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To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.

This guide to play reading for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts. Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use. The audiobook is full of tools for students and practitioners to use as they investigate plot, character, theme, and the other crucial parts of the superstructure of a play.

Mohammed is an Arab in love with Iris, a Jewish soldier of 18 years defending the State of Israel. Will he experience the happiness of a love fulfilled or will he experience the tragedy of rejection and be engulfed in an excruciating tragic end? In his second play, H. C. Kim explores the themes of love and sorrow. Like his first play, Ping Pong: A Play about American College Life, Jewish Being centralizes the idea of the power of love. Love is the most awesome phenomena in the world.

Clara Blow is a one-woman play in two acts about the life and times of Clara Bow. The "It" Girl was the movies' first American sex goddess. The star of Wings, the first film to win the Best Picture Oscar, Clara Bow's unhappy life, in many ways, paralleled that of her successor, Marilyn Monroe. A longtime victim of insomnia, Ms. Bow lies awake on the morning of her estranged husband's funeral and painfully remembers the mentally ill mother who once tried to kill her; her career as the ultimate "flapper" her many nervous breakdowns; and affairs with the likes of Gary Cooper, Gilbert Roland, director Victor Fleming, and, as is said, the USC football team.

Orson Welles is a one-person play in two acts about the life and times of Orson Welles. Some say that Orson Welles was a genius, but he always denied that. He did give us Citizen Kane, considered by most critics to be the best film ever made, but after that, his career took one long downward plunge. The play finds Welles trying to find the financing for one of his film projects. It's a difficult task, since most of the Hollywood community considers him to be a "screwball".

Neil Simon's darkly funny memoir of his family in 1930s Brooklyn is presented here by a full cast featuring Valerie Harper, Jonathan Silverman, and Max Casella.

Chekhov's masterful last play, The Cherry Orchard, is a work of timeless, bittersweet beauty about the fading fortunes of an aristocratic Russian family and their struggle to maintain their status in a changing world. Alternately touching and farcical, this subtle, intelligent play stars the incomparable Marsha Mason.

It is 1933 and Garnett and Son is on its knees. William Garnett is a journalist, sent to cover Soviet show trials in Moscow in the company of one Ian Fleming. When Fleming gets too eager for his own good with local beauty, Tatiana Romanova, the boys are arrested and thrown into the bowels of Moscow's grimmest prison, with nothing but an imprisoned American actor for company. It's hard to see how things can improve.

To write for the theater, you need to know about theater. Ideas are easy to come by. Examine your background, interest, and beliefs. Examine the world around you. Exercises can help you come up with ideas. Choose the audience you want to reach, and write to that audience.

Henry may be the wittiest playwright of his generation, but he’s hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he’s confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry’s search for the “the real thing” in art and love demonstrates beautifully why both are worth the effort in the end.

Set in 1938 Brooklyn, this gripping psychological mystery begins when attractive, level-headed Sylvia Gellburg suddenly loses her ability to walk. The only clue lies in Sylvia’s obsession with news accounts from Germany. Though safe in Brooklyn, Sylvia is terrified by Nazi violence—or is it something closer to home?

In Michael B. Druxman's outrageous comedy, Hail on the Chief!, cantankerous gentleman rancher Oliver Pettridge hates his neighbor, a former cowboy movie star. He's hated him for years over a property line dispute. As the play begins, the neighbor has just been elected President of the United States.

Michael B. Druxman’s Rathbone joins the actor near the end of his life while, because of his troubled financial condition, he is working on still another less than memorable film. The play delves into Rathbone’s dark side, exploring his relationships with his first wife, the son he virtually abandoned, and Ouida, the divisive woman to whom he was married for over 40 years, yet perhaps never really knew.

As Captain Blood, Robin Hood, and the Sea Hawk, he was the "King of the Swashbucklers". As Errol Flynn, he was Hollywood's number one rogue. He was married three times, and also was the defendant in three rape trials. Indeed, it's fitting that his last major swashbuckling film cast him in the role of Don Juan. The play joins Flynn a few weeks before his premature death. Knowing that the end is near, he is in a New York airport, waiting to fly west to see his children for the last time.

All Brexit's a stage, and all the men and women merely players.... Written by the Bard himself, with a little help from novelist Boris Starling, this wonderful comedy of errors retells the tragic story of the UK's acrimonious break from the EU, written in wonderful iambic pentameter. From Cameron and Osborne, through May and Gove, to Cummings and Boris, this is a story of cynical electioneering and poisoned political scheming, and a most original take on the defining event of our time.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

During WWII in Seattle, University of Washington student Gordon Hirabayashi fights the US government's orders to forcibly remove and incarcerate all people of Japanese ancestry on the West Coast. As he struggles to reconcile his country's betrayal with his passionate belief in the US Constitution, Gordon begins a 50-year journey toward a greater understanding of America's triumphs - and a confrontation with its failures.

In 1943, Los Angeles exploded in the infamous Zoot Suit riots, provoked by the Sleepy Lagoon murder case that railroaded young Chicano gang members who happened to be in the wrong place at the wrong time. Valdez masterfully synthesizes fact and fiction, using the case to examine Chicano Zoot Suit culture of the '40s, prejudices, the role of the media in the judicial system, and Latino family culture.

Arthur Miller’s deeply moving drama reunites two long estranged middle-aged brothers. Nostalgia and recrimination erupt as they sell off an attic full of furniture, their last link to a family and a world that no longer exists. This 1968 classic is a wrenching saga of plaintive gestures and missed opportunities. A co-production with the BBC.

A pointed look at organized, merchandised religion; the dangers of pride and ambition; the battes for power between generations; and the redemptive power of faith. A face off for control between a legendary Baptist pastor and an ambitious young preacher.