検索キーワード： 著者 "Katherine Mansfield" すべてのカテゴリー

Life of Ma Parker is a 1921 short story by Katherine Mansfield. It was first published in The Nation and Atheneum on 26 February 1921: The gentleman opens his door to his charwoman, who tells him that her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have.

The Escape is a short story by Katherine Mansfield. It was published in Bliss and Other Stories. It was his fault, wholly and solely his fault, that they had missed the train. What if the idiotic hotel people had refused to produce the bill? Wasn’t that simply because he hadn’t impressed upon the waiter at lunch that they must have it by two o’clock? Any other man would have sat there and refused to move until they handed it over.

Bank Holiday is a story by Katherine Mansfield: A stout man with a pink face wears dingy white flannel trousers, a blue coat with a pink handkerchief showing, and a straw hat much too small for him, perched at the back of his head.

The Lady’s Maid is a story by Katherine Mansfield: Eleven o’clock. A knock at the door... I hope I haven’t disturbed you, madam. You weren’t asleep - were you? But I’ve just given my lady her tea, and there was such a nice cup over, I thought, perhaps.

An Ideal Family is a 1921 short story written by Katherine Mansfield. The story circles around a man who is complimented about how perfect his family is, but he seems to think otherwise.

A garden bathed in sunlight, tables laid with fine china, the hum of polite laughter—everything is in place for the perfect afternoon. The Sheridans' party is effortless, untouched by worry, floating on a breeze of privilege. But just beyond the garden's edge, life is different—harsh, unpolished, shaped by struggle. Laura Sheridan stands between these two worlds, drawn in by beauty yet unsettled by something she can't quite name. A hat, a voice, a fleeting hesitation—small moments that carry unexpected weight. Can innocence survive once you glimpse what lies outside the gates?

Marriage à la Mode is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 31 December 1921, and later reprinted in The Garden Party and Other Stories. - The title is a play on the phrase mariage à la mode in French, which means 'fashionable marriage'. William would usually buy his children sweets because he knows his wife won't let him buy them 'big donkeys and engines', as that would be unseemly. This time he buys fruit instead.

The Voyage is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 24 December 1921, and later reprinted in The Garden Party and Other Stories. At the harbour Fenella and her grandmother say goodbye to Fenella's father and board the Picton boat; a number of everyday situations are described during the journey, which highlight a degree of tension between the rather religious grandmother and staff on the boat. At Picton they are met by Mr Penreddy with a carriage. They arrive at the grandparents's house and meet Fenella's grandfather.

A collection of short stories by Katherine Mansfield, widely recognized as one of the greatest writers of her period, that capture with accuracy those emotionally-charged moments when an individual is most revealing. Prelude / Je ne Parle pas Français / Bliss / The Wind Blows / Psychology / Pictures / The Man without a Temperament / Mr. Reginald Peacock’s Day / Sun and Moon / Feuille d’Album / A Dill Pickle / The Little Governess / Revelations / The Escape.

The Garden Party is a 1922 short story by Katherine Mansfield. It was first published (as The Garden-Party) in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road (originally numbered 75), the second of three houses in Thorndon, Wellington that her family lived in.

In a world that has moved on, two men sit in the shadows of the past. One, frail and forgetful, speaks of things best left unsaid. The other, powerful yet unknowingly adrift, listens—and feels something crack beneath his carefully preserved sense of control. The war took their sons, but time has taken something else, something harder to name. In the quiet of an office where authority once meant everything, grief lingers like dust on old furniture. A casual visit, a few words spoken in passing, and suddenly, the weight of loss is too heavy to ignore.

"In a German Pension" is a collection of short stories by Katherine Mansfield, a New Zealand writer and critic who was an important figure in the modernist movement and widely considered one of the greatest short story writers of all time. Focusing on the lives and interactions of a diverse group of guests staying at a German spa-town pension, where the narrative explores themes of social norms, cultural differences, and the complexities of human relationships.

Je ne parle pas français is a short story by Katherine Mansfield. She began it at the end of January 1918, and finished it by February 10. It was first published by the Heron Press in early 1920, and an excised version was published in Bliss and Other Stories later that year. A French writer describes his encounter with an English writer, and the consequences thereof.

Mr Reginald Peacock's Day is a 1920 short story by Katherine Mansfield. It was first published in the New Age on 14 June 1917, and later reprinted in Bliss and Other Stories. Reginald is woken up by his wife for breakfast. He is irritated by his wife who is very polite with him. He has a bath, sings for a bit and fathoms he could be an opera singer.

Sun and Moon is a 1920 short story by Katherine Mansfield. It was first published in the Athenaeum on 1 October 1920, and later reprinted in Bliss and Other Stories. The children, Sun and Moon, are hanging around the house while a party is being prepared. They play games, then are sent off to bed.

The Wind Blows is a short story by Katherine Mansfield. It was first published in the magazine Signature (4 October 1915) as Autumns: II under the pseudonym Matilda Berry. It was published in revised form in the Athenaeum on 27 August 1920, and subsequently reprinted in Bliss and Other Stories. Matilda is woken up by the wind; she looks out the window; her neighbour, Marie, is fetching flowers from the garden and then Matilda’s mother is called for the telephone by Bogey, Matilda’s brother.

Bliss is a modernist short story by Katherine Mansfield first published in 1918. It was published in the English Review in August 1918 and later reprinted in Bliss and Other Stories. The story follows a dinner party given by Bertha Young and her husband Harry.

Feuille d'Album is a 1917 short story by Katherine Mansfield. It was first published in the New Age on 20 September 1917, under the title of An Album Leaf. A revised version later appeared in Bliss and Other Stories. Ian French is a young artist who lives alone in Paris. He is very reserved and rarely talks to anyone. He is particularly shy around women and rejects their advances. One day he sees a girl his own age on the balcony of the building opposite his and becomes infatuated with her.

Prelude is a short story by Katherine Mansfield. It was first published by the Hogarth Press in July 1918, after Virginia Woolf encouraged her to finish the story. Mansfield had begun writing Prelude in the midst of a love affair she had in Paris in 1915. It was reprinted in Bliss and Other Stories (1920). The story was a compressed and subtler version of a longer work The Aloe, which was later published posthumously in full. The story is based on the Beauchamps' move to Karori, a country suburb of Wellington, in 1893.

Psychology is a 1920 short story by Katherine Mansfield. It was first published in Bliss and Other Stories. A man visits a woman for tea. He tells her this is the only place he pays attention to in terms of its furniture and so on. He also loves her 'little boy'. They then talk about the state of the novel as a literary genre - coming to the conclusion that the psycho-novel is shoddy. She feels anguished about possibly having failed in not following suit with that genre however, and he leaves...