検索キーワード： アジア系アメリカ人・太平洋諸島系

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue? In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic.

Teen breakout poet Christabelle Grace Marbun brings her latest collection, When the Dark Spoke to Me, to life through words wise beyond her years. Her uniquely positive perspective on life, death, and everything in between makes this book equally as comforting as it is compelling. Marbun’s exceptional thoughtfulness is evident in every word she pens—her messages of hope and her effortless optimism are sure to inspire every person who touches this book.

When Ann Tran gets the call that her beloved grandmother, has passed away, her life is already at a crossroads. She lives in a beautiful lake house and has a charming professor boyfriend, but it all crumbles away with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother. Under the same roof for the first time in years, mother and daughter must face the simmering questions of their past, while trying to rebuild their relationship without the one person who's always held them together.

When Ann Tran gets the call that her fiercely beloved grandmother, Minh, has passed away, her life is already at a crossroads. In the years since she’s last seen Minh, Ann has built a seemingly perfect life—a beautiful lake house, a charming professor boyfriend, and invites to elegant parties that bubble over with champagne and good taste—but it all crumbles with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Huơng.

The Funeral Cryer long ago accepted the mundane realities of her life: avoided by fellow villagers because of the stigma attached to her job as a professional mourner and under-appreciated by The Husband, whose fecklessness has pushed the couple close to the brink of break-up. But just when things couldn't be bleaker, The Funeral Cryer takes a leap of faith—and in so doing things start to take a surprising turn for the better.

A man, out for prayers, is found dead by a river bank and the listener is off to the races in this relentlessly paced twentieth century chronicle. Strong female characters like the coprotagonist, contrast the story to its provocative title, who is a strong, independent woman who would stop at nothing to achieve what she believes in. Human irrationality is front and center in this historical fiction theater.

In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. It was a beautiful thing once, a little oasis in a bustling city for neighbors by day and the local foxes at twilight. Now it’s overgrown and neglected, an empty patch of greenery lost to time.

Equal parts fantastical—a pair of talking dolls help twins escape a stifling home, a heart boils on the stove as part of an elaborate cure for melancholy, a fox demon contemplates avenging her sister's death—and true to life—a mother and daughter try to heal their rift when the daughter falls unexpectedly pregnant, a woman reexamines her father's legacy after his death—the stories in this collection are hopeful and heartbreaking, full of danger and full of joy.

In his first international release since the award-winning, best-selling The Boat, Nam Le delivers a shot across the bow with a book-length poem that honors every convention of diasporic literature—in a virtuosic array of forms and registers—before shattering the form itself.

In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. “Allied in the weirdest parts of themselves,” they envision each other as artistic collaborators and embark on a future defined by freedom and creativity. By the time they are adults, their dreams are murkier.

In South Korea in the 1980s, young Eunju and her mother are homeless on the street. After being captured by the police, they’re sent to live within the walls of a state-sanctioned reformatory center that claims to rehabilitate the nation’s citizens but hides a darker, more violent reality.

After an ultra-romantic honeymoon across Europe, Meddy Chan and her husband Nathan have landed in Jakarta to spend Chinese New Year with her entire extended family. Chinese New Year, already the biggest celebration of the Lunar calendar, gets even more festive when a former beau of Second Aunt’s shows up at the Chan residence bearing extravagant gifts—he’s determined to rekindle his romance with Second Aunt and the gifts are his way of announcing his courtship.

At a lavish party in the hills outside of San Francisco, Jin Han meets Lidija Jung and nothing will ever be the same for either woman. A brilliant young photographer, Jin is at a crossroads in her work, in her marriage to her college love Philip, and in who she is and who she wants to be. Lidija is an alluring, injured world-class ballerina on hiatus from her ballet company under mysterious circumstances. Drawn to each other by their intense artistic drives, the two women talk all night.

If Grace is being honest, she knows her choices skate past questionable and probably into destructive. But her heart is broken and the guy who broke it—her ex Josh—keeps hinting at a reunion. So when her best friends, Tiff and Camille, suggest they take a girls trip to help her get over her heartache, Grace doesn’t hesitate to recommend Cancún. She just doesn’t mention that Josh also happens to be there.

In Root Fractures, Diana Khoi Nguyen excavates the moments of rupture in a family: a mother who was forced underground after the Fall of Saigon, a father who engineered a new life in California as an immigrant, a brother who cut himself out of every family picture before cutting himself out of their lives entirely. And as new generations of the family come of age, opportunities to begin anew blend with visitations from the past.

The rain has made everything cold and damp, and it's the perfect evening for Kyoko to exact her revenge. After years of rage and grief over her mother's death, Kyoko has decided who is to blame: a man named Daniel, a fellow violinist who had wooed her mother, Emi, during their time together in an orchestra, and then dropped her - driving her to her death. Kyoko follows the unsuspecting Daniel home and manages to get her rash kidnapping plot off the ground...and really, what could go wrong?

Exes Ward Dunbar and Camille Buhay thought they would never see each other again. They had broken up to pursue their dream jobs on opposite sides of the country—her to New York City, and him to Los Angeles. But years later, they unexpectedly reconnect in London, where they are interviewing for similar jobs. The spark they feel when they meet again is palpable—the attraction comes back like muscle memory, reminding them of what they had lost. When Ward and Camille discover they both got the job working opposing shifts, they vow to give their relationship another try.

It’s spring 1999, and 25-year-old Lia Cope and her prickly 73-year-old grandmother, Mineko, are sharing a bedroom in Curtain, Texas, the ranching town where Lia grew up and Mineko began her life as a Japanese war bride. Both women are at a turning point: Mineko, long widowed, moved in with her son and daughter-in-law after a suspicious fire destroyed the Cope family ranch house, while Lia, an architect with a promising career in Austin, has unexpectedly returned under circumstances she refuses to explain.

When it comes to love and art, Rooney Gao believes in signs. Most of all, she believes in the Chinese legend that everyone is tied to their one true love by the red string of fate. And that belief has inspired her career as an artist, as well as the large art installations she makes with (obviously) red string. That is until artist’s block strikes and Rooney begins to question everything. But then fate leads her to the perfect guy.

On paper, Zoe Zeng has made it in New York’s fashion world. After a string of unpaid internships, she’s now a fashion columnist at Chic, lives in a quaint apartment in Manhattan, and gets invited to exclusive industry events. But life in New York City isn’t as chic as Zoe imagined.