検索キーワード： ナレーター "Joniece Abbott Pratt" すべてのカテゴリー

In Hands Up, Don't Shoot, Jennifer Cobbina draws on in-depth interviews with nearly 200 residents of Ferguson and Baltimore, conducted within two months of the deaths of Michael Brown and Freddie Gray. She examines how protestors in both cities understood their experiences with the police, how those experiences influenced their perceptions of policing, what galvanized Black Lives Matter as a social movement, and how policing tactics during demonstrations influenced subsequent mobilization decisions among protesters.

Thirsty for fresh blood? Sink your teeth into vampire stories from young adult fiction's leading voices. In this delicious new collection edited by Zoraida Córdova and Natalie C. Parker, you’ll find stories about the lurking vampires of social media, the rebellious vampires hungry for more than just blood, the eager vampires coming out - and going out for their first kill - and other bold, breathtaking, dangerous, dreamy, eerie, iconic, powerful creatures of the night.

Some of the best-known and most influential pieces of crime fiction have been from African American writers. Be it Walter Mosley's great Detective Easy Rawlins, or the mean streets of Harlem at the hands of Chester Himes, the stories and characters in this anthology have shaped the mystery genre with their own unique viewpoints and styles. Contributors to the collection include Robert Greer, Chester Himes, Walter Mosley, Cary Phillips, Frankie Bailey, and Richard Wright.

With accessible, concise explanations of the features and causes of climate change as well as pieces urging an intersectional approach to environmental justice, this book is the handbook for the emerging youth climate movement. Using a feminist, indigenous, antiracist, internationalist lens, the book paints a picture of a world in climate crisis and presents bold, courageous ideas for how to save it. Featuring introductions from leading climate activists, No Planet B is essential listening for everyone fighting for a Green New Deal and more.

One of the leading physicists of her generation, Dr. Chanda Prescod-Weinstein is also one of fewer than one hundred Black American women to earn a PhD from a department of physics. Her vision of the cosmos is vibrant, buoyantly nontraditional, and grounded in Black and queer feminist lineages. Dr. Prescod-Weinstein urges us to recognize how science, like most fields, is rife with racism, misogyny, and other forms of oppression. She lays out a bold new approach to science and society, beginning with the belief that we all have a fundamental right to know and love the night sky.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture and history. We meet Black and multi-racial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

Twenty-six-year-old editorial assistant Nella Rogers is tired of being the only Black employee at Wagner Books. Fed up with the isolation and the micro-aggressions, she’s thrilled when Hazel starts working in the cubicle beside hers. They’ve only just started comparing natural hair care regimens, though, when a string of uncomfortable events cause Nella to become Public Enemy Number One and Hazel, the Office Darling. Then the notes begin to appear on Nella’s desk: Leave Wagner. Now.

For the first time, an Empress Redemptor sits on Aritsar's throne. To appease the sinister spirits of the dead, Tarisai must now anoint a council of her own, coming into her full power as a Raybearer. She must then descend into the Underworld, a sacrifice to end all future atrocities. Tarisai is determined to survive. Or at least, that's what she tells her increasingly distant circle of friends. Months into her shaky reign as empress, child spirits haunt her, demanding that she pay for past sins of the empire.

When Anais Granofsky’s parents meet in the early 1970s, they are foreign and fascinating to each other. Stanley is the son of a very wealthy Toronto Jewish family; Jean is one of fifteen children from a poor Black Methodist family, direct descendants of the freed Randolph slaves. When Jean becomes pregnant at nineteen, Stanley doesn’t anticipate being cut off by his parents. Nor does the couple anticipate that Stanley, soon to rename himself Fakeer, will find his calling in the spiritual teachings of Bhagwan Shree Rajneesh on an ashram in India.

Eleven-year-old Ella Durand is the first Conjuror to attend the Arcanum Training Institute, a magic school in the clouds where Marvellers from around the world practice their cultural arts, like brewing Indian spice elixirs and bartering with pesky Irish pixies. Despite her excitement, Ella discovers that being the first isn’t easy—some Marvellers mistrust her magic, which they deem “bad and unnatural.” But eventually, she finds friends in elixirs teacher, Masterji Thakur, and fellow misfits Brigit, a girl who hates magic, and Jason, a boy with a fondness for magical creatures.

For the first time, an Empress Redemptor sits on Aritsar’s throne. To appease the sinister spirits of the dead, Tarisai must now anoint a council of her own, coming into her full power as a Raybearer. She must then descend into the Underworld, a sacrifice to end all future atrocities. Tarisai is determined to survive. Or at least, that’s what she tells her increasingly distant circle of friends. Months into her shaky reign as empress, child spirits haunt her, demanding that she pay for past sins of the empire.

The summer of 1936 in Parsons, Georgia, is unseasonably hot, and Opal Pruitt senses a nameless storm brewing. She hopes this foreboding feeling won’t overshadow her upcoming 18th birthday or the annual Founder’s Day celebration in just a few weeks. She and her Grandma Birdie work as housekeepers for the white widow Miss Peggy, and Opal desperately wants some time to be young and carefree with her cousins and friends.

Mary Garrett has a gift for finding missing girls, a special kind of clairvoyance she calls “the sight”. Lured by a poster and the promise of a reward, she arrives at a small town in the Jim Crow South to discover that not one but three girls have vanished - two of whom are Black and whose disappearances have gone uninvestigated outside their own community. She sets out to find them.

From NYT best-selling author Tracey Baptiste comes a singular picture book, adapted for audio, that is both a biography about Claudette Colvin, the teen whose activism launched the Montgomery bus boycott, and a celebration of collective action.

This friendly, fun biography series focuses on the traits that made our heroes great--the traits that kids can aspire to in order to live heroically themselves. Each book tells the story of an icon in a lively, conversational way that works well for the youngest nonfiction listeners and that always includes the hero's childhood influences. This book features I. M. Pei, the award-winning Chinese American architect whose projects include the John F. Kennedy Library and the pyramid at the Louvre.

This friendly, fun biography series focuses on the traits that made our heroes great - the traits that kids can aspire to in order to live heroically themselves. Each book tells the story of an icon in a lively, conversational way that works well for the youngest nonfiction audiences and that always includes the hero's childhood influences. This book features critically acclaimed talk-show host Oprah Winfrey, who used her struggles in childhood as motivation to become "Queen of All Media".

Ever since 17-year-old Josie Wright can remember, writing has been her identity, the thing that grounds her when everything else is a garbage fire. So when she wins a contest to write a celebrity profile for Deep Focus magazine, she's equal parts excited and scared, but also ready. She's got this. Soon Josie is jetting off on a multi-city tour, rubbing elbows with sparkly celebrities, frenetic handlers, stone-faced producers, and eccentric stylists. But when a young actress lets her in on a terrible secret, the answer is clear: She's in over her head.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

Lenore Bennett has always been a force. A star artist and style icon at her high school, she’s a master in the subtle art of not giving a . . . well, you know what. But now that graduation is here, she’s a little less sure. She’s heading to NYU in the fall with a scarlet U (for “undeclared”) written across her chest. Her parents always remind her that Black kids don’t have the luxury of figuring it out as they go—they have to be 110 percent prepared. But it’s a lot of pressure to be her ancestors’ wildest dreams when Lenore’s not even sure what her dreams are yet.

In this stunningly illustrated essay collection inspired by the popular podcast Life, I Swear, prominent Black women reflect on self-love and healing, sharing stories of the trials and tribulations they’ve faced and what has helped them confront pain, heal wounds, and find connection.