検索キーワード： ナレーター "Gabrielle Baker" すべてのカテゴリー

Bennett Lockwood, Earl of Dunsby, should feel nothing but contentment in his life, yet an unfulfilled longing tug at his heart. Despite past heartbreak, he yearns for a love match. When he discovers an injured young woman in the woodlands, he finds himself drawn to her, especially as she struggles to recall her past.

Lord Winston Lockwood is haunted by his past and bound by social expectations. He remains at Brockhall Manor to ensure his aunt and her son remain safe from her abusive husband. Adding to his frustration, Miss Bawden's constant presence threatens to drive him mad.

Mina, Heathcliff, Morrie, and Quoth are tying the knot in an extravagant ceremony. But when someone sabotages the decorations and Heathcliff receives a threatening note, they realize that a saboteur in the village doesn't want them to have their happily-ever-after. Their wedding misadventures turn deadly when the wedding saboteur murders the celebrant. Add in a duck-napping, disastrous dance lessons, absent book reviewers, Mina's mother's newest business venture, and visits from old friends . . . and enemies, and Mina has a matrimonial catastrophe on her hands.

Lady Edwina Lockwood grapples with the loss of her father when her cousin extends an invitation to Lord Hilgrove to visit Brockhall Manor. She intends to avoid this houseguest, but he quickly becomes a constant presence, much to her annoyance. Despite her initial reluctance, Edwina discovers she can offer support to Lord Hilgrove as he copes with his own grief.

Luckily, Mina Wilde loves him anyway, as well as her two other literary boyfriends—the 'Napolean of Crime,' James Moriarty, and Poe's contemplative raven, Quoth. It's tough buying the perfect Christmas gifts for three lovers, but Mina's determined to make this year the best Christmas Nevermore Bookshop has ever seen. That is until the charity Christmas tree and all the presents donated by the village go missing. Heathcliff's grinching makes him the obvious culprit, but Mina knows Heathcliff isn't mean enough to steal gifts for the animal shelter . . . or is he?

The old eddas speak of dreki—fabled creatures who haunt the depths of Iceland's volcanoes and steal away fair maidens. Bryn wants none of such myths. Accused of a crime she didn’t commit, the former Valkyrie was exiled to the mortal realm over a century ago. Now a battle-hardened mercenary, when she’s offered a glimpse of redemption—a written confession that will finally clear her name—nothing will stand in her way.

The old eddas speak of dreki—fabled creatures who haunt the depths of Iceland's volcanoes and steal away fair maidens. Solveig wants none of such myths. Mated—and spurned—by the devilishly handsome Prince Marduk, the furious dreki princess refuses to be the laughing stock of her court. Marduk will beg for her forgiveness. Or he will die.

The old eddas speak of dreki—fabled creatures who haunt the depths of Iceland's volcanoes and steal away fair maidens. Freyja wants none of such myths. Dreki seducing young ladies? Ha. They probably eat such foolish girls. But when the local dreki steals her last ram—costing her any chance of feeding her ill father through the winter—Freyja intends to confront the fearsome myth.

Mina Wilde is thrilled to be invited to a prestigious writers' retreat at Meddleworth House. Heathcliff, Morrie, and Quoth decide to come along to keep her company and indulge in some of the estate's activities. Mina is excited to get feedback on her first novel, but her dreams of writing stardom are shattered when the other writers tear her work to pieces. A little criticism never hurt anyone, right? Wrong. Their picturesque country holiday soon turns deadly when a violent storm closes in. As the writers gather around the fire to critique each other's work, the power goes out.

Northern New England, summer, 1688. Perched on the brink of disaster, Resolve Hammond and her mother, Deliverance, struggle to survive in their isolated coastal village. They're known as healers taught by the local tribes—and suspected of witchcraft by the local villagers. Their precarious existence becomes even more chaotic when summoned to tend to a poisoned woman. As they uncover a web of dark secrets, rumors of war engulf the village, forcing the Hammonds to choose between loyalty to their native friends or the increasingly terrified settler community.

The Shakespeare Festival has come to the village, and all of Argleton has gone bard-crazy. Mina's excited about Nevermore being the festival's official bookstore, but a rival bookshop opens up across the green and completely cramps her style.

One should never judge a duke by his cover. As far as London society knows, Giles Drew, the Duke of Basingstoke, is everything a proper aristocrat ought to be. But when a notorious scandal sheet publishes details of Giles's questionable bedroom antics, only one bride can salvage his reputation. Prim and penniless, Francesca Stanhope has resigned herself to a season full of the ton's snickering—until the Duke of Basingstoke's dizzying courtship transforms her fate. Yet wedded bliss quickly turns into a clash of wills as Franny realizes her handsome duke is a devil in disguise.

Ana Gardner is determined to lose her virginity before her thirtieth birthday. She's no stranger to fake identities, having posed as a chaperone since the scandal that destroyed her family. So she dons a mask and attends the city's most elite brothel, the Silver Chalice. Oliver Bedford, the imposing Earl of Drake, is only at the Silver Chalice to appease his friends—until he spots Lady Scarlet. She's refreshing and a complete mystery. Certain she's a lady in disguise, Oliver is determined to learn her identity.

By shedding new light on grooming practices, this book provides a key resource for discourse analysis, forensic linguistics, communication, and media studies, as well as for practitioners aiming to counter online grooming through policy changes, detection software, and prevention-focused training to promote digital civility and safety.

Romance isn't for the plain, shy, and awkward—a painful truth that Hyacinth knows better than anyone. But Hy refuses to let anything or anyone stop her from living life on her own terms. Independence—and the opportunity to secure her family's future—is finally within her grasp. But then Hy crosses paths with a meddling duke and everything changes.

In the sixth novel in the Nevermore Bookshop Mysteries, Mina, Heathcliff, Morrie, and Quoth face off against their ultimate enemy. Add meddling villagers, an army of fictional characters to wrangle, Mina's mother's latest get-rich-quick scheme, and a curious dog into the mix, and Mina's got her hands full. But Nevermore Bookshop still has secrets to reveal. Mina and her men are ready for an epic showdown worthy of a Homeric poem . . . if they survive.

Being the spider in the center of a vast criminal web has left Morrie in hot water. His list of enemies is long . . . too long for Mina and her men to unravel. Mina doesn't have a clue to stand on when a shadow from Morrie's past shows up and threatens to destroy everything she's fought for. If Morrie's ex solves the murder before them, it could mean the end of Nevermore Bookshop. But is Mina ready to pit her sleuthing skills against literature's foremost consulting detective?

With grudging permission from Heathcliff, Mina Wilde has transformed Nevermore Bookshop. She's running author events, hosting Quoth's art show, and using her creative flair to attract more customers. But when crime writer Danny Sledge is murdered moments before his writing workshop, the bookshop goes from bustling to broke. No one in the village will set foot inside Nevermore.

Wherever you look, money is being replaced by tokens. Digital platforms are issuing new kinds of money—like things, from phone credit, to shares, gift vouchers, game tokens, and customer data. These tokens are used to turn invisible stuff into assets, to pay wages, to track purchases, and to program and specify the terms of financial and political access and inclusion. What does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps, or actions, politics, or identities?

Alarmed by the sound of an intruder, Rose St. Claire fetches her pistol. She's shocked to discover that the trespasser is a handsome gentleman—one who states that the house, which Rose recently inherited from her late benefactor, was stolen from his father decades ago. He claims it is now his. And it is—but not entirely. As it turns out, Hammond Court has been left to them both—and neither can evict the other without forfeiting their right to the property.