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Robert Iger became CEO of The Walt Disney Company in 2005, during a difficult time. Competition was more intense than ever, and technology was changing faster than at any time in the company’s history. His vision came down to three clear ideas: Recommit to the concept that quality matters, embrace technology instead of fighting it, and think bigger - think global - and turn Disney into a stronger brand in international markets.

The legendary Academy award-winning writer and director takes the listener on a unique joyride of personal memoir, cultural criticism and Hollywood history. For the first time, in his own words, explore the mind, the myth, and the movie magic of the one and only Quentin Tarantino.

The most successful director in movie history, Steven Spielberg has been responsible for such box-office blockbusters as Jurassic Park, Jaws, E.T. the Extra-Terrestrial, Close Encounters of the Third Kind, and the Indiana Jones trilogy. And yet throughout much of his career, Spielberg's work has been undervalued by critics who have questioned his emotional maturity and intellectual seriousness. It was not until he made Schindler's List in 1993 that he was widely recognized as a serious filmmaker.

Tony Award winner Tonya Pinkins' new book, Red Pill Unmasked, is an inside look at the on-screen and behind-the-scenes development and production of her first feature film, Red Pill, which is available on AmazonPrime and other platforms. Tonya shares her writing and directing process, as well as the historical and symbolic references in the film. She includes many inside stories about how the film almost didn't happen because there was a "red pill" on the production set.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's runtime) in light of the technological changes that have taken place in the six years since its publication.

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

The Big Bang Theory is a television phenomenon. To the casual viewer, it’s a seemingly effortless comedy, with relatable characters tackling real-life issues, offering a kind of visual comfort food to its millions of dedicated fans. But the behind-the-scenes journey of the show from a failed pilot to a global sensation is a fascinating story that even the most die-hard fans don’t know in its entirety. The Big Bang Theory:The Definitive, Inside Story of the Epic Hit Series is a riveting, entertaining look at the sitcom sensation.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

Will we ever get tired of watching Cher navigate Beverly Hills High School and discover true love in the movie Clueless? As if! Written by Amy Heckerling and starring Alicia Silverstone, Clueless is an enduring comedy classic that remains one of the most streamed movies on Netflix, Amazon, and iTunes even 20 years after its release. In the first book of its kind, Jen Chaney has compiled an oral history of the making of this iconic film using recollections and insights collected from key cast and crew members.

The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world's most iconic films. In this one-of-a-kind audio production, Coppola provides listeners with unfiltered access to his creative process in his own voice. Featuring notes from eight scenes - handpicked by Coppola himself - The Godfather Notebook is a must-listen for fans of the 1972 film.

The history of the films, cartoons, toys, and more: The Back to the Future series is a timeless collection that is greatly revered by all audiences. The beauty of this audiobook by Brad Gilmore is that it doesn't present the history of the film as textbook information. Gilmore discusses these films from a place of passion and so effectively reveals how the history behind the movies is just as engaging as the films themselves.

David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set.

Ken Webb, a seasoned veteran on-air promo writer/director and award-winning independent filmmaker, is here to take you behind the scenes and show you all the nuts and bolts of the independent filmmaking industry. From the pain-staking process of finding the right locations to feeding the crew – you will learn everything you need.

Nora Ephron at the Movies offers an unfiltered look at Ephron as a champion of the rom-com and as a feminist Hollywood trailblazer. It explores her life and work by pairing detailed criticism with exclusive interviews with Ephron’s key collaborators, including Andie MacDowell and Jenn Kaytin Robinson, to add color and nuance to her life and legacy. With her singular voice, Nora Ephron flourished as a dominant force in the entertainment industry, focusing on the idiosyncrasies of romance that were universally relatable.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

When a story resonates with audiences generation after generation, it reaches “classic” status. Francis Ford Coppola saw that potential in S. E. Hinton’s novel about two rival groups in 1960s Tulsa and knew it was meant for the silver screen. Now, in this definitive oral history, we’re given a rare glimpse into the filmmaking process: How Coppola’s team recruited unknown actors destined to become household names. How a film that could have easily been shot in a Hollywood studio was instead produced on location where the original novel was set.

The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.