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He was “Ben-Hur", “Moses” in The Ten Commandments, and he did battle with the Planet of the Apes. During his long career, Charlton Heston projected an unequaled image of strength and authority, tempered with compassion and wisdom. Charlton Heston, Michael B. Druxman’s one-person stage play, finds the Oscar-winning actor in his final years, shortly after it has been discovered that he suffers from Alzheimer’s Disease. Struggling to hold onto his memories, he thinks back on his life; its many successes, as well as its disappointments. One actor; one set. 

The Barrymores were “The Royal Family of Broadway”, and Ethel Barrymore was their queen. Along with her brothers, Lionel and John, she was a legendary presence in the theatre and in motion pictures during the first half of the 20th century. In fact, the Barrymores and the Drews were a theatrical family that dated back many generations.

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

Michael B. Druxman’s one-person play, Ronald Reagan: Movie Star, joins the actor in 1949, when he has just lost a major film role to Errol Flynn. Indeed, not much in his life seems to be going well at this time. Divorced from actress Jane Wyman, his recent romance with Patricia Neal has also taken a wrong turn after she discovered Gary Cooper. 

 Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles. 

In the spring of 1980, the British colony of Rhodesia became the independent nation of Zimbabwe. Tonderai Munyevu, a born-free, was part of the hopeful next generation from a new country with a new leader, Robert Gabriel Mugabe. While exploring Tonderai’s personal story and his relationship with his father, Mugabe, My Dad and Me charts the rise and fall of one of the most controversial politicians of the 20th century.

Although he had a long career as an actor and director, Paul Henreid is certainly best remembered for two films he made in the early 1940s: Now, Voyager with Bette Davis, and Casablanca with Humphrey Bogart and Ingrid Bergman. Michael B. Druxman’s Paul Henreid is set in 1968 and finds the actor in Nice, France, about to costar in a film with Katharine Hepburn. He has just learned that his friend, the movie’s original director, has quit the production and must decide whether he will do the same.

Abe Vigoda worked as an actor for all of his adult life. He did theatre...He did television...But it wasn’t until he was 50-years-old that he got a role where the public even noticed him. He played Tessio in The Godfather. Michael B. Druxman’s humorous one-person play, Abe Vigoda, finds the actor with a major problem. The press has, erroneously, announced that he is dead, and his agent’s phone has stopped ringing. Now, Abe has to convince the entertainment industry that he is still with us.

Peter Lorre, Michael B. Druxman’s one-person stage play, finds the famous actor in poor health near the end of his life. He contemplates his third divorce and ponders how he will provide for his young daughter, while remembering the greener years that he spent with the likes of Humphrey Bogart, John Huston, and Sydney Greenstreet. One simple set. 

Elvis Presley’s unbreakable stronghold on the psyche of women - and theirs on him - is the focus of this much-lauded book by Elvis expert, journalist, and Country Music Association Media Achievement Award winner Alanna Nash. Baby, Let’s Play House is the first ever Elvis book to focus solely on his complex relationships with women, starting with his mother, and including celebrities such as Ann-Margret, Cher, Raquel Welch, Barbara Eden, and Cybill Shepherd. Featuring many exclusive interviews, this book is a must-have collector’s item for fans of The King everywhere.

Sherlock Holmes has been a beloved character from his first story, and his mystique endures to the modern age in print and on screen, but he has had a long life in the theater, as well. Where did it begin? What are the themes, stories, and characterizations that make his stage presence unique and just as enduring?

A native of New Jersey, Roy Scheider was his own man. He did his work well and was not afraid to butt heads with producers and directors with whom he disagreed, even to the detriment of his career. Michael B. Druxman’s Roy Scheider & the Bigger Boat finds the actor in 2002 during a lull in his career. He hasn’t done a major film for several years, as he ponders how he can change his luck.

Michael B. Druxman’s Gary Cooper at High Noon finds the 50-year-old actor at a critical point in his life. Dealing with health issues and no longer a major box-office draw, he has accepted the role in High Noon at a fraction of his usual fee, and now, as he sits in his dressing room, he ponders his deteriorating bond with Patricia Neal, as well as what to do about his friend, Carl Foreman, the screenwriter of High Noon who is about to be blacklisted. Gary Cooper has reached a point in his life where he must make a life-changing choice.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce. 

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

Choephori, or The Libation Bearers, is the second in the Oresteian trilogy on the House of Atreus, written by Aeschylus. It deals with the reunion of Agamemnon‘s children, Electra and Orestes, and their revenge upon their mother Clytemnestra for the murder of Agamemnon, which takes place in the first play, Agamemnon. The title refers to the chorus of libation bearers who supports and encourages Electra and Orestes in their quest for justice. The Oresteia is the only extant example of an ancient Greek theatre trilogy.

Alice Gerstenberg (1885-1972) was an American playwright, actress, and activist. She is best known for her many feminist plays, which often feature female lead characters and all-female casts (a rare occurrence at the time). This is a collection of ten one-act plays, which cover a wide range of topics -highlights include a lighthearted farce involving gossiping women, a satire about dinner parties, and a comedy about the pretensions of conventional theater, but some plays also touch on more serious themes such as death, war, and the effects of an unhappy marriage.

A humorous radio play dealing with the appalling psychological consequences of war without moral or political judgement. Dora and her son, James, visit James’ grandfather in a psychiatric hospital. What ensues confounds them both. High-powered drama set against the backdrop of the Afghanistan War.

Dick Powell made a career of reinventing himself. Born in Arkansas, the young tenor played horn and banjo, and sang with various dance bands and orchestras in Pittsburgh and elsewhere before he was brought to Hollywood, where he sang opposite Ruby Keeler and others in such classic Busby Berkeley musicals as 42nd Street, Footlight Parade, Gold Diggers of 1935, and the Al Jolson film, Wonder Bar.