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Supreme Court clerk Avery Keene is back, trying to get her feet on solid ground after unravelling an international conspiracy. But as the sparks of Congressional hearings and political skirmishes swirl around her, Avery is approached at a legal conference by Preston Davies, an unassuming young man and fellow law clerk to a federal judge in Idaho. Davies believes his boss, Judge Francesca Whitner, was being blackmailed in the days before she died. Desperate to understand what happened, he gives Avery a file, a burner phone, and a fearful warning that there are highly dangerous people involved.

You might be the kind of person who stands up to online trolls. Or who marches to protest injustice. Perhaps you are #DisabledAndCute and dancing around your living room, alive and proud. Or perhaps you are the trans mentor that you wish you had when you were younger. Maybe you call out false allies or stand up to loved ones. Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave. This anthology features fictional stories—in poems, prose, and art—that reflect a slice of the varied and limitless ways that listeners like you resist every day.

What does it mean to call a place home? Who is allowed to become a member of a community? When can we say that we truly belong? These are some of the questions of place and belonging that renowned cultural critic Bell Hooks examines in Belonging: A Culture of Place. Traversing past and present, Belonging charts a cyclical journey in which Hooks moves from place to place, only to end where she began—her old Kentucky home.

The death of George Floyd on May 25, 2020, and the ensuing trial of Derek Chauvin for murder a year later has rubbed raw the bloodiest stain on the United States’ history and its world reputation. The nine minutes and 29 seconds during which Chauvin’s knee crushed the spark of life out of Floyd was not unusual in the history of the United States. In roughly two centuries, Blacks have achieved nominal freedom. But, as this book’s opening chapter and expert essays that follow indicate, freedom has been conditional based on inequity of wealth, social, and legal discrimination.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison.

In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

In childhood, Bell Hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, Hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

In Homegrown, cultural critics Bell Hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, Hooks and Mesa-Bains invite listeners to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

When an international warning siren accidentally goes off, convincing everyone that a meteor shower may just be the end of life as they know it, six couples—friends, exes, crushes and rivals—must take shelter. Inhibitions are abandoned, confessions are made and love blossoms, but what happens when the world doesn’t end?

Bailey is a young, aspiring actress that has never had a real acting job besides a role in a high school play. But when she sees an ad for a production that takes place in 1954, she decides to take a chance. The only thing she knows is that it is fully immersive, and would require her to live in the fictional town for one full year. The rules are simple, stay in character and she gets a nice payout of more than one hundred thousand dollars. But would a black woman willingly live in the 50s?

From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown . . . and unimaginable.

How one night turned into fifteen and counting is beyond me. I never imagined ending up here. I'm a Marriage Broker, not a matchmaker . . . Especially for myself! It was always a ruse. Perception, not reality. For a purpose, not for always. Business, not romance. Want to know my plan? A simple assist, a favor. Want to know my potential downfall? Him. His sincere eyes, his intoxicating smile, his scintillating personality. Oh, and our out-of-control chemistry.

I fake laugh every time I think about how ironic it is to be a commitment-phobe relationship therapist who is also the daughter of two world-renowned marriage and family counselors. Seriously, it's comical! Want to know how I messed up my life? Getting arrested for stealing a priceless artifact for a tearful client. Want to know what my biggest problem is? Spending my life teaching women how to break relationships when all I want to do is make a relationship—with him.

Supreme Court clerk Avery Keene is back, trying to get her feet on solid ground after unraveling an international conspiracy in While Justice Sleeps. But as the sparks of Congressional hearings and political skirmishes swirl around her, Avery is approached at a legal conference by Preston Davies, an unassuming young man and fellow law clerk to a federal judge in Idaho.

Pull up a chair at Big Earl's diner and meet the 'Supremes': three women from Plainview, Indiana, who've been best friends since their high-school days in the Sixties. Clarice is a pious wife and mother struggling with her husband's infidelity; Barbara Jean must confront the tragic reverberations of a youthful love affair; and Odette, whose fearlessness has saved her friends many times, now faces a terrifying situation of her own.

When a late life love affair blooms between Mr. Forrest Payne, the owner of the Pink Slipper Gentleman's Club, and Miss Beatrice Jordan, famous for yelling warnings of eternal damnation at the Club's departing patrons, their wedding summons a legend to town. Mr El Walker, the great guitar bluesman, comes home to give a command performance in Plainview, Indiana, a place he'd sworn never to set foot in again.

Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile. Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island. A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature.

Thorn Marsh was raised in a house of whispers, of meaningful glances and half-finished sentences. Now she's a journalist with a passion for truth, more devoted to her work at the London Journal than she ever was to her ex-husband. When the newspaper is bought by media giant The Goring Group, who value sales figures over fact-checking, Thorn openly questions their methods, and promptly finds herself moved from the news desk to the midweek supplement, reporting heart-warming stories for their new segment, The Bright Side, a job to which she is spectacularly unsuited.

Aegis’s battle against Damocles ended with the Shield of Justice presumed dead and the President of the United States in a coma. As Aegis's friends and allies cope with this devastating loss, a new authoritarian regime rises to brand all superheroes as public enemies. In truth, Hugo Malalou (Aegis) is now a stranger in a strange and dangerous land, living someone else’s life. He has to find his way home in time to stop this sinister regime’s plan to wipe out all superhumans. With the fate of the country and his peers on his shoulders, Hugo cannot afford to fail.