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A decade ago Darrow led a revolution, and laid the foundations for a new world. Now he’s an outlaw. Cast out of the very Republic he founded, with half his fleet destroyed, he wages a rogue war on Mercury. Outnumbered and outgunned, is he still the hero who broke the chains? Or will he become the very evil he fought to destroy? In his darkening shadow, a new hero rises. Lysander au Lune, the displaced heir to the old empire, has returned to bridge the divide between the Golds of the Rim and Core. If united, their combined might may prove fatal to the fledgling Republic.

A warrior with nothing to fight for is paired with a thieving assassin with nothing to lose. Together they must steal a treasure that no one can reach. The Crown Tower is the impregnable remains of the grandest fortress ever built and home to the realm’s most valuable possessions. But it isn’t gold or jewels the old wizard is after, and this prize can only be obtained by the combined talents of two remarkable men. Now if Arcadius can just keep Hadrian and Royce from killing each other, they just might succeed.

In this engaging life of the 20th century's most self-consciously learned dictator, Geoffrey Roberts explores the books Stalin read, how he read them, and what they taught him. Stalin firmly believed in the transformative potential of words and his voracious appetite for reading guided him throughout his years. A biography as well as an intellectual portrait, this book explores all aspects of Stalin's tumultuous life and politics.

The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the "effectual" truth is taken to be more important than any abstract ideal. It is also notable for being in direct conflict with the dominant Catholic and scholastic doctrines of the time, particularly those concerning politics and ethics.

George Brisbane Scott Douglas (1856-1935), the Scottish poet and writer, published the book Scottish Fairy and Folk Tales in 1901. The literary genres of the book include comic, literary, nursery, and animal stories plus fairy tales of mythic creatures like the brownies, bogles, kelpies, and mermaids. Classified, tabulated, and scientifically labelled, these imaginative narratives are related in vernacular language, and have a timeless appeal to adults and children alike. Amongst the most popular stories are "The Fox’s Stratagem", and "The Bee and the Mouse".

The Flying Inn is a satirical novel by G.K. Chesterton, first published in 1914. The story is set in a future England where a repressive ideology dominates the country’s political and social life. The narrative follows the adventures of Humphrey Pump and Captain Patrick Dalroy as they travel around the country in a donkey cart with a barrel of rum in order to evade prohibition. The two men spread good cheer wherever they go on their journey, which encounters romance, revolution, and a host of memorable characters.

In What's Wrong With the World, G.K. Chesterton discusses big business, education, government, feminism, and more. The work draws on thousands of essays Chesterton contributed to newspapers and periodicals over his lifetime. Eloquently opposing materialism, hypocrisy, and snobbery, Chesterton was a steadfast champion of family, faith, and the working man. The work includes a discussion of humankind and its nature, the power of spirituality and the consequences of increasing secularism in the modern world, and the role of education in shaping the young to fit into the society.

The unshakeable Amelia Peabody embarks on an Egyptian adventure armed with self-confidence, a journal to record her thoughts, and, of course–a sturdy umbrella. On her way to Cairo, Amelia rescues young Evelyn Barton-Forbes, who has been abandoned by her scoundrel lover. Together the two women sail up the Nile to an archeological site run a pair of handsome brothers.

Everything feels off—especially me. I’ve returned to Katmere Academy, but I’m haunted by fragments of days I have no recollection of living and struggling to understand who, or what, I really am. Just when I start to feel safe again, Hudson is back with a vengeance. He insists there are secrets I don’t know about, threatening to drive a wedge between Jaxon and me forever. But far worse enemies are at our doorstep.

I may have reached my breaking point. As if trying to graduate from a school for supernaturals isn’t stressful enough, my relationship status has gone from complicated to a straight-up dumpster fire. Oh, and the Bloodletter has decided to drop a bomb of epic proportions on us all... Then again, when has anything at Katmere Academy not been intense? And the hits just keep coming. Jaxon’s turned colder than an Alaskan winter. The Circle is splintered over my upcoming coronation. As if things couldn’t get worse, now there’s an arrest warrant for Hudson’s and my supposed crimes.

Underhill is my ruthless mother. Her realm is my deadly home. The brutal creatures here are both foe and friend. But the group of fae that just attacked me? They’re all foe. Dragged from my game of hide-and-seek with a dragon, and my home of twenty-one years, I’m thrust into a weak, ugly realm. Earth. Something is taking the fae children of the Irish court, and an Oracle has declared I must find them. Nope. Not my problem. Bye. Except a three-year-old girl they suspect is the next Queen of All Fae was taken too.

The night is not safe for mortals. Denise MacGregor knows all too well what lurks in the shadows—her best friend is half-vampire Cat Crawfield—and she has already lost more than the average human could bear. But her family’s past is wrapped in secrets and shrouded in darkness—and a demon shape-shifter has marked Denise as prey. Now her survival depends on an immortal who lusts for a taste of her.

Fourteen-year-old Charlie Matters is up to no good, but for a very good reason. Without parents, peerage, or merit, ducking school but barred from actual work, he steals what he needs, living day-to-day until he’s old enough to enlist to fight the Germans. After barely surviving the Blitz, Charlie knows there’s no telling when a falling bomb might end his life.

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that's one order she's more than happy to obey. He may have taken her, but he will never have her.

All Adrian wanted was a new pair of eyes. Not cybernetic arms, an eldritch-infected brain, and a vengeful mad scientist hot on his trail… Adrian knows he should be thankful. He's got his new eyes and some decent runner training. He escaped from the insane doctor who forcibly swapped his arms for cyber-eldritch limbs, and he did it with the help of the doctor's own daughter. Now he just wants to lie low and live out the rest of his eldritch-human life in peace. But in Adrian's world, peace is not an option.

Hellboy has accompanied his girlfriend, Anastasia Bransfield, on a trip to Brazil to help colleagues who are conducting an archaeological dig in the jungle.

Was the Hereditas Expedition doomed from the start? Led by Pontifex Bilrach, the Mahjarrat must find the artifacts of the dead god Tumeken and complete the Ritual of Rejuvenation, otherwise they face extinction. Forced to work together by Zaros, the Mahjarrat form an uneasy alliance, though they all have their own ambitions.

A Portrait of the Artist as a Young Man, the first novel by James Joyce, portrays the religious and intellectual awakening of Stephen Dedalus, a fictional alter ego of the author. Stephen questions the Catholic and Irish conventions under which he has grown up, and traces his quest for identity through art and his gradual emancipation from the claims of family, religion and culture.

James Joyce is one of the greatest writers in English. His first book, A Portrait of the Artist as a Young Man, laid down the template for the coming-of-age novel, while his collection of short stories, Dubliners, is of perennial interest.

Adrian was born a couple hundred years too late to witness humans ruling the stars. The days of relentless scientific advancement are long gone. Humanity's former cradle has become the birthplace of nightmares, so Adrian lives on a world far from Terra. But Adrian has a secret. His eyes are failing him, and in this age, blindness means death. When the chance arrives to earn a couple quick credits for a new pair of cybernetic eyes, he jumps on it. Only, Adrian gets more than he bargained for.