edition featuring Matilda, who told such dreadful lies; George, who played with a dangerous toy and suffered a catastrophe of considerable dimensions; and many, many other colourful characters. Witty, memorable, and always instructive, join the...

Martin Jarvis reads this exciting novelisation of a classic TV adventure for the Sixth Doctor, introducing the slug-like Sil. The TARDIS has stalled in midflight, and it is only on the planet Varos that the Doctor can find the precious Zeiton-7 ore he needs to continue his travels through time and space. Arriving on the planet, he saves the rebel Jondar from execution, and incurs the wrath of Sil, the sadistic representative of the Galatron Mining Corporation on Varos. 

In Jeffrey Archer's bestselling First Among Equals, Charles Seymour, second-born son, will never be the earl like his father, but he did inherit his mother's strength-and the will to realize his destiny... Simon Kerslake's father sacrificed everything to make sure his son's dreams come true. Now...

It's London, 1879, and the hapless members of the Explorers Club must confront their most lethal threat yet: the admission of a woman into their hermetically-sealed ranks. But the intrepid Phyllida Spotte-Hume turns out to be the least of their troubles, in this hilarious farce starring members of the original Broadway cast.

Adapted by David Mamet from a translation by Vlada Chernornirdik. In this classic of Chekhov’s canon, an overbearing professor pays a visit to his country estate, where Sonya and Vanya, his daughter and former brother-in-law, have slaved to maintain his wealth. But Vanya is enchanted by the professor’s new wife, while Sonya has fallen for the town’s melancholy doctor. Includes a conversation with Rosamund Bartlett, author of Chekhov: Scenes from a Life.

The price of accidental fame is hashed out in this comedy about a famous bank robber and the clerk who foiled his biggest heist. Ayckbourn’s 1988 play anticipates the popularity - and absurdity - of reality TV. An L.A. Theatre Works full-cast performance featuring: Rosalind Ayres as Jill Rillington; Jane Carr as Trudy Parks; Kenneth Danziger as Douglas Beechey; Martin Jarvis as Vic Parks; Ian Oglivy as Kenny Collins; and Yeardley Smith as Sharon Giffin. Directed by Robert Robinson. Recorded before a live audience in Santa Monica, California in February 1994.

The dreary aspects of Soviet housing and one family’s attempt to “exchange” its tiny Moscow apartment for a larger one. Adapted from a novella by the respected Russian writer Yuri Trifanov, as translated by playwright Michael Frayn. Translated and adapted by Michael Frayn. Directed by Robert Robinson. Recorded before a live audience in Santa Monica, CA in April, 1992.

From the author of Copenhagen and Noises Off. A comedy-drama about a door manufacturing company and a fateful convention in Frankfurt. An L.A. Theatre Works full-cast performance featuring Rosalind Ayres, Allan Corduner, David Ellenstein, Julian Holloway, Peter A. Jacobs, Martin Jarvis, Robin Goodrin Nordli, James Warwick and Michael York.

The intense relationships between Robert Schumann, his wife Clara, and Johannes Brahms are brought to vivid life through music and excerpts from their passionate writings. With the arrival of the young, dynamic Brahms into their household, the Schumanns’ fragile marriage is threatened by the deepening bond between Clara and their gifted guest.

In Table Manners, the action occurs in the dining room of Mother’s house, where a conventional middle-class family is attempting to have a pleasant country weekend. But they are no match for Norman, the bane of the family, who horrifies everyone by doing exactly as he likes.

The third “battle” of Ayckbourn’s celebrated trilogy The Norman Conquests, returns us to the same weekend in the country, but this time to the setting of Mother’s overgrown English country garden. Something more troublesome than brambles is lurking among the roses. Havoc ensues among the flora and fauna, as this cynical masterpiece makes its way to a hilarious conclusion.

In the second “battle” of Ayckbourn’s celebrated triology The Norman Conquests, we rejoin the family weekend, this time hearing the events in the living room, where Norman gets drunk on homemade dandelion wine – and all hell breaks loose. Norman unleashes his merry brand of manipulative charm on the hapless guests and even his most formidable opponents go down in defeat on the drawing room rug.

Mixing the colorful letters of Franz Liszt with some of his most ecstatic piano music, Odyssey of Love depicts his tempestuous relations with two fascinating women.

You Never Can Tell was originally born out of a bet that Shaw couldn't write a "seaside comedy" (a popular theatrical genre at that time). The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy.

When Christopher was six, the poems of Milne were always on hand to reassure him that other children were just as puzzled and naughty and silly as he was, and that grown-ups could be even sillier. When he turned 60, he decided it was high time there was an equally reassuring volume for those of his generation who were not only more confused than ever but were losing their teeth, their hair and, all too often, their car keys.