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The sheer volume of commentaries on the Mahabharata is awe-inspiring. So, what is it in the Mahabharata that gives it its timeless magic? Is it the mythical characters with which it is replete that makes the epic so enchanting? Or is it the great wealth of philosophical and metaphysical ideas in it that dazzles its audiences? Or could it be a combination of all these that makes it ever-fascinating to scholars and audiences around the world? And, most of all, what accounts for its incredible effect on the subconscious of millions of Indians through several generations?

Middle class, middle aged, multicultural mother of millennial sons, Sudha lives a ‘squeezed middle’ life in Wimbledon. As she navigates her career, family and returning to India as a NRI (Non-Resident Indian), she is prompted to investigate her own sense of home and place in the world. Evening Conversations is a warm-hearted monologue inspired by Sudha’s banter with her dual-heritage (Pakistani/East African Indian) millennial sons who have grown up in leafy Wimbledon while her life has spanned three continents. She invites her boys to ‘crack open a cold one’ and share their views on life.

Ajay is fighting demons in his mind after losing his wife, Bhavna. Ten years of togetherness and a harsh twist of fate have thrown him into the pit of depression. With medication and therapy helping him fight his immense grief, there is only one ray of hope for him–he wants to immortalize his wife. Anisha lives life queen size. Making the most of each moment, she loves everything that she is blessed with. She is shocked when she meets Ajay. How can someone hate God so much? More than anything, what will that hatred do to him?

In this canto, we first meet Prahlad, a prince in the race of Asuras, fierce enemies of the gods. An exalted saint, he excites the ire of his demonic father Hiranyakshipu by his devotion to Krishna. The demon tries in every way possible to kill his son until at last, he is confronted by Krishna’s half-man, half-lion incarnation, Nrshinghadeva. After this is a conversation between the celestial sage Narada and King Yudhisthira, in which Narada describes in detail the ancient Vedic system of organizing society known as varnashrama dharma.

‘पंचतन्त्र’ विश्व साहित्य को भारतीय साहित्य की सबसे महत्त्वपूर्ण देन है। पंचतन्त्र की लोकप्रियता इस बात से आंकी जा सकती है कि विश्व की अधिकांश भाषाओं में इसका अनुवाद हो चुका है।.

"Ihr Ameisen, kommt! Kommt alle, fresst! Im Palast ist ein Wagen voll Reisbrei umgestürzt, da könnt ihr euch gütlich tun! Kommt!" Wir erfahren in den Indischen Märchen: Auch für die kleinsten Ameisen ist gesorgt, genau wie für die Elefanten, für Groß und Klein, für Menschen und für Götter: das ­Leben ist ein verschlungener Reigen, Oben und Unten spiegeln und vertauschen sich tausendfältig. Alexander Gruber hat alle Märchen neu erzählt, bleibt dabei den alten Geschichten treu und holt sie doch herüber in die heutige Zeit.

An essential classic, now available in Hindi.

रवीन्द्रनाथ टैगोर का यह उपन्यास बीसवीं सदी के प्रारम्भिक वर्षों के बंगाल पर केन्द्रित है और उस समय के समाज, राजनीति और धर्म की वास्तविक तस्वीर प्रस्तुत करता है।.

प्रेमचंद निस्संदेह हिन्दी के सर्वश्रेष्ठ कहानीकार थे जिनकी गणना विश्वस्तरीय साहित्यकारों में होती है। अपने जीवनकाल में उन्होंने 250 से अधिक कहानियाँ लिखीं जो मुख्यतः उस समय के समाज के यथार्थ को दर्शाती हैं।.

रवीन्द्रनाथ टैगोर का उपन्यास चोखेर बाली हिन्दी में ‘आँख की किरकिरी’ के नाम से प्रचलित है। प्रेम, वासना, दोस्ती और दाम्पत्य-जीवन की भावनाओं के भंवर में डूबते-उतरते चोखेर बाली के पात्रों-विनोदिनी.

1919 में प्रकाशित उपन्यास सेवासदन मूलतः उर्दू में लिखा गया था और इसका नाम था, बाज़ारे-हुस्न। इससे पहले मुंशी पे्रमचन्द ने लघु उपन्यास ही लिखे थे और यह उनका पहला महत्त्वपूर्ण उपन्यास था।.

We think of love stories as those that end in happily-ever-after. But thousands of years ago, in ancient India, love was understood in a different way—as one of the four aims of life, as a means for spiritual growth, as a celebration of the play of the Divine. As something profound, beautiful, and sometimes elusive.

Presenting प्रकृति बचाओ [Save Nature] collection of stories by BookBox.

Presenting Save Nature collection of stories by BookBox....

इस संकलन में कुछ ऐतिहासिक दस्तावेज़, कुछ खामोशी के दस्तावेज़, और कुछ उनकी बात भी है जो इस काल में संघर्ष की एक लम्बी यात्रा पर चल दी हैं....

The Path of Light is a collection of short stories nothing if not a mirror to the phenomenal range of human behavior. Taken from the Upanishads to the Jatakas to South Asian folklore, these simple but contemplative tales reveal how people are capable of both extreme cruelty and inordinate kindness.

Your entire family can enjoy listening to this preserved collection of my writings from 1968-1975, from 7th grade to just after high school. Some are poems, some songs, some just thoughts with a rhythmic pattern. I believe these early writings helped me to develop an appreciation for the beauty and inspirational power of the English language and positively impacted my later books and writings. While revisiting these, I observed my use of liberal literary license and an active imagination.

Vavachan is a Pulayan who gets the opportunity to play a policeman with an immense moustache in a musical drama. The character appears in only two scenes and has no dialogue. However, Vavachan's performance, and his moustache, terrify the mostly upper-caste audience, reviving in them memories of characters of Dalit power, such as Ravanan. Afterwards, Vavachan, whose people were traditionally banned from growing facial hair, refuses to shave off his moustache. Endless tales invent and reinvent the legend of his magic moustache.

In this exciting second part of Kalki R Krishnamurthy's historic magnum opus Ponniyin Selvan, our hero Vallavarayan Vandhiyathevan's adventures continue as he rides into marshy areas, meets a mysterious girl, and becomes the object of intense suspicion by the wily Pazhuvettarayars.

Warrior-prince Rama is about to be crowned Young King, when he hears the devastating news that his father, king of Ayodhya, has been tricked into banishing him to the forest. His devoted wife, Sita, insists on accompanying him in exile, but the evil 10-headed Lord Ravana has fallen deeply in love with the beautiful princess and steals her away. Aided by Hanuman, mighty captain of the monkeys, Rama sets out across the world to find her and destroy Ravana in a deadly battle.