検索キーワード： 著者 "S.T.S.S" すべてのカテゴリー

The British Classics Collection – Volume 2 steps into the grand world of 18th, 19th, and 20th-century British literature to create a compelling anthology featuring iconic works that span time and genres. From the whimsy of Alice in Wonderland to the mystery of The Woman in White, the philosophical insights of The Waste Land and the unforgettable detective stories of Sherlock Holme, this volume offers a rich variety of British literary masterpieces.

From the haunting reflections on war in All Quiet on the Western Front and A Farewell to Arms to the poetic expression of inner conflict in the works of Owen, Rosenberg, and Brooke, this collection provides a window into the world of writers who grappled with the aftermath of trauma and the search for meaning. The full cast includes Nathan Osgood, Ben Allen, Jonathan Keeble, Thomas Judd, Robert G. Slade, Adam Sims, Barnaby Edwards, and David Rintoul.

DeGrave Brothers: The Coldwater TerrorA horror-comedy audio series drenched in gore, ghosts, and gallows humor.Grave-robbing brothers Doug and Phil DeGrave take on their most deranged job yet: cleaning up a sadistic S&M dungeon known as the Coldwater Inn. But something ancient and unspeakable lurks beneath the leather and latex—something hungry. What begins as a monster-of-the-week hustle spirals into a hellish descent through cursed artifacts, undead perverts, and the terrifying secrets of Coldwater’s past.If you like ‘80s horror movies, grindhouse sleaze, Lovecraftian nightmares, and ...

The Waste Land is a seminal work of modernist poetry by T.S. Eliot. Written in 1922, this five-part poem is a portrait of its time, a work that expresses the disillusionment of the modernist era and the desperation that the generation of writers of that time was feeling....

Despite Eliot's comparative youth at the time (he was in his early thirties) each poem brilliantly captures different aspects of the profound effect of the aging process on human aspiration.

In "The Waste Land,” T. S. Eliot’s eulogy for all that is buried after World War I, April promises a flowering. But as the world mourns the spirit of a bygone era, what future can emerge from the cold, dead, infertile ground? Doubt and fear grip the narrator, too, in “The Love Song of J. Alfred Prufrock” - a self-examination of an anxious, overeducated man unable to act against feelings of paralyzing impotence.

T.S. Eliot’s Murder in the Cathedral is both a fascinating retelling of the 12th-century assassination of Archbishop Thomas Becket and a compelling call for resistance in the face of intimidation. Written against the backdrop of rising Fascism in 20th-century Europe, Eliot’s classic verse play is as relevant now as it ever was. This re-release of the original 1953 recording stars Robert Donat whose commanding performance as the Archbishop, alongside a full cast, is widely celebrated.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

A delightful new recording of T. S. Eliot's beloved cat poems. Cats! Some are sane, some are mad and some are good and some are bad. Meet magical Mr. Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there! In 1925, T. S. Eliot became codirector of Faber & Faber, who remain his publishers to this day.

The practical cats need no introduction, but this stunning new reading by Lemn Sissay brings the poems vibrantly alive to introduce a new generation of children to Eliot's work. Lemn Sissay MBE is a poet, playwright and occasional broadcaster. He has read poetry all over the world and was the first poet commissioned to write for the London Olympics.

T.S. Eliot's - Four Quartets consist of four interlinked meditations (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”) with a common theme of man’s relationship with time, the universe, and the divine. Note: Please listen on headphones (if possible)

Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realises that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets.

To understand the monsters in the world, you have to get inside their heads. It's a dangerous place to be, especially when you start to empathize and lose your own sense of morality. But that's never happened to me . . . I've never felt conflicted on any case. Right is right and wrong is wrong. It's simple. Black and white. There's no such thing as a gray area. But f--k this case. I don't even know what side I'm on anymore. I don't understand how this town can continue to function without breaking under the weight of all the lies they've spun and lived.

Logan Bennett makes me want to have a future not tainted by the constant hunger for revenge. Doesn't mean I can stop. Doesn't mean I want to stop. It just means I want more . . . one day. But how do you make a good man love the monster inside you without stripping his soul away as well? He is all the best parts of me right now, resurrecting bits of my heart I forgot could even exist. He makes me feel something other than cold.

I've had tunnel vision for one main goal for so long, that I forgot there was a whole other world just outside. Until Lana. She's everything I never expected, and I love the fact I can never guess her every move or reaction. It's part of the reason I keep falling. But I also know she shuts me out, hides things from me she feels she can't share. One day, I hope she trusts me enough to share. It isn't until my job puts her at risk that I realize just how fierce she is, but it doesn't stop me from doing all I can to protect her.

I didn't expect him. I didn't want to fall in love. But I can't let him go. Logan Bennett makes the world a safer place. He's brilliant. He's a hero. He locks away the sick and depraved. But while he's saving lives, I'm taking them. Collecting the debts that are owed to me. Ten years ago, they took from me. They left me for dead. They should have made sure I stayed dead. Now I'm taking from them. One name at a time.

Thomas Stearns Eliot OM (26 Sept 1888 – 4 Jan 1965) was a poet, essayist, publisher, playwright, and literary and social critic. Born in St. Louis, Missouri, to a prominent Boston Brahmin family, he moved to England in 1914 at the age of 25 and went on to settle, work and marry there. He became a British subject in 1927 at the age of 39, subsequently renouncing his American citizenship.

After barely escaping from his last project alive, Professor Elliot Brand wanted to spend a few calm months lecturing in London. But when a billionaire presents him with the perfect mystery, he can't resist and soon finds himself in a dangerous world of Nepali spies, ancient ruins, and a truth about humanity that might change the world forever... or end it.

Hush, little baby, don't say a word . . . Will Logan choose them? Or will we watch them burn together? It's time to f--k with their minds. It's time to finish it all. It's time to paint it all red . . . Monsters don't usually wish for happily-ever-afters.

Immerse yourself in T.S. Eliot's thought-provoking poem as award-winning narrator Mike Vendetti reads "The Hollow Men".