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When Jessie Shimmer traveled to a nightmare underworld to save her lover, Cooper Marron, she gained magical powers . . . which soon seemed more like curses. Her beloved familiar, the ferret Pal, became a monster. Her enemies multiplied like demons. Worst of all, she hasn’t found a moment of peace to be with the man she adores.

Like a killer returning to the scene of the crime, Elvis came back home to Memphis, where it had all begun. Eschewing the fancier studios of Nashville and Hollywood, he set up shop at the ramshackle American Sound Studio, run by a maverick named Chips Moman with an in-house backing band now known as "The Memphis Boys,"" and made the music of his life. The resulting work, From Elvis in Memphis, would be the finest studio album of his career, an explosion of mature confidence and fiery inspiration.

White Limozeen (1989) was a commercial recovery after Dolly Parton's first major failure two years previously with the release of Rainbow. This book is a case study in how an album is sold and a persona constructed. The album had a complex relationship to the country music genre at a time when the genre was in the middle of major sonic and cultural shifts, and it represents how country music saw itself. This question of identity was especially relevant since White Limozeen was produced by Ricky Skaggs, the bluegrass prodigy who was in the middle of his own genre-widening experiments.

Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar’s sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering laudatory album reviews, many awards, and even a canonized place in Harvard’s W. E. B. Du Bois archive. Why did this strangely compelling record stimulate the emotions and imaginations of listeners?

James Ryder just learned that his girlfriend, Chelsea, has turned into a vampire, and now she’s out for blood—his. Thought missing, she returns home claiming she has amnesia. Being dead shouldn’t interfere with her social life, so she heads back to school. Now James’s only hope to stay human is to hook up with Rina Cargiale, the new girl, who’s also a two-hundred-year-old vampire.

Vs. is the sound of a band on fire. The same confluence of talent, passion, timing, and fate that made “grunge” the world’s soundtrack also lit a short fuse beneath Pearl Jam. The band combusted between late 1992 and mid-1994, the span during which they planned, recorded, and supported their sophomore record. The spotlight, the pressure, the pace—it all nearly turned the thriving act to ash.

Swallowing the chaos wrought by his public persona and digesting it as a grandiose allegory of self-redemption, Kanye sublimates his narcissism to paint masterstroke after masterstroke on MBDTF, a 69-minute hymn to egotistical excess. Sampling and ventriloquizing the pop music past to tell the story of its future–very much a tale of our culture's wish for unfettered digital ubiquity–MBDTF is the album of its era, an aesthetic self-acquittal and spiritual autobiography of our era’s most dynamic artist.

Hazel Blackthorn is an outcast, the bastard daughter of a nameless sailor and a disgraced mother. She will do anything to marry her secret fiancé and escape her oppressive life. When her fiancé announces he must marry her cousin in order to save his family’s crumbling business, Hazel is heartbroken and her hope for the future crushed. But a kind old man offers her salvation: Travel to the mythical Bazaar that visits the island once every thirty years and return before the end of the festival with medicine he needs, and she will have all the riches in the world. Gripped by hope, Hazel accepts.

BACKPACK, BOY, BERLIN is about Don Heath, Jr., the 11-year-old boy who secretly carried information between his American diplomat father and the anti-Nazi resistance group leader Mildred Harnack. Kip's books are meticulously researched, and written in verse--a great way to bring history to younger listeners.

This book charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener’s point of view, drawing attention to the art and craft of Bush’s songwriting, production and sound design.

This book celebrates Madvillainy as a representation of two genius musical minds melding to form one revered supervillain. A product of circumstance, the album came together soon after MF DOOM's resurgence and Madlib's reluctant return from avant-garde jazz to hip-hop.

Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.

The apex of critical praise and commercial success is a metric achieved by a select few. In 2020, Cardi B became synonymous with “record breaking” as her debut album Invasion of Privacy went five times platinum and became the longest charting record by a female rapper in history. From streaming and charting to views, likes, retweets, and shares, Cardi dominates.

Sound interesting? The author thinks so too! Listen to Out of the Loop today.

The town of Paradiso, California, is abuzz during the lead-up to its annual Peach Blossom Festival. This year, the theme is the 1950s, so the locals are already calling the soon-to-be-named queen, “Peggy Sue” after the Buddy Holly song. The four finalists are all seniors at the high school, with an equal chance of winning the crown—or dying . . .

With a suspect who has confessed to the murder of the Peach Blossom Queen behind bars, the cloud over Paradiso, California, has lifted. Along with everyone else, high school senior and part-time sleuth Hope Hubbard is relieved to move on from the tragedy and flurry of false accusations. When the new Peach Blossom Queen is announced, the longshot winner realizes that it’s no fun being celebrated by the town when someone you’ve known your whole life is behind bars.

When Lana Lee’s best friend, Megan Riley, asks her to help host a speed dating contest at Ho-Lee Noodle House, she doesn’t see the harm in lending a hand. The night goes better than anticipated, and both Lana and Megan are beyond thrilled with the results. But before they can break out the champagne, Rina Su, fellow Asia Village shop owner and speed dating participant, calls to inform Lana that the date she’s just matched with has been murdered. Under suspicion of foul play, Rina enlists Lana’s help in finding out what really happened that night.

They meet as children. They grow up together. It’s only after one fatefully misheard conversation that Heathcliff leaves, believing his love for Catherine isn’t reciprocated. When he returns, he is a wealthy and polished man but things have now changed–drastically–and Heathcliff starts to exact terrible revenge on those who wronged him…

With Lana Lee as his right-hand woman and head event planner, Ian Sung orchestrates an extravagant evening filled with music, live entertainment, and generous giveaways. But at the end of the night, during an elaborate firework show in the parking lot, a member of the lion dance performance team is found dead backstage with a single bullet hole through the heart and a red envelope in their pocket containing four one-dollar bills―an omen of death.

Lana and Anna May can’t imagine things getting any better until they learn their aunt has yet another surprise in store for them―a swanky cocktail party hosted for the freelancers of Southern California. But on the night of the party, things go south when a close journalist friend of Grace’s mysteriously plunges from the roof top of the hotel. Even more suspicious is the fact that Aunt Grace’s friend is the same journalist Lana saw getting into a screaming match with the fortune cookie vendor at the convention.