検索キーワード： 著者 "Alexandre Dumas" すべてのカテゴリー

This is the hauntingly romantic story of Marguerite Gautier, a Parisian courtesan who falls in love with a young man of modest means. Set in the glittering mid-19th century of the French Empire, it evokes scenes of sumptuous feasts and riotous entertainments amid the swirling milieu of sophisticated Parisian society. The story begins when the narrator, Armand Duval, tells how he met the beautiful young temptress at a theatrical performance.

Alexandre Dumas écrit La Route de Varennes dans un souci de vérité historique. Reprenant tour à tour les différents récits historiques pour en montrer les erreurs, l'auteur s’attache à reprendre la même route que Louis XVI et sa famille lors de leur fuite de Paris, pas à pas, pour trouver traces et témoignages de ce grand fait historique. Alexandre Dumas signe ici un un petit roman aussi instructif que réjouissant.

1660. Aramis est évêque de Vannes. Il est un des rares à connaître l'existence du frère jumeau de Louis XIV, retenu prisonnier sous un masque de fer. Il entend bien se servir de ce secret pour asseoir son pouvoir, placer ce mystérieux frère sur le trône et devenir son Premier ministre. Mais il se heurtera au fidèle d'Artagnan, bien décidé à tout faire pour défendre le véritable Roi.

Schon als er sie das erste Mal sieht, spürt Armand Duval, dass Marguerite Gautier eine wichtige Rolle in seinem Leben spielen wird. Der wohlhabende Bourgeois verliebt sich in die Kurtisane und auch ihre Liebe zu ihm ist entfacht. Doch als der Vater Armands von der unschicklichen Verbindung erfährt, drängt er Marguerite, sich zum Wohle seines Sohnes zurückzuziehen. Aus Liebe zu Armand gibt sie nach, stößt ihn von sich und kehrt gebrochen in ihr altes Leben als Kurtisane zurück.

Thirty years after their first adventures in The Three Musketeers, we find Athos, Porthos, Aramis, and D'Artagnan in very different situations. Athos has settled down at his own estate. Porthos married a rich widow, and is now a Baron. Aramis joined a monastery, and is now the Bishop of Vannes. D'Artagnan alone remains a Musketeer for the king, and is now captain of the very force he so longed to join all those years ago. In The Man in the Iron Mask, Dumas develops his Musketeers into probing, multifaceted characters.

A tale of mystery, adventure, and political intrigue, this conclusion to Dumas’ swashbuckling musketeer saga is based on the true story of a masked prisoner who dwelled in the Bastille during the Louis XIV’s reign and whose identity remains in question to this day.

Regal and dazzlingly beautiful, Mary Stuarts succumbed to the irresistible impulses of passion and gambled away her throne for love in a deadly game of power against her envious cousin, Elizabeth I. She not only lost her kingdom, but also her life. Betrayed by those she trusted most, pampered and adored even as she was led to her own beheading, she remained an enigma five centuries after her death.

Tandis qu'à Paris, le cardinal Mazarin est sur sa fin, le prétendant au trône de Grande-Bretagne, Charles, accompagné par le valet Parry, est venu en France pour demander à son cousin Louis XIV de l'argent pour lui permettre de reprendre son trône. Alors que Louis s'engage à le faire, son ministre Mazarin le contraint à refuser l'aide promise. D'Artagnan, toujours lieutenant et témoin de la scène, présente sa démission au roi, qu'il trouve trop faible face au ministre.

Edmond Dantès, an innocent young sailor, falls into despair when he is arrested on a false charge of treason and thrown into prison without a trial. He learns of his friends' betrayal from the Abbé Faria, an equally innocent prisoner, and plots his revenge following a daring, if nightmarish escape from the Chateau d'If. After becoming a wealthy man, he assumes the guise of the urbane Count of Monte-Cristo and begins to entrap his enemies one by one.

