検索キーワード： 著者 "Kate Chopin" すべてのカテゴリー

Katherine O'Flaherty was born on the 8th February 1850 in St Louis, Missouri to parents of French and Irish descent. At age 5, she was sent to the Sacred Heart Academy and, apart from a 2 year period at home when her father died, remained there until graduating in 1868...

Katherine O'Flaherty was born on the 8th February 1850 in St Louis, Missouri to parents of French and Irish descent. At age 5, she was sent to the Sacred Heart Academy and, apart from a 2 year period at home when her father died, remained there until graduating in 1868. Whilst there she began writing and became an avid reader of almost anything that crossed her path. Kate married Oscar Chopin in 1870 and the couple moved to New Orleans, and later to the rural setting of Cloutierville, Louisiana to raise their 6 children. In 1882 her husband died leaving her in a deep trench of debt.

By the early 1890’s Kate's short stories were published nationally. With this widespread audience also came negative reviews, controversy, and cries of immorality as themes such as interracial relationships, the rights of women and other burning issues of the day were written about.

By the early 1890’s Kate's short stories were published nationally. With this widespread audience also came negative reviews, controversy, and cries of immorality as themes such as interracial relationships, the rights of women and other burning issues of the day were written about.

To be a woman is to be half the world’s population but, in many countries, unfortunately still now and for most of history, women were decidedly second class, normally no more than chattels and the bearers and nurturers of children. As society involved into a complex and overlapping system where education and equality begin to seek space things began to change. In this volume our authors describe and reveal how life actually felt for almost all women before the recent past.

Katherine O'Flaherty was born on the 8th February 1850 in St Louis, Missouri to parents of French and Irish descent. Kate married Oscar Chopin in 1870 and the couple moved to New Orleans, and later to the rural setting of Cloutierville, Louisiana to raise their 6 children. By the early 1890’s her short stories were published nationally. Despite the criticism, which unnerved her, she continued to write though in the main her works, around 100 short stories and two novels, were not attributed with any literary worth.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

No conto “Cartas”, publicado pela primeira vez em 1895, uma mulher guarda consigo um pacote de cartas comprometedoras, que precisam ser mantidas em segredo a qualquer custo. Quando o marido as encontra, um conflito interno se apodera dele. Lealdade, ciúmes e resignação permeiam esta obra.

Este conto fala de Tonie, um jovem tímido que mora em Chênière Caminada com sua mãe. Esse personagem também aparece no romance O despertar, da mesma autora.

Uma das primeiras histórias de Kate Chopin, este conto, publicado em 1892, retrata um pouco da vida e dos hábitos dos moradores da região da Acadiana, na Louisiana (EUA). A história de dois casais se transforma rapidamente durante um baile.

Este conto mostra o momento em que Louise Mallard, uma mulher casada, recebe a notícia de que seu marido tinha morrido em um acidente de trem. Ela então visualiza novas oportunidades e liberdade para o futuro.

No conto “O divórcio da senhora Célestin”, publicado pela primeira vez em 1894, a senhora Célestin conversa com o advogado Paxton sobre a possibilidade de se divorciar.

Este conto, publicado pela primeira vez em 1896, traz a história de uma atriz parisiense que anualmente se refugia no convento de freiras onde cresceu.

Neste conto, publicado pela primeira vez em 1894, Manna Loulou conta a história de Zoraide, uma mulher escravizada criada como afilhada da sua senhora.

Neste conto, Kate Chopin mergulha no coração amoroso e na mente cheia de fantasias de um homem que tinha vários nomes e nenhum deles definido.

Este conto, de 1893, explora a questão do amor e da aceitação, quando uma mulher idosa finalmente supera seus preconceitos.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

As the Century draws to a close it shows no sign of its literary talents diminishing. Authors stride into stories with a confidence and knowledge that now speak of a gilded age. We are challenged on many levels but always, always the story delivers a literary triumph.

Once again on the American side of the Atlantic talent pours forth from the pens of these literary women. Even to choose a mere ten seems to be a choice too difficult to make. Society may hold women back but these writers are equal to the challenge and overcome its boundaries with superbly written stories that are a beacon for all others who follow.