検索キーワード： ナレーター "Paul McGann" すべてのカテゴリー

Read by Paul McGann, ‘Dear Olly’ was written by Michael Morpurgo in 2000. A stunning performance and narrative. Ollie’s brother wants to go and work with children who have been made orphans, through war, in Africa. He wants to be a clown and make them laugh. His mother and sister want him...

The Doctor and Charley decide to take a well-deserved break from the monotony of being chased, shot at and generally suffering antisocial behaviour at the hands of others. And so they end up in Venice, well into Charley's future, as the great city prepares to sink beneath the water for the last time...which would be a momentous, if rather dispiriting, event to witness in itself.

The web of time is stretched to breaking. History is leaking like a sieve. In the Citadel of Gallifrey, the Time Lords fear the end of everything that is, everything that was...everything that will be. The Doctor holds the Time Lords' only hope - but exactly what lengths will the Celestial Intervention Agency go to in their efforts to retrieve something important from within his TARDIS? What has caused Imperiatrix Romanadvoratrelundar to declare war on the rest of creation? And can an old nursery rhyme about a monster called Zagreus really be coming true?

The Doctor has always admired the work of William Shakespeare. So he is a little surprised that Charley doesn't hold the galaxy's greatest playwright in the same esteem. In fact she's never heard of him. Which the Doctor thinks is quite improbable. General Mariah Learman, ruling Britain after the Eurowars, is one of Shakespeare's greatest admirers, and is convinced her time machine will enable her to see the plays' original performances. Which the Doctor believes is extremely unlikely.

On New Year's Eve, 1930, the Doctor lets Charley keep her appointment at the Raffles Hotel in Singapore. But his unease at what he's done to time by saving her life soon turns into fear. Sebastian Grayle: immortal, obsessed, ruthless, has come to the city to meet the Time Lord. To the Doctor, he's a complete stranger, but to Grayle, the Doctor is an old enemy. An enemy that, many years ago, he finally succeeded in killing. And this is his only chance to gloat.

Twas the night before Christmas, and all through the house not a creature was stirring.... But something must be stirring. Something hidden in the shadows. Something which kills the servants of an old Edwardian mansion in the most brutal and macabre manner possible. Exactly on the chiming of the hour, every hour, as the grandfather clock ticks on towards midnight. Trapped and afraid, the Doctor and Charley are forced to play detective to murders with no motive, where even the victims don't stay dead.

The 21st century has just begun, and Malebolgia is enjoying its status as the newest state in America. After his successful involvement with Scotland's devolution, Brigadier Alistair Gordon Lethbridge-Stewart has been invited over to Malebolgia to offer some of his experiences and expertise. There he encounters the charismatic Brigham Elisha Dashwood III, an evangelical statesman running for Governor who may not be quite as clean-cut and wholesome as he makes out.

First published between 1870 and 1893, Émile Zola’s 20-book cycle chronicling four generations of the Rougon-Macquarts was a shocking exposé of the decadence, degradation and moral decay of 19th-century France. It included some of his greatest novels, among them his masterpiece, Germinal. These innovative, ambitious dramas, first broadcast on Radio 4 over 24 hours in 2015-16, are a radical reimagining of Zola’s classic series, introducing us to 104-year-old matriarch, Dide, imprisoned in an asylum in southern France.

The universe is in grave danger. The very fabric of time and space is being altered. The Doctor and Lucie must race against time to prevent the destruction of everything they hold dear. They may have to sacrifice everything to save the universe. Even themselves....

The richest man in the galaxy has just bought a backwards planet with no obvious mineral wealth in the outer reaches of the universe. An obscure mystical sect has been revived after centuries of neglect. A new race of aliens are hunting for prey. Why? As the Doctor and Lucie attempt to discover the answer, it becomes clear that someone is attempting to resurrect the past - and they need a Time Lord to help them achieve it. This release also includes bonus interviews with the cast.

There are no monsters this time...are there? Aunty Pat is in her prime. She's snagged herself an ex-rock star at the Kendal Folk Festival, and now, in the brave new world of the early 1980s, they manage together a snazzy hotel on the poetic and shingly shore of Lake Grasmere. However, still waters run deep, and friends from the past are returning, intent on milking the old cash cow....

Here's to crime, Doctor! The Doctor and Lucie visit 19th-century Sweden and become embroiled in an attempt to steal the infamous Black Diamond of Claudia Tardelli. But they are not the only would-be thieves attempting the heist of the century; the Headhunter is back and this time she's brought a friend! The Stone, however, is guarded by forces not of this world....

On the isolated planet of Indigo 3, far out in the wastes of the Blue Desert, lies the Sanctuary of Imperfect Symmetry. It is a place of contemplation and reflection. It is also a place of death. Something from another time, from another world, has found its way inside the hallowed walls. Something with a leathery hide, a long snout and sharp, pointy teeth.

Business as usual? Not at Hulbert Logistics, where staff are facing a menace far worse than the prospect of the office Christmas party. Lucie’s made some new friends and the Doctor’s met some old enemies. But just who will become the Headhunter’s new apprentice? Welcome to the job interview from hell. Note: This adventure continues from Doctor Who: Human Resources Part 1

Lucie Miller's been headhunted to join the staff of Hulbert Logistics, a respectable blue-chip firm in Telford. Great prospects, competitive salary - you don't have to be mad to work here! But wasn't she made for better things, like travelling by TARDIS through time and space? The Doctor, meanwhile, has been fired - into a confrontation with the most terrifying of enemies....

What links a disintegrating spaceship to a posh garden party where a wealthy couple are celebrating their love for each other in style? Gatecrashers the Doctor and Lucie think they know the answer. But they're not the only uninvited guests - ferocious alien warriors riding pterodactyl-like Vortisaurs are about to make their entrance! Featuring the song 'Bucimeana', sung by Julia McKenzie, with music by Tim Sutton and lyrics by Paul Sutton from a traditional Hungarian poem.

Long before he'd produced any of his great works, Oscar Wilde was already famous for being famous. Armed only with some witty epigrams, a carefully crafted persona and his genius for self-promotion, he had conquered America and transformed himself from nobody to star. This radio collection opens with four plays from Radio 4's Born to be Wilde season, offering a 21st-century perspective on the making of one of the first true celebrities. First up are two sparkling and surprising productions of his two most popular comedies, marking the peak of his theatrical career.

Danny has only one dream - football, but he's useless at it. Danny, though, has allies - his teacher Miss Gilby and Chris, who adopted him as a challenge and who is the school's football hero.

The '90s was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power, of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide.

From the author of the best-selling Forgotten Voices of the Great War comes a final look at the last 21 living British veterans of the First World War. These interviews, conducted in 2004, will never be repeated, as the youngest was 106 years old, and most are now gone. These first-person accounts follow the young soldiers from their homes throughout Britain to the raging battles while in the service of the Royal Field Artillery, Black Watch, Royal Navy, and others.