検索キーワード： ナレーター "Bill Nighy" すべてのカテゴリー

Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.

An eighth son of an eighth son is born, a wizard squared, a source of magic. A sourcerer. Unseen University, the Discworld's most magical establishment, has finally got its wish: the emergence of a wizard more powerful than ever before. You'd think they would have been a little more careful what they wished for.... As the sourcerer takes over the University and sets his sights on the rest of the world, only one wizard manages to escape his influence. Unfortunately for everyone, it's Rincewind.

On Midsummer Night, dreams are especially powerful. So powerful, in fact, that they can cause the walls between realities to come crashing down. And some things you really don't want to break through.

Being 16 is always difficult, even more so when there's a Death in the family. After all, it's hard to grow up normally when Grandfather rides a white horse and wields a scythe. Especially if he decides to take a well-earned moment to uncover the meaning of life and discover himself in the process, so that you have to take over the family business, and everyone mistakes you for the Tooth Fairy.

Death has been fired by the Auditors of Reality for the heinous crime of developing…a personality. Sent to live like everyone else, Death takes a new name and begins working as a farmhand. He's got the scythe already, after all. And for humanity, Death is just…gone. Which leads to the kind of chaos you always get when an important public service is withdrawn. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls—there's no telling what might happen.

The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show. Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.

Religion is a competitive business in the Discworld. Everyone has their own opinion and their own gods, of every shape and size - all fighting for faith, followers, and a place at the top.

Everybody knows there's no such thing as a female wizard. So when the wizard Drum Billet accidentally passes on his staff of power to an eighth daughter of an eighth son, a girl called Eskarina (Esk, for short), the misogynistic world of wizardry wants nothing to do with her.

Time is a resource. Everyone knows it has to be managed. You mess with it at your peril. You can let it move fast or slowly, but what you mustn't do is allow it to stop. The Monks of History have the glamorous job of time management in the Discworld. They store it and pump it from the places where it's wasted (like underwater—how much time does a codfish need?) to places like cities, where there's never enough time. But the construction of the world's first truly accurate clock starts a race against, well, time for Lu Tze and his apprentice Lobsang Ludd.

The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse? It's hard to resist a good story, even when the fate of the kingdom depends on it....

The stockings are hanging ready, the sherry and pies are waiting by the fireplace - but where is the jolly fat man with his sack? It's not right to find Death creeping down chimneys and trying to say 'Ho ho ho'—but someone's got to bring the little kiddies their presents. Or else they might stop believing. Belief is important in Discworld, particularly on the last night of the year when the time is turning. If the real man in the red suit isn't found by morning, there won't be a morning. Ever again....

Writer and director David Hare is one of England's leading political dramatists, celebrated for his many award-winning plays analysing the morality of contemporary Britain. This collection comprises some of his most acclaimed pieces, as well as a fascinating radio interview with Hare himself.

This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.

Fast-paced radio dramatisations of six of Dick Francis's classic racing thrillers, plus bonus documentary.

In these final four series, Anna is trying to remain calm and centred in the midst of the familial chaos that surrounds her. Her sisters, Victoria and Charlotte, are more combative than ever, and when a row blows up between them, Anna is stuck in the middle. Having graduated from university, her niece Emily is preparing for marriage and motherhood. But her wedding plans cause ructions, as Victoria and Charlotte make her celebrations all about them. The baby's birth sends Victoria into competitive granny mode - while Anna receives a heart-warming surprise.

Sisters Anna, Victoria and Charlotte are back for four more series, in which relationships are forged, hearts are broken and family ties are strained - but not severed. Older sister Anna continues to live her life on her own terms, despite her sisters' insistence on being there for her. But when she suffers a couple of knocks to her confidence and needs a shoulder to cry on, they are too self-absorbed to be any use. Fortunately, niece Emily provides moral support and Anna reciprocates with some down-to-earth advice about Emily's love life.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears.

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

This book, the second posthumous collection of his journalism, brings together pieces from near and far. He was ferociously well travelled, and once wrote that for all our ability to cross the world at will, 'abroad is as foreign and funny and strange and shocking as it ever was, and our need to know our neighbours every bit as great'. This is a book about meeting those neighbours.

Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife, Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the 20th century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.