検索キーワード： 著者 "Anton Chekhov" すべてのカテゴリー

Chekhov'un Tüy Kalemindeki Yolculuk Anton; 19. yüzyılın sonlarının ünlü Rus oyun yazarı ve kısa hikâye yazarı, soğuk bir kış akşamında çalışma odasında oturmuştu. Kar, ağaçları kalın bir şekilde örtüyordu, ancak Anton soğuğa aldırmıyordu. Yazıyla meşguldü, eli ritmik bir uyumla sayfalar üzerinde dans ediyordu. Birden, tuhaf bir şey oldu. Anton yeni hikâyesinin ilk birkaç satırını yazarken, tüy kaleminin mürekkebi parlak, eterik bir ışıkla parıldamaya başladı. Oda aydınlandı, antika mobilyaların üzerinde tuhaf gölgeler oluşturdu.

Chekhov'un Tüy Kalemindeki Yolculuk. Anton; 19. yüzyılın sonlarının ünlü Rus oyun yazarı ve kısa hikâye yazarı, soğuk bir kış akşamında çalışma odasında oturmuştu. Kar, ağaçları kalın bir şekilde örtüyordu, ancak Anton soğuğa aldırmıyordu. Yazıyla meşguldü, eli ritmik bir uyumla sayfalar üzerinde dans ediyordu. Birden, tuhaf bir şey oldu. Anton yeni hikâyesinin ilk birkaç satırını yazarken, tüy kaleminin mürekkebi parlak, eterik bir ışıkla parıldamaya başladı. Oda aydınlandı, antika mobilyaların üzerinde tuhaf gölgeler oluşturdu.

'...bir öyküyü Rusça okurken duyduğum heyecanı, sürükleyiciliği, Rus insanının Anadolu insanına tıpatıp benzeyen 'kara mizah' yönünü Türkçe çeviriye olduğu gibi taşımaya çalıştım. Bu çevirilerin hiç birine fazla renk katılmamış, içinden renk alınmamıştır. İyi dinlemeler..."

Mayer, a student of medicine and Ribnikov, a student in the Moscow School of Painting, Sculpture and Architecture, come to visit a law student Vassiliev one evening; and they insist that Vassiliev comes to S—V Street with them. Vassiliev who resists the idea for a while, decides to join the two friends after all. Chekhov tells the gripping story of these three young people.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

The famous phrase of the writer: "Brevity is the sister of talent", could not be more suited to the work of Anton Chekhov himself. One right stroke to mark the character, with apt word to say about the main thing, to precisely place accents and draw a bright three-dimensional picture in just a few minutes is the work of the wizard. No one is as amused as Chekhov, and no one is so sad as he. The collection includes selected stories and stories in which the classic, who entered the history of literature under the frivolous pseudonym Antosha Chekhonte, draws eternal characters that invariably amaze with their psychological nude.

"Kashtanka," a shaggy-dog story penned by Anton Chekhov in seven parts and first published in 1887, relates the experiences of its eponymous heroine, a fox-faced, reddish dachshund-mix, whose name means 'little chestnut.' After her detestation of music causes her to become separated from the carpenter with whose family she had been living, Kashtanka finds herself taken up by an unusual vaudevillian and goes to live among an assortment of other intelligent animals, each of whom is observed with the characteristic empathy and humor that stamp Chekhov's work. (Summary by Grant Hurlock)