検索キーワード： ナレーター "Dara" すべてのカテゴリー

Successful event planner Mira Erdman never expected to see Brush Hill Camp again. But these days, the old sleepaway camp in the Berkshires offers “adult” experiences for New York’s twentysomething Jewish singles. And Mira’s bubbie knows it’s the perfect place for her granddaughter to find love. Since losing her mom, Mira has basically given up on dating. But for Bubbie’s sake—and with best friend Josie at her side—she’s resigned to giving grown-up camp a try.

Gen Beaufont might be from fifteenth century London, but modern day Los Angeles is her home. And corrupt politicians are trying to destroy her city. Somethings never change, no matter how many centuries tick by.

Sixteen-year-old Winnie Bray is a liar. As the resident psychic at an oddities shop, Winnie truly can see the future. But her customers only want reassurance, and Winnie only wants their money. Favorable fortunes are a fast track to funding her way out of Buffalo, New York for good, after all. But all of that changes when a vision sends her stalking in the remains of her family home that burned down in a fire 10 years ago. Among the ash and rubble, Winnie finds a box made of bone, untouched by flames and…whispering.

Crime can only be regulated by those who are purely good. Too bad that the Los Angeles law enforcement is full of corruption. Gen Beaufont is going to have to take out the trash. In a city where crime has spiraled so far out of control that even the criminals themselves are begging for more law enforcement, Gen knows she has her work cut out for her. But when she starts digging deeper into the mysterious police matters plaguing the city, she uncovers a sinister plot that no one could have anticipated.

A dangerous man is on the run, with nothing left to lose. And more than anything he wants Gen Beaufont dead. She's the one who exposed him for who he is and ruined him—exactly as he deserved. The Rogue Riders have never been more disorganized and split. They need a leader. They need direction. They need a medieval warrior who knows how to fight for justice in brand new ways. The Rogue Riders need Gen Beaufont. The world needs her and the ruler of dragons to step into the leadership roles they were made for. Only they can take the reins and restore balance between good and evil.

In six hundred years, one thing hasn't changed . . . Crooked politicians still exist. But Gen Beaufont hasn't changed either—she still fights for justice, no matter what. Although Gen is from the medieval era, she understands the politics of the modern world. When the Rogue Riders become divided by their own principles, things really get dangerous. If those meant to protect are at odds with each other, is there any hope for the citizens they are meant to protect?

The war against drugs wasn't won. The devious dealers and drug lords simply went underground. Gen Beaufont is about to drive them all to the surface and eradicate them for good. The new leader of the Rogue Riders may not understand much about the modern world. However, she knows that peddling dangerous drugs to the young, innocent, and disadvantaged is a surefire way to destroy the future generations. When Gen and Emperor uncover a huge illegal drug ring, they realize they've got their work cut out for them. Their first jobs as leaders isn't going to be easy.

Gen Beaufont has quickly made some powerful enemies. The Commissioner of Los Angeles wants her dead. Since killing her might get him in trouble, he's decided to resort to other means. When Gen is framed for a crime she didn't commit, she finds herself in a dangerous game. Not only does she have to prove her innocence, but she's got to dig up evidence on the Commissioner—showing that he’s the villain behind all the major crimes in Los Angeles. But Charlie Sloane is already one step ahead, planning the biggest attack on the city yet.

Six-hundred years ago, Genevieve Beaufont stole a dragon egg and buried it. Now it's time for that egg to finally hatch. It's time for Gen Beaufont to be the rebel she always dreamed of. Gen, a resident of fifteenth century England, finds herself stuck in modern day America—all because she was overly curious and followed strangers through a time travel gate. Two things have always gotten Gen in trouble: her curiosity and defiance. But times have changed, quite literally. Those traits could save her life.

Evelyn Schwartz has the perfect Hanukkah planned: eight jam-packed days producing the live-action televised musical of A Christmas Carol. Who needs family when you’ve got long hours, impossible deadlines, and your dream job? That is, until an accident on set lands her in the medical bay with one of her chronic migraines, and she’s shocked to find her ex-husband, David Adler, filling in for the usual studio doctor.

Recovering from the trauma of a toxic narcissistic relationship can be a difficult journey. It’s a complicated mess of anger, anxiety, depression, shame, and even guilt. Trying to make sense of what you’re going through, questioning if you’re the one to blame for what happened.... With the help of this book, you can overcome the obstacles after leaving the relationship, pick up the pieces of your life to create a brighter future, renew your self-confidence, create firm boundaries, and gain clarity about who you are.

