検索キーワード： ナレーター "Steven Crossley" すべてのカテゴリー

Arnold Landon steps out with his lady friend, hunting for relics on the deserted dig site where he works. Before long, they stumble on something under a bridge. The mangled remains of Arnold’s fellow historian. His chest gapes open, his insides arranged in a pair of bloody wings. Arnold’s no expert, but he knows a blood eagle when he sees one—the handiwork of a berserker warrior. Mad with blood lust and out for vengeance.

Andrews is found dead in his own living room. His head blown to bloody smithereens. Who will finish what the dead man started? The publisher turns to Arnold Landon. And why wouldn’t he pick up the mantle? Everyone tells him it’s safe. The police have their man for Andrews’ killing. But the closer Landon gets to Andrews’ checkered past, the less certain he becomes. Could the true killer be out there still? Watching, waiting for his chance to strike again …

A haughty professor comes calling on Arnold Landon for research assistance. But he’s overlooked an important fact. Landon already has a job at the council—along with a raft of superiors who’d rather he focused on the dispute at hand. Namely, who is the rightful owner of the Kilgour Estates? And the opulent manor house in the grounds? Dashing rake Patrick Yates insists it’s all his. But a black sheep in the family returns to claim otherwise. Who is telling the truth?

St Michael’s Church may be derelict but it’s not deserted. Someone still comes here to worship on nights when the moon is full. Arnold Landon should know. He’s seen the grisly evidence for himself. Blood among the roses. The butchered remains of a man, tangled in the undergrowth. The victim was a traveler. How did he come to be in the churchyard? Arnold has a theory that leads back centuries, all the way to the cult of the Raging Wolf. Everyone tells him it’s impossible, that the cultists are dead and buried. But the devil wears many faces.

William Marble is in serious debt, struggling to keep his family afloat, and close to facing bankruptcy when an opportunity presents itself. His rich nephew visits one night, giving Marble the chance to slip poison into his drink. When Marble has all the money he has ever dreamed of, he thinks life will surely be easier for him. Instead, his troubles are just beginning, as things are about to get a whole lot worse. Slowly William’s family becomes caught in a dangerous web of fear, secrets, and blackmail.

The year is 2024, and the residents of the Tower, a virus-proof apartment building, live in a state of permanent lockdown. The building is controlled by James, who keeps the residents safe but incarcerated. Behind bricked-up front doors, their every need is serviced; they are pampered but remain prisoners. This suits Eugene just fine. Ravaged by the traumas of his past, the agoraphobic ex-detective has no intention of ever setting foot outside again.

Arnold Landon finds himself drawn into another bitter dispute over land—in which a defenseless old woman pays the ultimate price. To the casual observer, Penbrook Farm might seem like a ramshackle hovel, buried deep in the woods of Northumberland. But to fragile old Sarah Ellis, it’s home. And the developers can have the place over her dead body. Of course, no one ever expected it to come to that.

Arnold Landon can’t help but feel drawn to Oldham Manor, an atmospheric medieval house in the middle of nowhere. When he is invited to catalogue the library there, he jumps at the chance. The place is a maze of musty old papers and books. And that’s not all. Late one night, he stumbles on a secret passage, twisting deep under the ground. Where will it take him? And why was it walled up? When a stranger turns up dead in a ditch, Landon begins to realize that someone is watching his every move. And they have a plan to ensure the past stays buried for good.

From William Shakespeare’s series of history dramas, to Sir Walter Scott, and George R. R. Martin’s A Song of Ice and Fire—not to mention the smash-hit TV show Game of Thrones—the British civil war of 1455 to 1485 has inspired writers for centuries. Ed West’s My Kingdom for a Horse illuminates the bloody war fought for thirty long years between the descendants of King Edward III in a battle for the throne.

England in the Age of Chivalry … and Awful Diseases covers the events, personages, and ideas most commonly known as “medieval.” This includes Geoffrey Chaucer, the peasants revolt, the Scottish Wars of Independence, the Great Famine of 1315, the Black Death, and the 100 Years War. Central to this time is King Edward III, who started the 100 Years War and defined the concept of chivalry, including England’s order of the garter. His legacy continues to shape our view of England’s history and is crucial in understanding the development of Europe.

John Lackland was born to King Henry II and Eleanor, Duchess of Aquitane in December, 1166; he was the youngest of five sons. However, he unexpectedly became the favored heir to his father after a failed rebellion by his older brothers in 1173. He became king in 1199, though his reign was tumultuous and short. After a brief peace with Phillip II of France, war broke out again in 1202 and King John lost most of his holdings on the continent. This led to conflict upon his return from battle. Buffeted from all sides, King John was pushed in 1215 to sign the Magna Carta.

In 871, three of England’s four kingdoms were overrun by Vikings, the ruthless, all-conquering Scandinavian raiders who terrorized early medieval Europe. With the Norsemen murdering one king with arrows and torturing another to death by ripping out his lungs, the prospects that faced the kingdom of Wessex were bleak. Worse still, the Saxons were now led by a young man barely out of his teens who was more interested in God than fighting.

Rampton Farm, Northumberland, has always been a gloomy, godforsaken place. Now it’s earmarked for demolition—to make way for just another tawdry amusement park. It will be progress, and nothing can stand in the way—except perhaps Arnold Landon, the Planning Officer who must glean the lie of the land.

From his breakout role in Die Hard to his outstanding, multifaceted performances in the Harry Potter films, Galaxy Quest, Robin Hood: Prince of Thieves, and more, Alan Rickman cemented his legacy as a world-class actor. His air of dignity, his sonorous voice, and the knowing wit he brought to each role continue to captivate audiences today. But Rickman’s ability to breathe life into projects wasn't confined to just his performances.

British soldier Peter Lennox, a POW in an Italian prison camp, is still fighting his own war. An artist in civilian life, his hands bear the scars of wounds received during his capture at the fall of Tobruk, and he suspects he will never paint again. The only thing that sustains him is plotting his escapes, no matter how many times he is recaptured. But in September 1943 the Italians surrender to the Allies, and Lennox is free.

From Nobel Prize winner Amartya Sen, a memoir about home, belonging, inequality, and identity, recounting a singular life devoted to bettering humanity. A towering figure in the field of economics, Amartya Sen is perhaps best known for his work on poverty and famine, as inspired by events in his boyhood home of West Bengal, India.

Sometime in the not-too-distant future...unbeknownst to Earth, the galaxy is home to a number of spacefaring societies. This confederation enforces a strict protocol forbidding any contact with civilizations that have not yet achieved both a substantial spacefaring capability and sufficient maturity to control the technology explosion before triggering their own extinction.

The year is 2130. The first-ever expedition is sent to Mercury to search for the cause of an unknown source of electromagnetic radiation that can destroy spaceships passing by the planet. Thought to be inhospitable and lifeless, the surface of Mercury provides startling surprises for the crew that endanger their lives and challenge their established notions of what it means to be a sentient being. And some of the crew members have their own separate agendas.

John Parrington draws on the latest research on the human brain to show how it differs strikingly from those of other animals in its structure and function at a molecular and cellular level. And he argues that this 'shift', enlarging the brain, giving it greater flexibility and enabling higher functions such as imagination, was driven by tool use, but especially by the development of one remarkable tool - language.

Though best known for the fictional cases of his creation Sherlock Holmes, Conan Doyle was involved in dozens of real life cases, solving many and zealously campaigning for justice in all. Stanford thoroughly and convincingly makes the case that the details of the many events Doyle was involved in, and caricatures of those involved, would provide Conan Doyle the fodder for many of the adventures of the violin-playing detective.