検索キーワード： 著者 "Honoré de Balzac" すべてのカテゴリー

Scenes from a Courtesan's Life is one of the last great works completed by Balzac for his huge novel series entitled The Human Comedy. Sections of this book, in various groupings and with various titles, were published between 1838 and 1847. It eventually settled into the four sections found in the present edition. The French title — Splendeurs et misères des courtesanes — literally, Splendors and Miseries of Courtesans — has also been translated as A Harlot High and Low. The story picks up at the end of Lost Illusions (1843), an earlier novel by Balzac. At the end of that book, Lucien ...

Two Poets (1837) is the first book in Balzac’s Lost Illusions trilogy, which is part of his sweeping set of novels collectively titled La Comédie Humaine. The story is set in post-Napoleonic France, when the new bourgeoisie was jostling for position alongside the old aristocracy. We meet Lucien Chardon, a young provincial who romantically aspires to be a poet, and his friend David Séchard, who struggles to manage his father’s printing shop and falls in love with Lucien’s sister Ève. The picture of provincial life that emerges is laced with greed, ambition, and duplicity. Balzac’s ...

Ève and David (1843) is the final book in Balzac’s Lost Illusions trilogy, which is part of his sweeping set of novels collectively titled La Comédie Humaine. The story is set in post-Napoleonic France. In the first volume of the trilogy (Two Poets, 1837), we meet Lucien Chardon, an aspiring poet frustrated by the pettiness of provincial life. In the second volume (A Distinguished Provincial at Paris, 1839) Lucien, now using the more aristocratic-sounding surname "de Rubempré," leaves his family in order to seek fame and fortune in the literary world of Paris. By the end of that book, he ...

A Distinguished Provincial at Paris (Un grand homme de province à Paris, 1839) is the second book in Balzac’s Lost Illusions trilogy, which is part of his sweeping set of novels collectively titled La Comédie Humaine. The story is set in post-Napoleonic France, when the new bourgeoisie was jostling for position alongside the old aristocracy. In the first volume of the trilogy (Two Poets, 1837), we met Lucien Chardon, an aspiring poet who feels stymied by the pettiness of provincial life. In the present volume, Lucien, now using the more aristocratic-sounding surname "de Rubempré," leaves ...

“The Chouans” (1829) was the first novel published under Balzac’s own name (rather than a pen-name). It became the first book in the great work of his lifetime — the novel series titled “The Human Comedy.” Balzac was impressed by the writings of Sir Walter Scott. Scott made Scottish history come alive by creating fictions that used real history as backdrop. Balzac’s novel is set in 1799 — the year that Napoleon became First Consul of France. In the far west of France (i.e., Brittany), anti-revolutionary sentiment still simmered. The Chouans were a rustic guerrilla militia who ...

The Philosophical Studies from The Human Comedy (La Comedie Humaine) are a series of works that are intended as a reflection on history in part through the use of fiction. 'Catherine de Medici' is one such 'study', and features, alongside detailed history (and even architectural) sections, elements of the 'story' are fictionalised. In particular, this happens through dialogue that describes the feelings of the characters and what they are doing, these parts in the manner of a novel. In particular, Catherine de Medici (apparently), was depicted by historians as a bad ruler. This book is an ...

In this library, dear listener, books do not merely repose upon their shelves: they awaken, they speak, they reveal the secret history of souls. The Balzac Library offers the great works entire, read in full, so that one may enter at leisure into those chambers where ambition burns, love deceives, society calculates, and Paris itself keeps watch at every window. It is a refuge for the curious mind, a salon for the solitary ear, and a doorway into that vast human comedy in which every heart keeps its account.

In the crowded boardinghouse of Paris, everyone is chasing something—money, love, status, or escape. Among them lives Père Goriot, an aging former pasta maker who has sacrificed everything for his two daughters, women now glittering in high society who barely acknowledge the father who made their lives possible. Watching it all unfold is Eugène de Rastignac, an ambitious young law student determined to rise in a world where success often demands the death of innocence.

The Philosophical Studies from The Human Comedy (La Comedie Humaine) are a series of works that are intended as a reflection on history in part through the use of fiction. 'Catherine de Medici' is one such 'study', and features, alongside detailed history (and even architectural) sections, elements of the 'story' are fictionalised. In particular, this happens through dialogue that describes the feelings of the characters and what they are doing, these parts in the manner of a novel. In particular, Catherine de Medici (apparently), was depicted by historians as a bad ruler.

Dans le monde fastueux mais impitoyable du Paris post-napoléonien, un jeune homme au bord du désespoir découvre par hasard un objet qui changera son destin à jamais. Raphaël de Valentin, appauvri et désabusé, acquiert un mystérieux morceau de cuir enchanté, la peau d'un âne sauvage, qui exauce tous les souhaits de son propriétaire. Cependant, chaque désir exaucé a un coût terrible : la peau rétrécit, et avec elle, la durée de vie de Raphaël.

