検索キーワード： 著者 "Victor Hugo" すべてのカテゴリー

Book 3: The Hunchback of Notre-Dame or Notre-Dame de Paris is a French Gothic novel by Victor Hugo, published in 1831. - The story is set in Paris in 1482 during the reign of Louis XI. The gypsy Esmeralda (born as Agnes) captures the hearts of many men, including those of Captain Phoebus and Pierre Gringoire, but especially Quasimodo and his guardian Archdeacon Claude Frollo. Frollo is torn between his obsessive lust for Esmeralda and the rules of Notre Dame Cathedral. He orders Quasimodo to kidnap her, but Quasimodo is captured by Phoebus and his guards, who save Esmeralda.

Book 4: The Hunchback of Notre-Dame or Notre-Dame de Paris is a French Gothic novel by Victor Hugo, published in 1831. - The story is set in Paris in 1482 during the reign of Louis XI. The gypsy Esmeralda (born as Agnes) captures the hearts of many men, including those of Captain Phoebus and Pierre Gringoire, but especially Quasimodo and his guardian Archdeacon Claude Frollo. Frollo is torn between his obsessive lust for Esmeralda and the rules of Notre Dame Cathedral. He orders Quasimodo to kidnap her, but Quasimodo is captured by Phoebus and his guards, who save Esmeralda.

Notre Dame'ın Kamburu olarak adlandırılan Quasimodo, çok çirkin ama altın kalpli bir adamdır. Rahip Frollo onu küçük yaşta kiliseye, yanına alarak hem dış dünyaya kapatmış, hem de hizmetçisi gibi kullanmaktadır. Aslında Rahip de kendini kiliseye kapatmıştır ancak dini statüsü, halka istediklerini yaptırabilmesi ile bir taraftan dışarıdaki yaşamın içindedir. Zamanla her ikisi de Esmeralda isimli güzel, yoksul bir Çingene kızına âşık olmuşlardır. Ancak karşılıksız bir aşktır bu. Aşkına karşılık bulamama Rahipte kine ve yok etmeye dönüşür. Rahip kendi düştüğü bu durumun suçunu ve yaşadığı acıların günahını Esmeralda’ya yüklemiştir.

Ponemos un enfoque periodístico en los temas de tendencia y el debate publico, pero también marcamos agenda. Te contamos la verdad en este mundo donde las mentiras abundan.

Que signifie mourir lentement, en en étant parfaitement conscient ? Dans Le Dernier Jour d’un Condamné, Victor Hugo ne raconte pas l’histoire d’un crime. Il donne une voix : celle d’un prisonnier attendant de mourir, en toute connaissance de sa sentence, comptant les heures jusqu’à ce que la lame tombe. Il reste entièrement anonyme. Son passé n’a pas d’importance. Ce qui reste, c’est une pensée brute empreinte de sentiments multiples qui s’entremêlent : peur, résistance, désir, rage et résignation dans un monologue final.

Diplomacy by other means may, at times, sound heroic. A fight for principles and ideals carried out by young men armed to the teeth and directed by older men in pursuit of their own version of glory for themselves and their Nations. Right will triumph over wrong. But war can be an illusion, stirred up by schemers and opportunists to take something from other nations that may or may not be right. As blood and limb are sacrificed the true cost is seen but often set to one side as the dispute becomes embedded in emotions and reason falls away.

Rodzina Jondrette, złożona z ojca, matki, dwóch nastoletnich córek Eponiny i Anzelmy oraz dwunastoletniego Gavroche’a żyje w paryskiej ruderze. Ich sąsiadem jest Mariusz Pontmercy. Narrator cofa się w czasie, by opisać dzieciństwo Mariusza: wychowywał go dziadek, zajadły rojalista, nienawidzący rewolucji i Napoleona. Uniemożliwiał on chłopcu kontakt z ojcem, pułkownikiem napoleońskim. Mariusz dowiaduje się, że jego ojciec, nie mogąc się z nim spotykać, wielokrotnie obserwował syna podczas nabożeństw w kościele, ukrywając się za filarem.

Victor Hugo es uno de los escritores franceses más conocidos, y forma parte de las más grandes figuras literarias de todos los tiempos. Su poesía lo hizo famoso muy pronto, consolidando su reputación como uno de los más grandes poetas líricos cuando tenía sólo 20 años. También fue novelista y dramaturgo, y promovió la causa del Romanticismo, este exaltado movimiento artístico que jugó con lo sublime y se elevó en los vientos de la emoción.

The classic tale of Les Miserables abridged for a ten year old child, yet still enjoyable for an adult of any age.

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

Paru en 1874, il a pour toile de fond les plus terribles années de la Révolution française : la Terreur. À l'origine, ce roman devait constituer le dernier volume d'une trilogie romanesque consacrée à la Révolution française, dont L'Homme qui rit constituerait le premier volume, mais Victor Hugo n'a pas mené ce projet jusqu'à son terme (le deuxième tome sur la monarchie n'ayant jamais été rédigé).

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The City of Lights may be one of the glories of the world but for those whose three score and ten have passed it is the final resting place for some of the very finest of literary talents.

Within this decade are writers of incredible ability who are able to fashion gem-like stories that astonish our ears and brains across many genres; a literary culture that seems to endlessly build and create new paths for the restless human imagination to tread.

Victor Marie Hugo was born on 26th February 1802, in Besançon, France. There can be no doubt that Hugo is ranked as the greatest of French authors and poets. In ‘Claude Gueux’ one prisoner dares to challenge a system and its cruel Governor who takes away his only friend purely out of spite. The consequences are appalling.

Claudio Gueux es una obra maestra de Victor Hugo que aborda la injusticia social y la penalidad. Claudio, un hombre empobrecido, es empujado al robo para alimentar a su familia y, capturado, se enfrenta a la brutalidad del sistema carcelario francés del siglo XIX. La historia sigue su trágica transformación de trabajador honesto a criminal condenado.

Któregoś dnia w prowansalskim miasteczku Digne zjawia się wypuszczony z więzienia Jean Valjean. Jedyną osobą, która przyjmuje go przychylnie, jest biskup. Valjean ucieka w nocy, kradnąc zastawę stołową. Zostaje zatrzymany przez policję, biskup jednak zapewnia, że sam podarował mu srebra. Po odejściu policjantów stwierdza, że w ten sposób wykupił duszę Valjeana od sił zła i oddał Bogu. Były więzień postanawia zmienić swoje życie.

Fear affects us all in some way, shape or form. Whilst we would rather shy away from it in real life, when it comes to stories, we tend to move towards it. In this volume of short stories our malevolent authors, including the talents of H P Lovecraft, Edgar Alan Poe, Charles Dickens, M R James, Victor Hugo, E T A Hoffman and many, many others, seem to take great delight in assaulting our senses with heart stopping narratives designed to put the fear of God, the Devil and just about every other form of disturbed terror into our eager hearts and minds.

Cette sélection de Jean-Baptiste Mersiol et livret de Stéphanie Acquette réunit les enregistrements historiques des scènes marquantes du drame romantique Ruy Blas et de quelques poèmes du prolifique Victor Hugo, déclamés par certains des plus grands comédiens français du XXe siècle entre 1958 et 1962. Les interprétations de Paul-Émile Deiber, dans son premier grand rôle dramatique, Pierre Dux ou Jean Meyer, offrent une fenêtre sur l’âme du théâtre français de cette époque.