検索キーワード： 著者 "S.T.S.S" すべてのカテゴリー

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

Tell Me More: About the Human Body is an engaging and comprehensive guide designed to fascinate listeners with the wonders of human anatomy. This book explores the intricate systems that keep our bodies functioning, from the skeletal and muscular systems to the circulatory and nervous systems. Each chapter breaks down complex concepts into easy-to-understand sections, enriched with real-world applications.

This Very Short Introduction audiobook explores amphibians' evolution, adaptations, and biology, from the first emergence of tetrapods onto land 370 million years ago, to how their permeable skin enables them to thrive in their habitat today. T. S. Kemp describes how different amphibians go about their lives, looking in particular at their complex courtship behavior and their extraordinary means of providing care for their eggs and larvae.

A selection of poems and choruses read by T. S. Eliot himself, recorded in 1959. Poems : A song for Simeon, Ash wednesday, Family reunion Act II, Marina, Mr Eliot's Sunday morning, Murder in the cathedral Part I, O light invisible from the roc, Portrait of a Lady, Preludes, The love song of Alfred Prufo, Triumphal march from Coriolan.

The Waste Land and Other Poems by T. S. Eliot, read by Edoardo Ballerini. To mark the centenary of the publication of The Waste Land, by T. S. Eliot, Faber & Faber, in association with the T. S. Eliot Foundation, commissioned this new recording of T. S. Eliot's major poems, narrated by Edoardo Ballerini. Ballerini is widely regarded as the brightest star of the audiobook era, one of the finest narrators of literature today.

A delightful new recording of T. S. Eliot's beloved cat poems. Cats! Some are sane, some are mad and some are good and some are bad. Meet magical Mr. Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there! In 1925, T. S. Eliot became codirector of Faber & Faber, who remain his publishers to this day.

I've had tunnel vision for one main goal for so long, that I forgot there was a whole other world just outside. Until Lana. She's everything I never expected, and I love the fact I can never guess her every move or reaction. It's part of the reason I keep falling. But I also know she shuts me out, hides things from me she feels she can't share. One day, I hope she trusts me enough to share. It isn't until my job puts her at risk that I realize just how fierce she is, but it doesn't stop me from doing all I can to protect her.

Hush, little baby, don't say a word . . . Will Logan choose them? Or will we watch them burn together? It's time to f--k with their minds. It's time to finish it all. It's time to paint it all red . . . Monsters don't usually wish for happily-ever-afters.

To understand the monsters in the world, you have to get inside their heads. It's a dangerous place to be, especially when you start to empathize and lose your own sense of morality. But that's never happened to me . . . I've never felt conflicted on any case. Right is right and wrong is wrong. It's simple. Black and white. There's no such thing as a gray area. But f--k this case. I don't even know what side I'm on anymore. I don't understand how this town can continue to function without breaking under the weight of all the lies they've spun and lived.

Logan Bennett makes me want to have a future not tainted by the constant hunger for revenge. Doesn't mean I can stop. Doesn't mean I want to stop. It just means I want more . . . one day. But how do you make a good man love the monster inside you without stripping his soul away as well? He is all the best parts of me right now, resurrecting bits of my heart I forgot could even exist. He makes me feel something other than cold.

I didn't expect him. I didn't want to fall in love. But I can't let him go. Logan Bennett makes the world a safer place. He's brilliant. He's a hero. He locks away the sick and depraved. But while he's saving lives, I'm taking them. Collecting the debts that are owed to me. Ten years ago, they took from me. They left me for dead. They should have made sure I stayed dead. Now I'm taking from them. One name at a time.

The Star Wars films continue to revolutionize science fiction, creating new standards for cinematographic excellence and permeating popular culture around the world. The films feature many complex themes ranging from good versus evil and moral development and corruption to religious faith and pragmatism, forgiveness and redemption, and many others.

In "The Waste Land,” T. S. Eliot’s eulogy for all that is buried after World War I, April promises a flowering. But as the world mourns the spirit of a bygone era, what future can emerge from the cold, dead, infertile ground? Doubt and fear grip the narrator, too, in “The Love Song of J. Alfred Prufrock” - a self-examination of an anxious, overeducated man unable to act against feelings of paralyzing impotence.

The Waste Land is a seminal work of modernist poetry by T.S. Eliot. Written in 1922, this five-part poem is a portrait of its time, a work that expresses the disillusionment of the modernist era and the desperation that the generation of writers of that time was feeling....

The practical cats need no introduction, but this stunning new reading by Lemn Sissay brings the poems vibrantly alive to introduce a new generation of children to Eliot's work. Lemn Sissay MBE is a poet, playwright and occasional broadcaster. He has read poetry all over the world and was the first poet commissioned to write for the London Olympics.

When Esther’s sister vanishes without a trace, no one cares—not for a struggling addict. But Esther refuses to let the only family she has left slip away. Her search becomes an obsession, uncovering whispers of a dark secret others have died to keep buried. Dozens of disappearances. The same location. The same lie. Every year, the government sends a group of people deep into New Hampshire’s White Mountains. And every year, they don’t return.

Immerse yourself in T.S. Eliot's thought-provoking poem as award-winning narrator Mike Vendetti reads "The Hollow Men".

With power comes a price, and the Devil has come to collect on an ancestral deal. David's days are numbered, and death looms at his door. Reluctantly, he reaches out to the only person he's ever trusted, his ex-boyfriend and secret society rival Rhys, for help. However, the only way to get to Rhys is through his wife, Moira. Thrust into each other's care, emotions once buried deep resurface, and the trio race to figure out their feelings for one another before the Devil steals David away for good . . .

What if the most dangerous serial killer is the one who hunts her own kind? By day, Leah Nachtnebel is celebrated as one of the greatest pianists of our time. By night, she becomes a ruthless killer, using her brilliant mind to hunt predators who believe they’ve escaped justice. But when her latest target unearths a connection to her dark past, Leah is thrust into the crosshairs of two relentless forces: an FBI agent determined to uncover her secrets and a sadistic serial killer who doesn’t just see her as a traitor—he sees her as a trophy he must possess.

Ever since Rhys McGowan was a boy, he's only wanted two things: power and love. Now, as High Priest of Boston's premiere Secret Society, husband to his adoring witch wife Moira, and partner to David—his psychic rival-turned-boyfriend, Rhys is finally at peace. But when a strange ritual rocks Boston's occult community, and opens the Society up to sabotage, Rhys delves even deeper into the dark world of demon-summoning. He's used to carrying the weight of the world on his shoulders, but the strain of managing so many spirits will push him to the brink.