検索キーワード： 著者 "Vladimir Nabokov" すべてのカテゴリー

Extensively revised by Nabokov in 1965 - 30 years after its original publication - Despair is the wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime: his own murder. One of the 20th century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator.

Albinus, a respectable, middle-aged man and aspiring filmmaker, abandons his wife for a lover half his age: Margot, who wants to become a movie star. When Albinus introduces her to Rex, an American movie producer, disaster ensues. What emerges is an elegantly sardonic and irresistibly ironic novel of desire, deceit, and deception, a curious romance set in the film world of Berlin in the 1930s.

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.

Professor Timofey Pnin ist ein Ritter der traurigen Gestalt. Der Exilrusse lehrt Literatur an einem amerikanischen Provinzcollege und versucht, sich in der neuen Heimat zurechtzufinden. Weder versteht er die Feinheiten der englischen Sprache, noch ist er in der Lage, die gesellschaftlichen Codes des American Way of Life zu entschlüsseln. Überängstlich und zwanghaft, in seiner Tapsigkeit dabei anrührend, taumelt Pnin von einem Missgeschick zum nächsten. Doch trotz aller Demütigungen, die er sich nicht zuletzt selbst beifügt, schafft er es, seine Würde durch alle Widernisse zu retten.

Auf einer Geschäftsreise nach Prag glaubt der windige Schokoladenfabrikant Hermann Karlowitsch im Landstreicher Felix seinen Doppelgänger zu erkennen, und ein genialer Plan reift in ihm heran: Er wird den jungen Mann töten und so den eigenen Tod vortäuschen, um das Geld aus der Lebensversicherung einzustreichen. In seiner grenzenlosen Selbstüberschätzung prahlt der Erzähler, Möchtegern-Autor und Meisterverbrecher jedoch mit seiner Genialität und gerät dadurch bald in arge Bedrängnis.

Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

"Lolita, Licht meines Lebens, Feuer meiner Lenden. Meine Sünde, meine Seele. Lo-li-ta: die Zungenspitze macht drei Sprünge den Gaumen hinab und tippt bei Drei gegen die Zähne. Lo. Li. Ta." Der viel umstrittene, längst zu Weltruhm gelangte und zweifach verfilmte Roman einer tragischen Passion: Ein Vierzigjähriger verfällt dem grazilen Zauber einer kindlichen Nymphe und erfährt die Liebe als absolute Macht über Leben und Tod.

"La Vénitienne", "Bonté", "Le rasoir", "Le Voyageur" et "Musique". Cinq nouvelles écrites dans les années 1920 et qui, par leur force et leur beauté, confirment si besoin était que Vladimir Nabokov n'était pas seulement un grand maître du roman mais aussi un formidable nouvelliste. Dans ces nouvelles où l'on croise des artistes et des expatriés, il flotte un air de nostalgie et de haute poésie comme ce portrait de femme qui capte sur la surface de la toile le rêve d'un jeune homme trop amoureux.

These masterly poems span the whole of Nabokov's career from "Music", written in 1914, to the short, playful "To Vera", composed in 1974. The works are newly translated by Dmitiri Nabokov, and include "The University Poem", an extraordinary autobiographical poem in which Nabokov recalls his life in Cambridge, with its crooked alleys and age-old gates, teas at the vicar's and British girls. Included to are such poems as "To Russia" ("Will you leave me alone! I implore you!), the enchanting "Eve", and verse about America, sport, love, and poetry itself.

The Gift is the last of the novels Nabokov wrote in his native language and the crowning achievement of that period in his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative: the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write - a book very much like The Gift itself.

One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899.

Nabokov’s third novel, The Luzhin Defense, is a chilling story of obsession and madness. As a young boy, Luzhin was unattractive, distracted, withdrawn, sullen — an enigma to his parents and an object of ridicule to his classmates. He takes up chess as a refuge from the anxiety of his everyday life. His talent is prodigious and he rises to the rank of grandmaster — but at a cost: in Luzhin’s obsessive mind, the game of chess gradually supplants reality.

Glory is the wryly ironic story of Martin Edelweiss, a 22-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him. Convinced that his life is about to be wasted and hoping to impress his love, he decides to embark upon a “perilous, daredevil project” — an illegal attempt to reenter the Soviet Union, from which he and his mother had fled in 1919. He succeeds — but at a terrible cost.

Nabokov’s fourth novel, The Eye, is as much a farcical detective story as it is a profoundly refractive tale about the vicissitudes of identities and appearances. Smurov, a lovelorn, excruciatingly self-conscious Russian émigré living in pre-war Berlin, commits suicide after being humiliated by a jealous husband, only to suffer even greater indignities in the afterlife as he searches for proof of his existence among fellow émigrés who are too distracted to pay him any heed.

This novel is the story of Dreyer, a wealthy and boisterous proprietor of a men’s clothing emporium. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife, Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the thin, awkward, myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle’s condescension in his aunt’s bed.

Pnin está considerada como "la más deliciosa de las novelas de Nabokov" (G. M. Hyde), "la más inmediatamente atractiva" (Laurie Clancy) y, posiblemente, la más divertida de toda su obra, tan rebosante de humor. Su protagonista es el profesor Pnin, un ruso de la emigración que se gana la vida dando clases a media docena escasa de alumnos desganados que acuden a su aula como quien va a ver una película de Buster Keaton.

Berlin, Zwanzigerjahre: Franz, ein junger Mann aus der Provinz, reist in die Hauptstadt, um im Warenhaus seines reichen Onkels Dreyer zu arbeiten. Doch schon bald hat er nur noch Augen für dessen Frau Martha, die nichts gegen diese jugendliche Schwärmerei einzuwenden hat. Bald träumen sie von einer gemeinsamen Zukunft und entwickeln einen Plan, um Dreyer aus dem Weg zu räumen.

"...bir öyküyü Rusça okurken duyduğum heyecanı, sürükleyiciliği, Rus insanının Anadolu insanına tıpatıp benzeyen 'kara mizah' yönünü Türkçe çeviriye olduğu gibi taşımaya çalıştım. Bu çevirilerin hiç birine fazla renk katılmamış, içinden renk alınmamıştır. İyi dinlemeler..."