検索キーワード： ナレーター "Richard Mitchley" すべてのカテゴリー

Conversations happen everywhere. A few words to pass the time or a detailed examination of views. But on trains they seem to be different. Speaking whilst in motion gives the whole discussion a momentum that often takes us into uncharted territory.

Trains have always held a special place for most of us. We’re intrigued by the mere fact that we can sit down in one place and arrive in another and enjoy the adventure and time in between. In this volume we explore both the journeys and the workers who run and maintain the railway network.

Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

Murder is that most heinous of crimes. But some murderers simply can’t get enough of it. Beneath the well-known monsters such as Lecter there lurk those other evil-doers who are the vivid confessions of our classic authors.

In this volume we bring together men of the cloth, those people of faith who spent most of their lives in devotional duties in the service of one so they could, in their spare time, serve another.

In the English language ‘bittersweet’ is that most pivotal of words. The mixture of sadness and happiness that suggest both but often bringing us smartly to earth, smack dab in-between them both, with little of either.

In the beginning, there was nothing but endless flatness. Then came the Carpet... That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples and there's a new story in the making. The story of Fray...

Johnny Maxwell and his friends have to do something when they find Mrs Tachyon, the local bag lady, semi-conscious in an alley . . . as long as it's not the kiss of life. But there's more to Mrs Tachyon than a squeaky trolley and a bunch of dubious black bags. Somehow she holds the key to...

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East Midlands who created such revered, enduring and respected verse.

In this volume we listen to the world through the eyes and words of the English Romantics. This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.

In this volume we gather together those 17th Century poets and their poems which took poetry in a different but very revealing direction, with their artistry and verse.

The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’. In the late 1890s, Crawford began work on his historical works which would later include ‘Corleone’, in 1897, the first major treatment of the Mafia in literature. Crawford is also exceedingly popular and anthologized as a short story writer of bizarre and creepy tales.

Francis Bret Harte was born on 25th August 1836 in Albany New York. As a young boy Harte developed an early love of books and reading. He first published at the tender age of 11, his satirical poem ‘Autumn Musings’. Expecting praise he received anything but and later wrote "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse." By age 13 his formal education was at an end and four years later the family moved to California. It was here that he found the stories and inspiration for the works that would seal his fame across the literary world.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The City of Lights may be one of the glories of the world but for those whose three score and ten have passed it is the final resting place for some of the very finest of literary talents.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.

Since its inception in the 19th Century photography has been a trusted source capturing both truth and reality. It cannot lie. Our eyes may deceive us, but the camera cannot. In this volume whilst our classic authors are at the early edge of photography’s development, they use it in ways that are both innovative and atmospheric as very often the camera and the photographer become a central part in many fascinating stories.