検索キーワード： ナレーター "William Dupuy" すべてのカテゴリー

When a boat explodes in the Scorpion Cay Marina with one of Sam Decker's oldest friends on board, Police Chief Monica Sinclair knows that there is no way she will be able to keep the former DEA agent turned Private Investigator out of the case. When evidence turns up incriminating the man in a drug case, Sam Decker smells a rat. Then when the widow arrives on the island and more dead bodies start turning up, Decker knows that someone is turning up the heat!

Coma Sins is a fictional story about a seriously ill man. Ben Bluman is middle-aged and suffers from untreated schizophrenia. The tale starts with two policemen who, while driving drunk on a particularly nasty night, run into a pedestrian trying to cross a street. Afraid that the man is dead, they try to conceal his body. But the man is not hurt seriously. Suddenly awake yet unable to control his actions, he murders both policemen. Later that same early morning, partly dazed by the accident, he falls against a fire hydrant and passes out.

Des événements étranges ont lieu à l'Opéra : le grand lustre s'effondre pendant une représentation, un machiniste est retrouvé pendu. La direction doit se rendre à l'évidence : un fantôme ou un homme machiavélique hante le théâtre. Certains affirment avoir vu le visage déformé de cet être qui ne semblerait pas être humain. Peu après, les directeurs de l'Opéra se voient réclamer 20 000 francs par mois et une loge de la part d'un certain "Fantôme de l'Opéra".

Captured by German forces shortly after Dunkirk, and not relinquished until May of 1945, nearly a year after the Normandy invasion, the British Channel Islands (Guernsey, Jersey, Alderney, Sark, and Herm) were characterized during their occupation by severe deprivation and powerlessness. The Islanders, with few resources to stage an armed resistance, constructed a rhetorical resistance based upon the manipulation of discourse.

Jeff German, a veteran Las Vegas Review-Journal investigative reporter, was no stranger to controversy or the danger of his work. For more than four decades, he wrote stories relentlessly confronting the mob, corrupt politicians, and greedy bureaucrats. As a result, he was often threatened—enough that he and his friend and fellow investigative reporter, Arthur Kane, sometimes joked about reporting on these threats if they were ever acted upon.