検索キーワード： 著者 "G. K. Chesterton" すべてのカテゴリー

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent "The Chief Mourner of Marne"- a fascinating story with unexpected twists - about a duel and a case of mistaken identity.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

In the realm of narrative literature, the appeal of the short story is that it provides nearly immediate satisfaction. Here is a collection of wonderful classic short stories by such great authors as Saki, G.K. Chesterton, Edgar Wallace and O. Henry.

Classic Poems for Boys comprises a delightfully varied set of over 20 poems for 5- to 10-year olds. From rousing favorites like Felicia Dorothea Hemans’ "Casabianca" and John Keats’ "A Song About Myself", to dreamy, thoughtful poems by Henry Wadsworth Longfellow and Rudyard Kipling, this is a collection to be treasured.

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton.

In this 1905 collection of essays, G. K. Chesterton contests the growing intolerance for religious thinking and theological debate. He calls out friends and contemporaries - George Bernard Shaw, Rudyard Kipling, and H. G. Wells, among others - who hold divided views on art, literature, and politics but universally dismiss orthodox opinions on God and the cosmos.

Poet Gabriel Syme believes in the beauty of order and, as such, is recruited by Scotland Yard to an anti-anarchist police corp. While undercover, Syme meets fellow poet Lucian Gregory, a verse writer devoted to disorder, who introduces him to London’s anarchist underworld. Just as Gregory is to be elected to the central council, Syme’s cover is revealed and he is forced to make a decision that sends the cabal into chaos. Is anyone in this underground faction who or what they seem? Syme suddenly realizes he doesn’t have all the answers.

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

Eight adventures in this classic British mystery series featuring Horne Fisher and his trusted friend Harold March. Horne is a natural sleuth, but his inquiries develop moral consequences. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper crust English society before World War One. Contains eight stories: "The Face in the Target", "The Vanishing Prince", "The Soul of the Schoolboy", "The Bottomless Well", "The Fad of the Fisherman", "The Hole in the Wall", "The Temple of Silence", and "The Vengeance of the Statue."

These selections taken from Chesterton's books, essays, poems, and newspaper articles offer us a sharp (and sometimes poignant) look at politics, religion, society, and the human race. This collection includes excerpts from "Orthodoxy", "What's Wrong With the World", "Tremendous Trifles", "George Bernard Shaw", "All Things Considered", "The Ball and the Cross", "Heretics", "The Defendant", "Charles Dickens", and "Twelve Types", among others.

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown".

The gentle, unassuming cleric ferrets out the guilty in such mysteries as "The Blue Cross", "The Honour of Israel Gow", "The Hammer of God", "The Queer Feet", "The Flying Stars", "The Secret Garden", "The Eye of Apollo", "The Invisible Man", "The Wrong Shape", "The Sins of Prince Saradine", "The Sign of the Broken Sword", and "The Three Tools of Death".

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?

Listeners will delight in these masterful chronicles of the adventures and mishaps of Father Brown. Small, round-faced, and engagingly innocent, Brown is a Roman Catholic priest from East Anglia. He also happens to be a top-notch detective, possessing that rarest of all gifts - an intuition that never fails.

Father Brown and Flambeau, now a private detective, arrive at Glengyle Castle in Scotland to help Inspector Craven of Scotland Yard solve the strange death and secretive burial of the late earl, a secluded man who lived as a hermit with his servant, the silent Israel Gow. The Earl died and was buried in secrecy by Gow. The clues to the crime, if there has been a crime, are large in number and baffling. What is behind these odd and mysterious events?

“My last crime was a Christmas crime, a cheery, cozy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species.” How does Father Brown solve the theft of three gorgeous, large diamonds by a boastful thief?

Aristide Valentin, Paris chief of police, has decided to stage a grand dinner party at his estate. The estate has only one entrance, with a garden protected by a high wall; there is no entering or leaving except by the main entrance, which is guarded by Valentin's steadfast servant, Ivan. However, a murder most foul occurs, a decapitation, and it will be up to Father Brown to use all his wits to solve this heinous murder.