Liées par l’amitié, mais séparées par choix, Louise de Chaulieu et Renée de Maucombe sont jeunes et quittent leur couvent avec des rêves de bonheur très différents. À travers une série de lettres intimes, elles se confient leurs espoirs, leurs déceptions et leur désillusion grandissante à l’aube de l’âge adulte.

http://www.adfreebooks.com - 1000+ audiobooks, all ad free!The novella “The Ball at Sceaux” is part of Balzac’s great life work — the expansive fiction series titled “The Human Comedy.” The central character is Émilie de Fontaine, youngest daughter of a noble but impoverished family in post-revolutionary France. Her hapless father hopes to find her a good marriage, but Émilie, spoiled and willful, has repeatedly turned away suitors. She has a list of requirements for any prospective husband, one of which is that he must, of course, be “the son of a peer of France.” (The ...

Pourquoi le chat s'en va-t-il tout seul ? Les chats anglais sont-ils vraiment les plus distingués ? Par quel prodige cet animal maléfique est-il devenu, au fil du temps, l'ami incontournable du monde de la culture ? Vous trouverez réponse à ces épineuses questions, et à bien d'autres, dans notre sélection de 17 textes cultes commentés et mis en perspective. Une balade littéraire divertissante et instructive à travers les textes de Baudelaire, du Bellay, Dumas, Poe, Perrault, Carrol, Montaigne, Verlaine, Balzac, Renard, La Fontaine, Champfleury, Moncrif. Textes commentés par Sylvain Trias.

Faut-il manger pour vivre, ou vivre pour manger ? La madeleine de Proust est-elle vraiment celle que l'on croit ? La trompe d'éléphant est-elle comestible ? Vous trouverez réponse à ces épineuses questions, et à bien d'autres, dans notre sélection de 19 textes cultes commentés Une balade littéraire divertissante et instructive à travers les textes de Brillat-Savarin, La Bruyère, Théophile Gauthier, Proust, Zola, Rabelais, Flaubert, Balzac, Maupassant, Molière, Hugo, Huysmans, Pétrone, Daudet, Madame de Sévigné et des Frères Goncourt. Bon appétit ! Textes commentés par Sylvain Trias.

Роман "Крестьяне" был создан Бальзаком в последний период его творчества. Роман строится на показе широких социальных явлений, на драматическом столкновении массовых материальных интересов. Ни в одном другом своем произведении не ставил с такой мужественной правдивостью и прямотой вопрос о существовании двух наций внутри одного общества - нации господ и рабов, имущих и неимущих, хозяев жизни и обездоленных.

“Sonradan şark şiirinin ruhumda ışıması gibi birdenbire parlayan bir kadın kokusu aldım. Yanımda oturan kadına baktım ve gözlerimi bu eğlenceden de çok kamaştırdı; birdenbire tüm şenliğim o oldu. Daha önceki yaşamımı iyi anladıysanız, o anda kalbimden fışkıran duyguları da tahmin edebilirsiniz. Okşayabilmek için deliye döndüğüm bu ak ve yuvarlak omuzlara takıldı gözlerim; sanki ilk kez çıplak kalmış gibi hafifçe pembeleşmişlerdi. Pek edepli, adeta bir ruhu olan ve ışıkta ipekli bir kumaş gibi parlayan saten bir teni vardı bu omuzların. Dinlemek için çok iyi bir seçim.

Ce récit écrit en 1829 sera placé, plus tard, par Balzac en ouverture de la Comédie humaine. On y retrouve la trame de ce que seront les romans la composant et l’on y croise déjà les héros des autres épisodes. Tout y préfigure la grande oeuvre de Balzac : les descriptions minutieuses, l’analyse profonde des sentiments, l’histoire dramatique. C’est, en ces quelques pages, une miniature parfaite de tout ce qui suivra.

In diesem Dreiteiler, der wiederum Teil der monumentalen "comédie humaine" ist, beschreibt Honoré de Balzac die Irrungen und Wirrungen eines Dichters aus der Provinz in Paris. Das Frankreich der bourbonischen Restauration und seine oft bizarre Spaltung zwischen Paris und der Provinz wird in helles Licht getaucht. Der Dichter Lucien Chardon mit all seinen Begabungen erfährt einen Charaktertest, in dem klar wird, dass Ehrgeiz ohne eine entsprechende Bereitschaft zu demütiger Arbeit kein Erfolg beschieden sein kann.

ne petite ville assoupie dans ses habitudes, un microcosme de l’ancienne France, une vieille fille riche, Marie-Victoire Cormon, qui hésite entre deux prétendants, le chevalier de Valois et l’ex-citoyen banquier du Bousquier. Le chevalier est vieux, coquet, sans un sou, fidèle aux bourbons. Du Bousquier est arriviste, libéral, au bord de la ruine mais encore à peu près présentable. Grave conflit, lutte de clans : la monarchie contre la révolution, l’ancien temps et sa noblesse contre la richesse acquise dans la tourmente révolutionnaire.

La Comédie humaine est le titre sous lequel Honoré de Balzac a regroupé un ensemble de plus de quatre-vingt-dix ouvrages—romans, nouvelles, contes et essais—de genres réaliste, romantique, fantastique ou philosophique, et dont l'écriture s'échelonne de 1829 à 1850. Par cette œuvre, Balzac veut faire une « histoire naturelle de la société », explorant de façon systématique les groupes sociaux et les rouages de la société, afin de brosser une vaste fresque de son époque susceptible de servir de référence aux générations futures.