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Northern Ireland is one hundred years old. Northern Ireland does not exist. Both of these statements are true. It just depends on who you ask. How do you write about a place like this? THE STRANGERS' HOUSE asks this question of the region’s greatest writers, living and dead. What have they made of Northern Ireland–and what has Northern Ireland made of them?

It’s 1925. Hitler has published Mein Kampf and Mussolini has shut down the free press in Italy. Three friends meet on a Scottish estate for a weekend of salmon fishing and convivial conversation over brandy and cigars: Winston Churchill, future world leader; "Bendor", 2nd Duke of Westminster; and Coco Chanel, iconic fashion entrepreneur. The narrative develops into a visceral account interspersed with sharp and insightful humor, revealing two men whose deep friendship is divided by their profound political differences, as each of them tries to navigate an uncertain world.

Poetry can give voice to opinions and feelings which would otherwise not be shared. This writer, in no uncertain terms, expresses in verse the frustration, disappointment, and worries the last six years have provoked. Brexit, COVID, climate change, and geopolitical upheaval, including the Russian invasion of Ukraine, are all here, as are some more personal reflections. Occasionally funny, sometimes satirical, sometimes reflective, usually thought-provoking. With a historical perspective on a tumultuous few years through poetry, it is not hard to detect a point of view!

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

Es un poema épico anglosajón anónimo que fue escrito en inglés antiguo en verso aliterativo. Cuenta con 3182 versos. Tanto el autor como la fecha de composición del poema se desconocen aunque las discusiones académicas suelen proponer fechas que van desde el siglo VIII al XII d. C.

William Butler Yeats's early poetry is suffused with the radiant lyricism of Irish folklore and myth; the yearning romance and distinctly Irish voice of these first works of the Nobel laureate have inspired scores of poets. This splendid selection offers a distinctive sampling of the Yeatsian voice.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Michael and Tony are in the “Waste Management Business”. They’ve been asked to dispose of a large “package” in a nearby lake with no questions asked. Join us on a tale of missing boats, existential questions, and gangster films as we take you on a trip into the average day of a “Union Representative”.

The Snake, the Scorpion, the Sage: A Poetry Book contains 38 poems across the themes of chaos, madness, lost love, violence, shadow work, dreams, nightmares, death, and the messy side of life experience.

This short set of poems is an expression of our universal need for connection, to ourselves as well as to others, in the most practical and human way possible. Within this beautiful connection to ourselves and others is an essential reconnection to and reconciliation with our shared consciousness. This is, I believe, the ground of our being and the fundamental reality. It seems to me that in order to arrive at this place of intimate connection, it is necessary for us to return to the present, and there, to let go of the past and the illusion of the future.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

British writer William Hazlitt was the most brilliant essayist of his day. He is now considered one of the greatest critics and essayists in the history of the English language, placed in the company of Samuel Johnson and George Orwell. During his last illness, Hazlitt wrote this essay on a topic that most people will recognize. Hazlitt did not fear his own demise, and in this thoughtful essay, he explains why no one needs to give in to such a fear.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Songs That Shake My Soul is a poetry collection that contains 45 poems that spread across the themes of magic, ancient mysteries, love-making, death-bringing, and the power of women seen through the eyes of one man.

Professor Hakim Adi draws on a variety of published works in Black Voices on Britain, all of which describe powerful experiences: James Gronniosaw and his family endure poverty, illness and unemployment; Mary Prince is driven out by her cruel owners and turns to London charities for help; Frederick Douglass, on a lecture tour around Britain, reveals how the Christian clergy built churches with slave-owners’ money and William Wells Brown gives his impressions of England as he travels around a country which welcomes him more readily than America.

Here is Virginia Woolf at her most entertaining and informative, relishing the portraits and insights she presents as she surveys a varied collection of individuals in English society and English literature. In The Common Reader Volume 2, (published in 1932), the essay lives on and even more so in this sensitive and engaging book by Georgina Sutton.

How does one encounter meaning amid so many kinds of noise? What is quiet when it isn’t silence? Where does quiet exist—and what liberating potential might it hold? These poems dwell on ideas of black interiority, intimacy, and selfhood, and they celebrate as fiercely as they mourn. With a metaphysical edge and a formal restlessness attuned to both the sonics and the inadequacies of language, Quiet navigates the tension between the impulse to guard one’s inner life and the knowledge that, as Audre Lorde writes, "your silence will not protect you."

The Written Word: A Poetry Book contains 36 poems that deal with the mysteries of writing, journaling, poetry, publishing. and the power of spoken or recorded language.

Written and performed by London-based actor and poet Jade Anouka (His Dark Materials), Heart introduces us to a woman who finds herself married and divorced at age 28. As she begins the process of piecing her life together, she confronts the insecurities and self-imposed boundaries that have always held her back. In the process, she discovers love in the last place—and with the last person—she expected.