検索キーワード： ナレーター "Mark Young" すべてのカテゴリー

Jabez Wilson, a pawnbroker, consults Holmes about a job, gained only because of his red hair, which took him away from his shop for long periods each day; the job for to simply copy the Encyclopædia Britannica. After eight weeks, he was suddenly informed that the job ended. After some investigation at Wilson's shop, Holmes contacts a police inspector and the manager of a nearby bank. With Watson, they hide in the bank vault and catch two thieves who had dug a tunnel from the shop while Wilson was at the decoy copying job.

Inspector Lestrade asks for Holmes's help after Charles McCarthy is murdered, and his son, James, is implicated. McCarthy, and another local landowner, John Turner, are both Australian expatriates, and Lestrade was originally engaged by Turner's daughter, Alice, who believes James is innocent. Holmes interviews James, and then inspects the scene of the murder, deducing a third man was present. Realising Holmes has solved the case, Turner confesses to the crime, revealing that McCarthy was blackmailing him due to Turner's criminal past.

This is the first collection of strange stories by contemporary writer Mark Samuels. The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. Mark Samuels writes about the fundamental fears of modern life, especially the effects of isolation and the dislocation that city dwellers can experience in their inhospitable, man-made environment.

Samuel Miller discovered the photograph tucked away in the back of his father's wallet. The hospital had given it to him along with the other items the old man had been carrying when he had been admitted.

'I think that love is best left to the young,' Donna said. 'I expect that one day it will be viewed by psychiatrists as a mental health problem rather than anything wonderful or spiritual.

Most people seem to consider Nina Monkman to be a self-assured, confident young woman, but I have known her long enough to realise that this is not quite the truth.

Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality modern editions that are true to the original work.

The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. Vrolyck: I had been living in a cramped apartment out in the suburbs to the south of the city. The apartment overlooked a dingy street, invariably strewn with rubbish due to its preponderance of fast food outlets. Amongst these shabby establishments was a café which remained open for twenty-four hours a day, seven days a week.

The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. The White Hands: You may recall Alfred Muswell, he whom devotees of the weird tale will know as the author of numerous articles on the subject of literary ghost stories but who died in relative obscurity just over a year ago.

Dick and Nicole Diver are a glamorous couple who rent a villa in the South of France and surround themselves with a coterie of American expatriates. Rosemary Hoyt, a 17-year-old actress, and her mother are staying at a nearby resort. Rosemary becomes infatuated with Dick and becomes close to Nicole.

Mankind in the Making (1903) is H.G. Wells's sequel to Anticipations (1901). Mankind in the Making analyzes the "process" of "man's making," i.e. "the great complex of circumstances which mould the vague possibilities of the average child into the reality of the citizen of the modern state." Taking an aggressive tone in criticizing many aspects of contemporary institutions, Wells proposed a doctrine he called "New Republicanism," which "tests all things by their effect upon the evolution of man.

The tape came off the first reel, threaded its way through the guides and heads, and flapped uselessly, rhythmically, as the full spool continued to turn.

The five stories that made up R.B. Russell's debut collection, Putting the Pieces in Place, were described on first publication as demonstrating 'a subtle mastery of the macabre. Enigmatic and enticing, they combine a pleasing respect for the great tradition of supernatural fiction with a chilling contemporary European resonance.'

When I look back on my life in Eastbourne in the late 1980s I find it amazing that I could have ever had enough time and energy to accomplish what I did.

For the first time since his arrival in Arkos the Right Honourable David Barrett, M.P., was up early, washed and dressed and standing on the quay.

David Planer and I walked into the hotel bar through opposite doors and met in the middle of the room before anyone else could accost him.

Everything went right for Jayne just as it appeared to be going wrong. Or, at least, that's what she assumed. To begin with she lost her home and her job.

David Riley knew that he spent rather too much time watching the world go by as he worked at his desk in the window of his shabby flat. He looked down on a busy city street and in a couple of months he had come to recognise the familiar faces of those who lived and worked there.

De Profundis is a 50,000-word letter written by Oscar Wilde during his imprisonment in Reading Gaol, to Lord Alfred Douglas, his lover. Wilde wrote the letter between January and March 1897; he was not allowed to send it, but took it with him upon release. In it he repudiates Lord Alfred for what Wilde finally sees as his arrogance and vanity; he had not forgotten Douglas's remark, when he was ill, "When you are not on your pedestal you are not interesting."

Justin had been humiliated many times in front of his fellow students. On a regular basis they were all made to put their work up on the studio wall for a Criticism, when their tutors would patiently explain exactly how and why their art failed.