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The dramatic romance was a poetic form particularly favored by Robert Browning. This collection of 25 poems includes many of the poet's most celebrated efforts in this genre. Each of these poems is essentially a monologue or imagined conversation by a character recalling a life-changing event. The particular occurrence may be related to war (Incident of the French Camp), love (The Last Ride Together), murder (Porphyria's Lover), or even a humorous fable (The Pied Piper of Hamelin.)

Between 1895 and 1898, H. G. Wells wrote five science fiction novels, which have become among the most celebrated examples of the genre. The first of these was The Time Machine, in which Wells explores not only the fascinating subject of time travel but also the potential dangers to human autonomy by the advance of civilization. Well's world-weary Time Traveller, who is the main narrator, is one of his most quirky and appealing characters.

Alexander Pope (1688-1744) was the most notable literary figure of his time, just as John Dryden (1631-1700) had been of the preceding age. He was born in London, the son of a prosperous linen merchant, and to his dying day, he remained the poet of the town rather than of the country.

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

Neither the date nor the authorship of the Dhammapada is known, but there is conclusive evidence that this monument of the Buddhist canon existed well before the Christian era. Many scholars agree in ascribing its utterances to Buddha himself, while others are of the opinion that it is a compilation made by Buddhist monks from various sources. This classic religious text focuses on practical morality, which, if practiced earnestly and diligently, will lead the practitioner to Nirvana, the state of unconditioned eternal bliss.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

This collection of 35 poems is a sequel to a volume of lyrical ballads first published in 1798. While the first volume was a collaboration between Wordsworth and Samuel Taylor Coleridge, this anthology contains verses by Wordsworth only. Generally, the poems are less well-known than those of the earlier volume but do include major narrative pieces, like "The Pastoral Epics", "The Brothers", and "Michael".

In this collection, the authors were striving for a natural and unaffected style of verse that sought to avoid the elaborate structures and artifice that they considered had characterized much of the poetry of the 18th century. Of the 23 poems, only four are by Coleridge, including "The Rime of the Ancient Mariner", which is the most famous poem in the collection. The most notable contribution by Wordsworth is the concluding poem, "Tintern Abbey".

This collection of sixteen poems features several notable examples of his early work, including “Oenone” and “The May Queen”, as well as two of his most iconic works, “The Lady of Shalott” and “The Lotus Eaters."

This dramatic romance, first published in 1845, ostensibly relates the story of the escape of a love-lorn young woman from the rigours of life with a stern and uncaring husband. Several commentators have seen the poem as an oblique reference to Browning's own current life situation, in which he enabled his future wife, Elizabeth Barrett, to escape from the confines of a patriarchal household to Italy, a country that forms the backdrop to many of his poems.

Gitanjali (song offerings) is a collection of 103 devotional poems written originally in Bengali and first published in 1910. In 1912 a translation into English by the author was published in 1912, and led to his being awarded the Nobel Prize for Literature in 1913.

Shakespeare's dominance during the Elizabethan era has overshadowed the works of many of his truly gifted contemporaries. This collection features poems covering a wide range of subjects, including love songs, wedding songs, and meditations on death, presented in a variety of forms.

This pacifist manifesto was published in 1917, as the First World War was dragging to a close. The resolution of this catastrophic conflict resulted in a reconstruction of Europe, the fallout from which led to an even more cataclysmic war. Russell delineates the problem as being due to the institutionalizing of national hostilities and the consequent apportioning of blame among the warring parties. In his exposition Russell considers the roles played by a number of institutions, social and political, reserving some his sharpest criticism for organized religion.

This poem was composed in 1875 and 1876, but was not published until 1918. It is considered by many to be Hopkins' masterpiece. One hundred and sixty-eight passengers and crew died when the steamship Deutschland ran aground on the Kentish Knock. Hopkins weaves many Christian themes into his poetic retelling of the tragedy, including the inevitability of suffering, divine providence, salvation, and the hiddenness of God.

Thomas Troward (1847-1916) was a divisional Judge in British-administered India. In his retirement, he became well known as a lecturer on metaphysical subjects and developed a unique New Thought philosophy, which he discussed in a number of books. The Law and the Word was published posthumously in 1917. The book explores the power of the word as the fundamental element in manifestation. Troward held the word to be the expression of the immutable law of creation and supports his claim with extensive citations from the Bible.

Ebenezer Mac Crotchet, Esq., who has a mixed Scottish and Jewish parentage, has inherited some sterling qualities but is determined to destroy, as much as possible, all vestiges of his extraction. His villa has become a resort for literary and scientific men, with the result that the author easily provides himself with enough characters to introduce his favourite remarks on a wide range of topics, including Ancient Greek, transcendentalism, contagion, education, political economy, and meteorology.

Unlike most of Peacock's novels, The Misfortunes of Elphin has a distinct plot, built around the adventures of prominent figures of Arthurian legend, like Taliesin, the bard, the princes Elphin, and Seithenyn and King Arthur himself. The drama comes to a satisfactory resolution when Arthur's wife, Gwenyvar, who has been kidnapped by the ambitious King Melvas, is restored to her husband, after some skilful negotiation by Seithenyn and a cunning abbot.

Unlike Peacock's other novels, Maid Marian has a substantial plot, based on the romantic legend of Robin Hood. As is usual with Peacock, the violence is presented in a rather humorous fashion and the characters indulge lavishly in eating and drinking. Beneath the veneer of this well-known and innocuous narrative, Peacock finds ample opportunity to satirize the foibles of church and secular government.