検索キーワード： ナレーター "Shawn Jain" すべてのカテゴリー

As an intelligent, beautiful woman raised in a small mountain village, Gini never would have imagined a place like The Mansion exists. Stolen by Darius into a dark underworld where the famed Mullah Omar arranges pleasure marriages to the highest bidder, Gini fights for survival. At first frightened by the dangerous man who keeps her prisoner, Darius slowly becomes the one light in her dark world.

I've been secretly married for eight years. Why is it a secret? Because having an open marriage splashed all over headlines isn't a good look. We'd constantly be under the spotlight, our lives and relationships judged. That's not the kind of hockey player I want to be known for, especially because we play for different teams. Although most of my relationships outside of my marriage are passing, I've been pining over my best friend and teammate for years. Years! Just as I decide that maybe it's time to see where this leads, management throws an unexpected play in our faces.

Fridays of Rage provides a glimpse into how Al Jazeera strategically cast its journalists as martyrs in the struggle for Arab freedom while promoting itself as the mouthpiece and advocate of the Arab public.

Welcome to Apex City, formerly Bangalore, where everything is decided by the mathematically perfect Bell Curve. With the right image, values, and opinions, you can ascend to the glittering heights of the Twenty Percent—the Virtual elite—and have the world at your feet. Otherwise you risk falling to the precarious Ten Percent, and deportation to the ranks of the Analogs, with no access to electricity, running water, or even humanity. The system has no flaws. Until the elusive "Ten Percent Thief" steals a single jacaranda seed from the Virtual city.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays.