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Danny Plotnick showcases the history of Super 8 filmmaking in this must-listen audiobook. Super 8 offers a detailed look at the beloved medium - one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture. Filmmakers who got their start in Super 8 include Robert Zemeckis, Jim Jarmusch, Todd Haynes, Sam Raimi, Wes Anderson, and Alex Gibney.

La biografía de este actor y director de cine estadounidense, que saltó a la fama al dirigir y actuar al lado de Peter Fonda en la película Easy Rider: Buscando mi Destino de 1969, la serie "24”, o Máxima Velocidad, en un audiolibro que estamos seguros, le gustará de principio a fin.

Notable escritor, poeta y director de cine italiano de comienzos del siglo XX, su obra poética, igual que su obra ensayística y periodística, polemizó con el marxismo oficial y el catolicismo, a los que reprochaba no entender la cultura de sus propias bases proletarias y campesinas.

Extraordinario director de cine y guionista italiano, su prestigiosa trayectoria y su innovadora forma de hacer el cine lo catapultaron a la fama, con Oscar incluido, con clásicos como La strada, Las noches de Cabiria, La dolce vita, Julieta de los espíritus, El Satiricón, Casanova y Amarcord; etcétera.

Extraordinario director de cine italiano, sus películas 'Il conformista', 'The Sheltering Sky (El cielo protector), Little Buddha (Pequeño Buda) y especialmente, The Last Emperor (El último emperador) que ganó nueve premios Óscar en 1988, son el corolario de un tipo de cine caracterizado por un esmerado uso de la cámara y del montaje, y el trabajo de la fotografía con finalidades simbólicas.

Fue un notable director de cine español naturalizado mexicano. La gran mayoría de su vasta obra cinematográfica fue realizada en México y Francia y es considerado, por unanimidad de los críticos, como uno de los más importantes y originales directores de la historia del cine.

Se trata del director español más popular y premiado de las últimas décadas, quien por su carácter mediático y carismático ha dirigido a artistas españoles que son auténticos iconos populares de las últimas décadas en el mundo hispano como Miguel Bosé, Carmen Maura, Victoria Abril, Antonio Banderas, Penélope Cruz, entre otros. Sobre su obra y su peculiar lenguaje cinematográfico se ha escrito bastante, tanto en inglés como en español, en el mundo de la cultura de masas y en el ámbito académico.

For more than three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That into You. He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want to Do Is Direct tackles Hollywood myths through Ken’s highly entertaining experiences.

No one else produced as many television programs as Aaron Spelling. And very few enjoyed such career longevity, with more than forty years in the business— from Dick Powell's Zane Grey Theater in 1959 until his last hit shows, 7th Heaven and Charmed, aired in 2006.

From former screen legends who have faded into obscurity to new revelations about the biggest movie stars, Valderrama unearths the most fascinating little-known tales from the birth of Hollywood through its Golden Age. The shocking fate of the world's first movie star. Clark Gable's secret love child. The film that nearly ended Paul Newman's career. A former child star who, at 93, reveals her #metoo story for the first time. Valderrama unfolds these stories, and many more, in a volume that is by turns riveting, maddening, hilarious, and shocking.

Film and television director Barry Sonnenfeld's outrageous and hilarious memoir traces his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty, Pushing Daises, and A Series of Unfortunate Events.

The history of the films, cartoons, toys, and more: The Back to the Future series is a timeless collection that is greatly revered by all audiences. The beauty of this audiobook by Brad Gilmore is that it doesn't present the history of the film as textbook information. Gilmore discusses these films from a place of passion and so effectively reveals how the history behind the movies is just as engaging as the films themselves.

For over 20 years, John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, a son of Irish immigrants known for his black eye patch and for his hard-drinking, brawling masculinity, was renowned for both his craftsmanship and his brutality. John "Duke" Wayne was a mere stagehand and bit player in "B" Westerns, but he was strapping and incredibly handsome, and Ford saw his potential.

From the Emmy-winning writer and creator of All My Children, One Life to Live, and Loving, a memoir of her trailblazing rise to the top of the television industry, including behind-the-scenes stories from some of the most beloved soaps of all time.

George Miller made his first film, Mad Max, in 1976 after hiring unknown Mel Gibson and editing it in his kitchen. It would become the most profitable film ever made. Miller and Max is the story of two heroes. One, a globally recognised dystopian warrior. The second, the artist who created him. Written with the cooperation of a role call of cast, crew, family and associates, author Luke Buckmaster gets behind the scenes of both the set and the man: revealing the Max in Miller.

Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make - so that you don't have to make them yourself.

In little more than a century of cinema - Birth of a Nation was 100 years old in 2015 - our sense of what a film director is, or should be, has shifted in fascinating ways. A director was once a functionary; then an important but not decisive part of an industrial process; then accepted as the person who was and should be in charge, because he was an artist and a hero. But the world has changed.

Robert Altman - visionary director, hard-partying hedonist, eccentric family man, Hollywood legend - comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

Howard Hughes was one of the most amazing, intriguing, and controversial figures of the 20th century. He was the billionaire head of a giant corporation, a genius inventor, an ace pilot, a matinee-idol-handsome playboy, a major movie-maker who bedded a long list of Hollywood glamour queens, a sexual sultan with a harem of teenage consorts, a political influencer with intimate ties to Watergate, a Las Vegas kingpin, and, ultimately, a bizarre recluse.

When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace.