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A collection of 15 stories, 11 of which have never been previously published, from the early career of best-selling American master Elmore Leonard.

Father Terry Dunn thought he'd seen everything on the mean streets of Detroit, but that was before he went on a little retreat to Rwanda to evade a tax-fraud indictment. Now the whiskey-drinking, Nine Inch Nails T-shirt-wearing padre is back trying to hustle up a score to help the little orphans of Rwanda. But the fund-raising gets complicated when a former tattletale cohort pops up on Terry's tail. And then there's the lovely Debbie Dewey....

He used to be on the bomb squad, but it's not until he transfers out that Chris Mankowski really begins juggling with dynamite. Rape and revenge are just the tip of the iceberg in a twisty tale that brings Detroit's denizens to life - and occasional death - in all their seedy glory. Electrifying, explosive, and unexpected, this is Elmore Leonard at his suspenseful best.

A Michigan woman was blind and now she can see, after being touched by a young man who calls himself Juvenal. Maybe it was just coincidence, but Bill Hill - who used to run the spectacular Uni-Faith Ministry in Dalton, Georgia, and now sells RVs - can see dollar signs when he looks at this kid with the magic "touch." The trouble is that others see them also, including a wacko fundamentalist fascist with his own private army of the faithful and an assortment of media leeches.

Working at his brother-in-law's New Orleans funeral home isn't reformed jewel thief Jack Delaney's idea of excitement - until he's dispatched to a leper's hospital to pick up a corpse that turns out to be very much alive ... and under the care of a beautiful, radical ex-nun in designer jeans. The "deceased" is the one-time squeeze of a Nicaraguan colonel who's ordered her dead for trying to "infect" him, and Sister Lucy's looking to spirit the young woman away from his guns and goons.

Quintessential Elmore Leonard, Split Images stars Palm Beach playboy Robbie Daniels. He's the kind of guy who gets away with everything - even murder - until a vacationing Motown cop, Bryan Hurd, starts asking questions. When this millionaire reptile reveals the psychopath beneath his slippery skin, Hurd finds out this is one helluva way for an out-of-town lawman to spend his vacation.

Deputy Paul Scallen will earn his 150 dollars if he can get his prisoner Jim Kidd on the train to Yuma Prison. But the members of Kidd's gang have determined that Scallen won't live long enough to make the Three-Ten to Yuma. Performed by Henry Rollins, this classic of bullets and bad men demonstrate the superb talent for language and gripping narrative that made Elmore Leonard one of the most acclaimed writers of our time.

The sequel to Chili Palmer's hit movie Get Leo tanked, and now Chili's itching for a comeback. So when a power-lunch with record label executive and former associate Tommy Athens ends in a mob hit, he soon finds himself in an unlikely alliance with organized crime detective Darryl Holmes and the likely next target of Russian gangsters. But where others see danger, Chili Palmer sees story possibilities.

Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match, and more, in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket.

They laughed at Roberto Valdez and then ignored him. But when a dark-skinned man was holed up in a shack with a gun, they sent the part-time town constable to deal with the problem, and made sure he had no choice but to gun the fugitive down. Trouble was, Valdez killed an innocent man. And when he asked for justice, and some money for the dead man's woman, they beat Valdez and tied him to a cross. They were still laughing when Valdez came back. And then they began to die.

In this first collection of short pieces, including two novella-length works, since his western anthology Tonto Woman, Leonard demonstrates the superb characterization, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name.

Mickey is bored and angry with her life as a housewife in suburban Detroit, trapped with her dreary, golf-obsessed husband. Then she is kidnapped by a deeply unimpressive criminal gang who want to trade her for a huge ransom from her—as it turns out—crooked husband. But what if she doesn’t really mind being kidnapped?

Chino and Paco Rojas seem well-mannered, at least for Chicanos, to the white cops that pull them over for littering on the long drive from California to Trinity, Texas. So well-mannered, in fact, that Captain Frank McKellan lets them off with a warning and recommends them a job at Stanzik Farms, the largest independent melon grower in the area. But Chino and Paco didn’t drive all this way for work. Instead, Chino is looking for a mysterious man, Vincent Mora, whose new Valley Agricultural Workers Association is causing a scene striking against the farm owners.

Joe La Brava is an ex-Secret Service agent who gets mixed up in a South Miami Beach scam involving a redneck former cop, a Cuban hit man who moonlights as a go-go dancer, and a one-time movie queen whose world is part make-believe, part deadly dangerous.

A cat-and-mouse tale with claws, Glitz is thrilling, frightening, explosive, surprising, everything a great thriller is supposed to be—superior crime fiction the genre’s late greats, John D. MacDonald, Dashiell Hammett, James M. Cain, et al, would have been proud to call their own. Elmore Leonard, the creator of magnificent mayhem and truly unforgettable characters—like U.S. Marshal Raylan Givens of the hit TV series Justified—is at his nail-biting, page-turning best with Glitz which Stephen King in the New York Times Book Review calls, “Smashing and satisfying.”

Jackie Burke’s future looks grim. She’s been a flight attendant for twenty years and she’s down to working for an island–hopping airline the day she lands in Palm Beach International with fifty grand and is taken into custody. The Feds know Jackie works for a man who sells machine guns to bad guys, but they don’t know his name. Jackie looks at her options. She can tell what she knows about Ordell Robbie, the gun dealer, and get off—except that if Ordell suspects you’re talking about him, you’re dead. Or she can keep her mouth shut and do five years.

The Chicago Tribune has dubbed Elmore Leonard, “the coolest, hottest writer in America.” In the same league as the legendary great ones—John D. MacDonald, Dashiell Hammett, James M. Cain—Leonard demonstrates his remarkable mastery with Get Shorty, one of the most adored of his forty-plus novels. The basis of the hit movie starring John Travolta and Danny DeVito, Get Shorty chronicles the over-the-top, sometimes violent Hollywood misadventures of a Florida mob loan shark who chases a deadbeat client all the way to Tinseltown and decides to stick around and make movies.

Das Hörbuch zur Krimi-Kult-Komödie mit John Travolta und Danny de Vito. Chili Palmer, Geldeintreiber der Mafia in Miami, hat es nicht leicht. Gerade erst hat er einem Schuldner einen Haufen Kohle abgenommen, als er, vom Teufel geritten, alles in einer Nacht in Las Vegas verspielt. Bei seinen Bossen kann er sich vorerst nicht blicken lassen. Aber für einen wie Chili hat zum Glück auch ein Kasino Verwendung: Er soll beim Regisseur Harry Zimm Spielschulden eintreiben. Chili macht sich auf nach Los Angeles, in Hollywood liegt das Geld ja bekanntlich auf der Straße.