I originally hand wrote this book in the mid to late 90s, but had never published it. It is a prequel to my book I Am Here: My Faith Journey as a Survivor, published May 2022. The prequel spans my courtship, nine year marriage that was emotionally abusive, and my divorce after having two children.

Roommates since college, Jess and Ren have built a strong—if at times codependent—friendship. Now navigating their late thirties, the women co-own a weathered beachfront home, comother a rescued shelter pup and have inadvertently centered their lives around each other. Jess is clever and driven with a lucrative career running her own real estate brokerage. Magnetic but aimless, Ren has been making margaritas at the same local dive and teaching dance classes at the same run-down gym for well over a decade.

„Heimkehr“ entstand von 1823-24: Es geht wieder um Leidenschaft und unglückliche Liebe, aber auch um den Stellenwert solcher „Sentimente“. Das lyrische Ich kehrt nach unbestimmter Zeit in die Stadt am Meer zurück (Lübeck), in der einst sein Liebchen lebte, die nun ausgezogen oder sonst wie ungreifbar ist. Die Stadt ist für ihn nun leer, kalt, unwirklich und voll schmerzlicher Erinnerungen. Das lyrische Ich hat seine Geliebte wohl nur still und heimlich angebetet, ohne es ihr zu gestehen oder seine Liebe zu zeigen. Liebe ist am schönsten als Sehnsucht, als Verlangen und Schmachten, dessen Erfüllung nicht unbedingt erwünscht ist.

"Lieder" ist eine kleine Sammlung von Lyrik aus Heinrich Heines Feder. Er gilt als einer der bedeutendsten deutschen Dichter, Schriftsteller und Journalisten des 19. Jahrhunderts. Er war einer der letzten Vertreter und zugleich einer der Überwinder der Romantik.

"Schöpfungslieder" ist eine kleine Sammlung von Lyrik aus Heinrich Heines Feder. Er gilt als einer der bedeutendsten deutschen Dichter, Schriftsteller und Journalisten des 19. Jahrhunderts. Er war einer der letzten Vertreter und zugleich einer der Überwinder der Romantik.

Die Nordsee (1. und 2. Zyklus)... diese Ausgabe kann ich dem überrheinischen Publikum nicht zuschicken, ohne sie mit freundlichsten Grüßen in ehrlichster Prosa zu begleiten. Ich weiß nicht, welches wunderliche Gefühl mich davon abhält, dergleichen Vorworte, wie es bei Gedichtsammlungen üblich ist, in schönen Rhythmen zu versifizieren. Seit einiger Zeit sträubt sich etwas in mir gegen alle gebundene Rede, und wie ich höre, regt sich bei manchen Zeitgenossen eine ähnliche Abneigung. Es will mich bedünken, als sei in schönen Versen allzu viel gelogen worden, und die Wahrheit scheue sich, in metrischen Gewanden zu erscheinen. – Heinrich Heine.

Diese neue Ausgabe des Buchs der Lieder kann ich dem überrheinischen Publikum nicht zuschicken, ohne sie mit freundlichsten Grüßen in ehrlichster Prosa zu begleiten. Ich weiß nicht, welches wunderliche Gefühl mich davon abhält, dergleichen Vorworte, wie es bei Gedichtsammlungen üblich ist, in schönen Rhythmen zu versifizieren. Seit einiger Zeit sträubt sich etwas in mir gegen alle gebundene Rede, und wie ich höre, regt sich bei manchen Zeitgenossen eine ähnliche Abneigung. Es will mich bedünken, als sei in schönen Versen allzu viel gelogen worden, und die Wahrheit scheue sich, in metrischen Gewanden zu erscheinen.

Im Reifrockputz, mit Blumen reich verzieret, Schönpflästerchen auf den geschminkten Wangen, Mit Schnabelschuhn, mit Stickerein behangen, Mit Turmfrisur, und wespengleich geschnüret.

„Lyrisches Intermezzo“ entstand 1821-22: Der Zyklus hat eine Art Handlung, die vom Mai bis in den Winter reicht. Thematisch umkreisen die Gedichte euphorische Liebesgefühle und enttäuschte Liebeshoffnungen Der Ton ist volksliedhaft leicht, der Wortschatz bewusst einfach, mit gehäuften Diminutiven (Verkleinerungsformen, Verniedlichungen). Gleichzeitig ist ein ironisch-distanzierter Umgang mit den verbrauchten Bildern und Gefühlen der romantischen Liebesweh-Poesie erkennbar.