検索キーワード： 制作 "Penguin Audio" アフリカ系アメリカ人

In January 1959, Art Copleston was escorted out of his college accounting class by three police officers. In a motel room, blinds drawn, he sat in front of a state senator and the legal counsel for the Florida Legislative Investigation Committee, nicknamed the “Johns Committee.” His crime? Being a suspected homosexual. And the government of Florida would use any tactic at their disposal—legal or not—to get Copleston to admit it.

In Ta-Nehisi Coates's keenly anticipated new book, The Message, he explores the urgent question of how our stories – our reporting, imaginative narratives and mythmaking – both expose and distort our realities. Travelling to three resonant sites of conflict, he illuminates how the stories we tell – as well as the ones we don’t – work to shape us.

Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, Blackness in museums, Blackness in feminist art movements, as well as Blackness in the curriculum, Alayo unveils an overlooked but integral part of our collective art history.

In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the British and American slave ships of the eighteenth century. With meticulous detail, Rediker uncovers the harsh realities of the slave trade, shedding light on the inhumane treatment of captives and the power dynamics aboard the ships. From the economic motivations driving the trade to the efforts of abolitionists, this book reveals the birth of African American culture amidst a backdrop of horror and despair.

Distilled over many years from Henry Louis Gates, Jr.’s, legendary Harvard introductory course in African American studies, The Black Box: Writing the Race, is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison—these writers used words to create a livable world, a home, for Black people destined to live out their lives in a bitterly racist society.

During those dark pre-antibiotic days, when tuberculosis killed one in seven people, white nurses at Sea View, New York’s largest municipal hospital, began quitting. Desperate to avert a public health crisis, city officials summoned Black southern nurses, luring them with promises of good pay, a career, and an escape from the strictures of Jim Crow. But after arriving, they found themselves on an isolated hilltop in the remote borough of Staten Island, yet again confronting racism and consigned to a woefully understaffed facility, dubbed “the pest house” where “no one left alive.”

As a proud son of a civil rights leader, Steven L. Reed grew up hearing stories about how his father integrated Montgomery lunch counters and took advice directly from Dr. Martin Luther King Jr. and Reverend Ralph Abernathy. However, it wasn’t until Reed was in the fourth grade and received a death threat against his father that he began to understand more fully the importance of the lessons his father was trying to impart. At this pivotal moment, his father explained, “My job is to prepare you to be a cross-bearer and not just a crown-wearer.

An icon of revolutionary politics, Angela Y. Davis has been at the forefront of collective movements for prison abolition for over fifty years. Abolition: Politics, Practices, Promises, the first of two important new volumes, brings together an essential collection of Davis’s essays, conversations, and interviews over the years, showing how her thinking has sharpened and evolved even as she has remained uncompromising in her commitment to collective liberation.

Distilled over many years from Henry Louis Gates Jr's legendary Harvard course in African American Studies, The Black Box: Writing the Race is the story of Black self-definition in America through the prism of the writers who have led the way. From Phillis Wheatley and Frederick Douglass, W. E. B. Du Bois and Booker T. Washington, to Zora Neale Hurston and Richard Wright, James Baldwin and Toni Morrison, these writers used words to create a liveable world – a “home” – for Black people destined to live in a bitterly racist society.

Ekow Eshun conjures the voices of five very different men. Ira Aldridge: nineteenth century actor and playwright. Matthew Henson: polar explorer. Frantz Fanon: psychiatrist and political philosopher. Malcolm X: activist leader. Justin Fashanu: million-pound footballer. Each a trailblazer in his field. Each haunted by a sense of isolation and exile. Each reaching for a better future. Ekow Eshun tells their stories with breathtaking lyricism and empathy, capturing both the hostility and the beauty they experienced in the world.

This immersive and empowering book blends history, reporting, and personal stories to weave a gorgeous tapestry from the resilience of Black women. As White writes, “Black women are not victims. Black women are alchemists, spinning gold from a life of hardship. . . . This book is dedicated solely to Black women surviving, thriving, and glowing.” White’s book features revolutionary women from across time and space, liberating them from reductive stereotypes like “the strong Black woman,” and allowing space for emotional nuance, individual motivation, and richness of expression.

The almost unfathomable courage and the undying faith that propelled the Civil Rights Movement are brilliantly captured in these moving personal recollections. Here are the voices of leaders and followers, of ordinary people who became extraordinary in the face of turmoil and violence.

On her second birthday in 1967, Bernice McFadden died. She was in a car crash on the motorway turnoff to Detroit. For a few minutes, she was clinically dead. From the moment of her resuscitation, we follow a remarkable life, all the way up to the publication of her first novel, Sugar. Bernice’s family story begins in Sandersville, Georgia, with freedwoman Louisa Vicey Wilson in 1870. Her descendants survived Reconstruction, Jim Crow, joined the ‘great migration’, cried when Dr King was assassinated. Wisdom, secrets, and fierce love are passed down through generations of women.

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.

Sitting beneath a stained glass window dedicated to his grandmother in the Atlanta church where his family had prayed for generations, preeminent American historian David Levering Lewis was struck by the great lacunae in what he could know about his own ancestors. He vowed to excavate their past and tell their story.

In this deeply personal book, Baldwin reflects on the experiences that shaped him as a writer and activist: from his childhood in Harlem to the deaths of Martin Luther King and Malcolm X. Exploring the visceral reality of life in the American South as well as Baldwin’s impressions of London, Paris and Hamburg, No Name in the Street grapples with the failed promises of global liberation movements in fearless, candid prose.

Emmett Till’s murder is one of the most infamous in American history; a moment that, more than any other, awakened the world to the racism of the Deep South. Yet despite growing up just a few miles from where it happened, Wright Thompson knew nothing of it until he left Mississippi. This is no accident: the cover-up began at once, and it is ongoing. Over the course of five years’ research, Thompson has learnt that almost every part of the standard account of Till’s killing is wrong.