検索キーワード： アジア系アメリカ人・太平洋諸島系

Henry Park has spent his entire life trying to become a true American—a native speaker. But even as the essence of his adopted country continues to elude him, his Korean heritage seems to drift further and further away. Park's harsh Korean upbringing has taught him to hide his emotions, to remember everything he learns, and most of all to feel an overwhelming sense of alienation. In other words, it has shaped him as a natural spy.

Four years into writing her still-unfinished philosophy dissertation, and anticipating a marriage proposal from her long-term boyfriend, Evelyn Kominsky Kumamoto is wrestling with big questions about life: How can she do meaningful work in the world? Is she ready for marriage—and motherhood? But no one else around her seems to share her ambivalence. Her relentlessly optimistic, Midwestern boyfriend has no hesitation about making a lifelong commitment; her best friend, Sharky, seems to have wholeheartedly embraced his second-choice career as a trend forecaster.

May, one of the new generations of Chinese super-rich kids, has outgrown Beijing and has come to California for an exciting life. She meets two American men: a Jewish American Harvard-educated professor named Leaf, and Mentor, a Silicon Valley self-made billionaire. As her relationships with Leaf and Mentor progress, May's past traumas in patriarchal China are revealed, while her cultural naivete leads to divergent interpretations of trust, personal boundaries, respect, fetishism, and sexual deviancy. May's life descends into a mad triangle of deception.

Will Chen, a Chinese American art history student at Harvard, has spent most of his life learning about the West—its art, its culture, all that it has taken and called its own. He believes art belongs with its creators, so when a Chinese corporation offers him a (highly illegal) chance to reclaim five priceless sculptures, it's surprisingly easy to say yes.

The yerar 1914: Ram Singh arrives in the Imperial Valley on the Mexican border, reluctantly accepting his friend Karak’s offer of work and partnership in a small cantaloupe farm. Ram is unmoored; fleeing violence in Oregon, he desperately longs to return to his wife and newborn son in Punjab - but he is duty bound to make his fortune first. In the Valley, American settlement is still new and the rules are ever shifting.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

This is a story about a not-so-heroic military veteran facing a world where the government squanders the hard-earned gains of Middle East effort, virtue is simply virtue signaling, nobody seems to be reliable, honesty is ephemeral, and most civilians do not care. Garth Ericson is a Marine Corps infantry veteran with years of service. He’s recovering from the wounds of a friendly-fire accident in Iraq. His wife has left him for another man, and he is grappling with Post Traumatic Stress Disorder.

Daiyu never wanted to be like the tragic heroine for whom she was named, revered for her beauty and cursed with heartbreak. But when she is kidnapped and forced across an ocean from China to America, Daiyu must relinquish the home and future she imagined for herself. Over the years that follow, she is forced to keep reinventing herself to survive. From a calligraphy school, to a San Francisco brothel, to a shop tucked into the Idaho mountains, we follow Daiyu on a desperate quest to outrun the tragedy that chases her.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago.

By now, Kana figured things would be easier. She and her business partner AJ have taken on bigger cases, grown the team, and travel the world solving cases. The honeymoon period ends during a case in Africa where reality clashes with Kana’s hopes for her burgeoning career. Things only get worse from there.

Theo's adventure ended with his mentor's hands around his neck. The betrayal cost him his friends, allies, and everything he had built...but not his life. Though broken and powerless, Theo has one last chance to enter the Nine Worlds, wielding the knowledge and expertise of his first life. This time, he needs more than just power, he needs to unravel the deception that killed him once...and is coming for him again.

Meddy Chan has been to countless weddings, but she never imagined how her own would turn out. Now the day has arrived, and she can't wait to marry her college sweetheart, Nathan. They find the perfect wedding vendors: a Chinese Indonesian family-run company just like theirs. Meddy is hesitant at first, but she hits it off right away with the wedding photographer, Staphanie, who reminds Meddy of herself, down to the unfortunately misspelled name. But Meddy realizes that is where their similarities end, however, when she overhears Staphanie talking about taking out a target.

For decades, a quartet of Chinese women who have emigrated to San Francisco gather to eat dim sum, play mahjong, and talk—they call themselves the Joy Luck Club. Over the years, their stories have informed the lives of four daughters who feel the weight of family and world history on their shoulders. With wit and sensitivity, this novel explores the deep, complicated, and sometimes painful connections between mothers and daughters.

The Chai House is a haunting debut novel that explores the complexity of community when individuals are unaware of their own roles in upholding systems of oppression. Swati has spent her entire life trying to live up to her family’s expectations of her. She has learned it is easiest to just do what is asked of her, without resistance; a skill that has helped her survive in the early years of the Knights, an authoritarian regime. When her mother has a request for Swati, she agrees to it as it is the only way to help her young niece have some sort of future.

Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about “Chinese-y” things again. But after years of grueling research, all she has to show for her efforts are a junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, it looks like her ticket out of academic hell.

Ingrid Yung's life is full of firsts. A first-generation Chinese American, the first lawyer in her family, she's about to collect the holy grail of "firsts" and become the first minority woman to make partner at the venerable old law firm Parsons Valentine & Hunt. Ingrid has perfected the art of "passing" and seamlessly blends into the old-boy corporate culture. She gamely banters in the corporate cafeteria, plays in the firm softball league, and earnestly racks up her billable hours.

Manny is a high-flying CEO who runs a company that specializes in other people’s breakups. Happily engaged and often featured in the media, she appears to have it all. But when she is photoshopped to look less Asian and her fiancé decries he doesn’t 'see race', she decides it’s time to reconnect with her roots. Determining she needs to learn more about her community, she convinces a client to take her to his brother’s big Indian wedding. When they arrive, Manny is instantly thrown into a celebration filled with fashion, food, dancing and family.

It is 1938 in China and, as a young wife, Meilin’s future is bright. But with the Japanese army approaching, Meilin and her four year old son, Renshu, are forced to flee their home. Relying on little but their wits and a beautifully illustrated hand scroll, filled with ancient fables that offer solace and wisdom, they must travel through a ravaged country, seeking refuge. Years later, Renshu has settled in America as Henry Dao. Though his daughter is desperate to understand her heritage, he refuses to talk about his childhood.

The poems in Yanyi’s latest book suggest that we enter and exit our old selves like homes. We look through the windows and recognize some former aspect of our lives that is both ours and not ours. We long for what we had even as we recognize that we can no longer live there. Yanyi conjures the beloved both within and without us: the beloved we believe we know, the beloved who is never the person we imagine, and the beloved who threatens to erase us even as we stand before them.