L'action du roman se déroule entre 1572, date du mariage de Marguerite de Valois avec Henri de Navarre, futur Henri IV, et la mort de Charles IX de France en 1574. Alexandre Dumas y met en scène les intrigues de cour, l'assassinat de l'amiral de Coligny, le massacre de la Saint-Barthélemy, l'idylle inventée entre la reine de Navarre et le comte de la Mole ainsi que la pratique de la torture judiciaire à la Renaissance. Il fait de Catherine de Médicis une figure inquiétante, se servant de son astrologue et parfumeur Côme Ruggieri pour faire assassiner ses ennemis. Le roman met aussi en scène la conspiration visant à rendre la Navarre à son roi.

The novel, a deceptively simple story, is set in Holland in 1672 during the amazing tulipmania of the 17th century that brought wealth to some and ruin to many. The story weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a political allegory in which Dumas makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra.

In Celebrated Crimes [eight volumes: this version, 1895], Dumas the elder, recognised master of historical fiction (The Count of Monte Cristo, The Three Musketeers) turns to historical fact. In this volume: Joan of Naples. The much-married queen does what she must to survive ‘the violence and treachery of this barbarous age’. ‘An angel soiled by crime, she lied like Satan himself .’ The Man in The Iron Mask (an essay). How much of the well-known story is fact, and how much fiction?

Our lovable and headstrong hero D'Artagnan bounds from one brush with death to another, uncovering a plot orchestrated by Cardinal Richelieu that threatens the beautiful Queen Anne of Austria and the entire Kingdom of France. Together with his friends Athos, Porthos, and Aramis, he must stop at nothing to thwart the Cardinal's murderous schemes and rescue the love of his life in a quest that takes him to all corners of 17th Century France and beyond.

The story of France from the Renaissance to the 19th century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.

The young and headstrong D'Artagnan, having proven his bravery by dueling with each, becomes a friend of Athos, Porthos, and Aramis, members of the King's Musketeers. At the urging of the woman he loves, he and his friends head for England to reclaim two diamond studs that the Queen imprudently gave to her lover, the Duke of Buckingham. However, the chief minister of King Louis XIII will resort to anything to stop the Musketeers from interfering with his plan to ruin Queen Anne’s reputation…even murder.

The Count of Monte Cristo is an adventure novel by Alexandre Dumas.

Published in 1844, it is often considered one of the great thrillers of all time and, along with The Three Musketeers, Dumas' most popular work.

Falsely accused of treason, the young sailor Edmund Dantes is arrested on his wedding day and imprisoned in the island fortress of the Chateau d'If. After staging a dramatic escape, he sets out to discover the treasure of Monte Cristo and catch up with his enemies.

An adventure story primarily concerned with themes of hope, justice, vengeance, mercy, and forgiveness, it focuses on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune and sets about getting revenge on those responsible for his imprisonment. However, his plans have devastating consequences for the innocent as well as the guilty.

Der junge, aus verarmten Landadel stammende d'Artangnan verlässt seine gascognische Heimat und zieht nach Paris, um sich in den Dienst König Ludwigs XIII. zu stellen...

Now, for the first time in audio, Blackstone presents seven great plays in one volume: Euripides' Medea, Shakespeare's The Tempest, Moliere's The Imaginary Invalid, Dumas' Camille, Ibsen's An Enemy of the People, Shaw's Arms and the Man, and Chekhov's Uncle Vanya. These productions illustrate the development of European drama from ancient times to the threshold of the modern theater.

Tous pour un et un pour tous, Athos, Porthos, Aramis initient le jeune d'Artagnan à la vie de mousquetaire du roi Louis XIII. Ensemble, ils combattent l'énigmatique et cruelle Milady, et déjouent les pièges retords de leur ennemi juré, le cardinal de Richelieu. Les péripéties rocambolesques, ainsi que le ton à la fois tendre et moqueur de Dumas, ont fait de ce texte un classique incontournable du renouveau romantique du XIXème siècle.